Anonymity

Anonymity is derived from the Greek word ἀνωνυμία, anonymia, meaning "without a name" or "namelessness". In colloquial use, anonymity typically refers to the state of an individual's personal identity, or personally identifiable information, being publicly unknown.

This page contains quotes on the subject of anonymity; for quotes for which the author is not publicly known, see Anonymous, and for quotes by or about the social action group see Anonymous (group)‎‎.

Quotes



 * We share the collective idea of ANONYMOUS worldwide; we are the people. We believe in non-violent, peaceful civil disobedience.
 * Anonymous introductory page for Anonymous UK


 * We are Anonymous. We are Legion. We do not forgive. We do not forget. Expect us.
 * Anonymous representative of the activist group Anonymous, as quoted in Yale Law and Technology (9 November 2009).


 * "People who make sacrifices are very much loved and admired, aren't they? " she asked, earnestly. "If the sacrifice is a true one. But many of the bravest never are known, and get no praise. That does not lessen their beauty, though perhaps it makes them harder, for we all like sympathy," and Dr. Alec sighed a patient sort of sigh.
 * Louisa May Alcott, Eight Cousins, or, The Aunt-hill (1875), p. 106.


 * My efforts have gone through many incarnations, and at one time, I would not post the face of the female, I wouldn’t post her name, and I wouldn’t post any information. [But] many times, family members get in touch with me because they’ve lost touch with this person and are trying to locate them. Sometimes, law enforcement will say that it’s a runaway that they’ve been trying to locate. I just found that there was no reason to maintain their anonymity.
 * Brian Bates Drone Vigilante Brian Bates JohnTV Oklohoma Spies on Sex Workers VICE


 * Never answer an anonymous letter.
 * Yogi Berra, as quoted in He Who Laughs, Lasts (2004) by Anson R. Nash, Jr., p. 108.


 * We talked of the casuistical question, Whether it was allowable at any time to depart from Truth? JOHNSON. 'The general rule is, that Truth should never be violated, because it is of the utmost importance to the comfort of life, that we should have a full security by mutual faith; and occasional inconveniences should be willingly suffered that we may preserve it. There must, however, be some exceptions. If, for instance, a murderer should ask you which way a man is gone, you may tell him what is not true, because you are under a previous obligation not to betray a man to a murderer.' BOSWELL. 'Supposing the person who wrote Junius were asked whether he was the authour, might he deny it?' JOHNSON. 'I don't know what to say to this. If you were sure that he wrote Junius, would you, if he denied it, think as well of him afterwards? Yet it may be urged, that what a man has no right to ask, you may refuse to communicate; and there is no other effectual mode of preserving a secret and an important secret, the discovery of which may be very hurtful to you, but a flat denial; for if you are silent, or hesitate, or evade, it will be held equivalent to a confession. But stay, Sir; here is another case. Supposing the authour had told me confidentially that he had written Junius, and I were asked if he had, I should hold myself at liberty to deny it, as being under a previous promise, express or implied, to conceal it. Now what I ought to do for the authour, may I not do for myself?
 * James Boswell in Life Of Johnson (1794), Vol. 4.


 * A factor that is almost indispensable to this kind of behavior [serial killing] is the mobility of contemporary American life. Living in large centers of population, and living with lots of people, you can get used to dealing with strangers. It's the anonymity factor, and it has a twofold effect. First of all if you're among strangers you're less likely to remember them, or care what they're doing or what they should, or should not, be doing. If they should or shouldn't be there. Secondly, you're conditioned almost not to be afraid of strangers. Mobility is very important here. As we've seen...the individual's [himself in third person] modus operandi was moving large distances in an attempt to camouflage what he was doing. Moving these distances, he was able to take advantage of the anonymity factor.
 * Ted Bundy, quoted in Michaud, Stephen; Aynesworth, Hugh (1999) The Only Living Witness: The True Story of Serial Sex Killer Ted Bundy (Paperback; revised ed.). Irving, Texas: Authorlink Press. pg. 326


 * We are clandestine because we refuse the spectacle of celebrity and we are everyone. Because without real names, faces or noses, we show that our words, dreams, and desires are more important than our biographies. Because we reject the society of surveillance that watches, controls, spies upon, records and checks our every move. Because by hiding our identity we recover the power of our acts. Because with greasepaint we give resistance a funny face and become visible once again.
 * Official statement of the Clandestine Insurgent Rebel Clown Army at ClownArmy.org, the official CIRCA site.


 * The growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs.
 * George Eliot, Middlemarch : A Study of Provincial Life  (1871).


 * Faith lived in the incognito is one which is located outside the criticism coming from society, from politics, from history, for the very reason that it has itself the vocation to be a source of criticism. It is faith (lived in the incognito) which triggers the issues for the others, which causes everything seemingly established to be placed in doubt, which drives a wedge into the world of false assurances.
 * Jacques Ellul, L'espérance oubliée (1972) [Hope in Time of Abandonment] as translated by C. Edward Hopkin (1973).


 * Inigo Montoya: Who are you? Man in Black: No one of consequence. Inigo Montoya: I must know...  Man in Black: Get used to disappointment.
 * William Goldman, The Princess Bride (1987).


 * Sacrificing anonymity may be the next generation's price for keeping precious liberty, as prior generations paid in blood.
 * Hal Norby, as quoted in The Transparent Society: Will Technology Force Us to Choose Between Privacy and Freedom? (1998), by David Brin, p. 3.


 * Fear names. Names have power in identity. Others can use names as weapons. Names are a hook that can be used to track you across the planes. Remain nameless, and you shall be safe. I am the Nameless One.
 * Planescape: Torment (1999).


 * Yes, they will trample me underfoot, the numbers marching one two three, four hundred million, five hundred six, reducing me to specks of voiceless dust, just as, in all good time, they will trample my son who is not my son, and his son who will not be his, and his who will not be his, until the thousand and first generation, until a thousand and one midnights have bestowed their terrible gifts and a thousand and one children have died, because it is the privilege and the curse of midnight’s children to be both masters and victims of their times, to forsake privacy and be sucked into the annihilating whirlpool of the multitudes, and to be unable to live or die in peace.
 * Salman Rushdie, Midnight's Children (1980).


 * If I had remained invisible, the truth would have stayed hidden. I couldn't allow that.
 * Sonmi-451, in Cloud Atlas (2012) based on the novel by David Mitchell


 * Great works of literature have frequently been produced by authors writing under assumed names. Despite readers' curiosity and the public's interest in identifying the creator of a work of art, an author generally is free to decide whether or not to disclose her true identity. The decision in favor of anonymity may be motivated by fear of economic or official retaliation, by concern about social ostracism, or merely by a desire to preserve as much of one's privacy as possible. Whatever the motivation may be, at least in the field of literary endeavor, the interest in having anonymous works enter the marketplace of ideas unquestionably outweighs any public interest in requiring disclosure as a condition of entry.
 * John Paul Stevens, McIntyre v. Ohio Elections Commission (Majority opinion, 514 U.S. 334 (1995)


 * On occasion, quite apart from any threat of persecution, an advocate may believe her ideas will be more persuasive if her readers are unaware of her identity. Anonymity thereby provides a way for a writer who may be personally unpopular to ensure that readers will not prejudge her message simply because they do not like its proponent.
 * John Paul Stevens, McIntyre v. Ohio Elections Commission (Majority opinion, 514 U.S. 334 (1995)


 * Anonymity is a shield from the tyranny of the majority. … It thus exemplifies the purpose behind the Bill of Rights, and of the First Amendment in particular: to protect unpopular individuals from retaliation--and their ideas from suppression--at the hand of an intolerant society. The right to remain anonymous may be abused when it shields fraudulent conduct. But political speech by its nature will sometimes have unpalatable consequences, and, in general, our society accords greater weight to the value of free speech than to the dangers of its misuse.
 * John Paul Stevens, McIntyre v. Ohio Elections Commission (Majority opinion, 514 U.S. 334 (1995)

I’ve always loved the idea of the craftsman, the anonymous man. For instance, I’ve always wanted my books to be called the work of Anon, because Anon is my favorite literary character.''' If you look through an anthology of poems that go from the far past into the present time, you’ll see that all the poems signed “Anon” have a very specific flavor that is one flavor all the way through the centuries. 'I think, perhaps arrogantly, of myself as “Anon.” I would like to think that Mary Poppins'' and the other books could be called back to make that change. But I suppose it’s too late for that.'''
 * You know C. S. Lewis, whom I greatly admire, said there’s no such thing as creative writing. … He said there is, in fact, only one Creator and we mix. That’s our function, to mix the elements He has given us. See how wonderfully anonymous that leaves us? You can’t say, “I did this; this gross matrix of flesh and blood and sinews and nerves did this.” '''What nonsense! I’m given these things to make a pattern out of. Something gave it to me.
 * P. L. Travers, author of the Mary Poppins stories, in The Paris Review No. 86 (Winter 1982).


 * Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth.
 * Oscar Wilde, The Critic as Artist (1891).


 * I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman.
 * Virginia Woolf, in A Room of One's Own (1929), Ch. 3; very often misquoted as "For most of history, Anonymous was a woman.".


 * I have many names, and none of them matter.
 * Roger Zelazny, Lord of Light (1967).


 * No word matters. But man forgets reality and remembers words. The more words he remembers, the cleverer do his fellows esteem him. He looks upon the great transformations of the world, but he does not see them as they were seen when man looked upon reality for the first time. Their names come to his lips and he smiles as he tastes them, thinking he knows them in the naming. The thing that has never happened before is still happening. It is still a miracle. The great burning blossom squats, flowing, upon the limb of the world, excreting the ash of the world, and being none of these things I have named and at the same time all of them, and this is reality — the Nameless.
 * Roger Zelazny, Lord of Light (1967).


 * I charge you — forget the names you bear, forget the words I speak as soon as they are uttered. Look, rather, upon the Nameless within yourselves, which arises as I address it. It hearkens not to my words, but to the reality within me, of which it is part. This is the atman, which hears me rather than my words. All else is unreal. To define is to lose. The essence of all things is the Nameless. The Nameless is unknowable, mightier even than Brahma. Things pass, but the essence remains. You sit, therefore, in the midst of a dream. "Essence dreams it a dream of form. Forms pass, but the essence remains, dreaming new dreams. Man names these dreams and thinks to have captured the essence, not knowing that he invokes the unreal. These stones, these walls, these bodies you see seated about you are poppies and water and the sun. They are the dreams of the Nameless.''' They are fire, if you like.
 * Roger Zelazny, Lord of Light (1967).


 * To struggle against the dreamers who dream ugliness, be they men or gods, cannot but be the will of the Nameless.
 * Roger Zelazny, Lord of Light (1967).


 * Death and Light are everywhere, always, and they begin, end, strive, attend, into and upon the Dream of the Nameless that is the world, burning words within Samsara, perhaps to create a thing of beauty.
 * Roger Zelazny, Lord of Light (1967).