Cavalry

Historically,  (from the French word cavalerie, itself derived from "cheval" meaning "horse") are soldiers or warriors who fight mounted on horseback. Cavalry were the most mobile of the combat arms, operating as light cavalry in the roles of reconnaissance, screening, and skirmishing in many armies, or as heavy cavalry for decisive shock attacks in other armies. An individual soldier in the cavalry is known by a number of designations depending on era and tactics, such as a cavalryman, horseman, trooper, cataphract, knight, drabant, hussar, uhlan, mamluk, cuirassier, lancer, dragoon, or horse archer. The designation of cavalry was not usually given to any military forces that used other animals for mounts, such as camels or elephants. Infantry who moved on horseback, but dismounted to fight on foot, were known in the early 17th to the early 18th century as dragoons, a class of mounted infantry which in most armies later evolved into standard cavalry while retaining their historic designation.

Quotes

 * The sun, by this, had risen, and clear’d the fog From the broad Oxus and the glittering sands: And from their tents the Tartar horsemen fil’d Into the open plain; so Haman bade; Haman, who next to Peran-Wisa rul’d The host, and still was in his lusty prime. From their black tents, long files of horse, they stream’d: As when, some grey November morn, the files, In marching order spread, of long-neck’d cranes Stream over Casbin, and the southern slopes Of Elburz, from the Aralian estuaries, Or some frore Caspian reed-bed, southward bound For the warm Persian sea-board: so they stream’d The Tartars of the Oxus, the King’s guard, First, with black sheep-skin caps and with long spears; Large men, large steeds; who from Bokhara come And Khiva, and ferment the milk of mares. Next the more temperate Toorkmuns of the south, The Tukas, and the lances of Salore, And those from Attruck and the Caspian sands; Light men, and on light steeds, who only drink The acrid milk of camels, and their wells. And then a swarm of wandering horse, who came From far, and a more doubtful service own’d; The Tartars of Ferghana, from the banks Of the Jaxartes, men with scanty beards And close-set skull-caps; and those wilder hordes Who roam o’er Kipchak and the northern waste, Kalmuks and unkemp’d Kuzzaks, tribes who stray Nearest the Pole, and wandering Kirghizzes, Who come on shaggy ponies from Pamere. These all fil’d out from camp into the plain. And on the other side the Persians form’d;— First a light cloud of horse, Tartars they seem’d, The Ilyats of Khorassan, and behind, The royal troops of Persia, horse and foot, Marshall’d battalions bright in burnish’d steel.
 * Matthew Arnold, "Sohrab and Rustum" (1853)


 * At dawn the drums of war were beat, Proclaiming, “Thus saith Mohtasim, ‘Let all my valiant horsemen meet,  And every soldier bring with him A spotted steed.’” So rode they forth,  A sight of marvel and of fear; Pied horses prancing fiercely north,  Three lakhs—the cup borne in the rear!
 * Sir, "The Caliph’s Draught"
 * Indian Poetry (Kegan Paul, Trench, Trubner & Co. Ltd, 1904)


 * The good news for Liddell Hart was that his work was hugely influential. The bad news was that it was hugely influential not in Britain but in Germany. With the notable exception of Major-General J. F. C. Fuller, senior British commanders like Field Marshal Earl Haig simply refused to accept that 'the aeroplane, the tank [and] the motor car [would] supersede the horse in future wars', dismissing motorized weapons as mere 'accessories to the man and horse'. Haig's brother concurred: the cavalry would 'never be scrapped to make room for the tanks'. By contrast, younger German officers immediately grasped the significance of Liddell Hart's work. Among his most avid fans was Heinz Guderian, commander of the 19th German Army Corps in the invasion of Poland. As Guderian recalled, it was from Liddell Hart and other British pioneers of 'a new type of warfare on the largest scale' that he learned the importance of 'the concentration of armour'.
 * Niall Ferguson, The War of the World: Twentieth-Century Conflict and the Descent of the West (2006), pp. 386-387


 * Hast thou not seen my horsemen charge the foe, Shot through the arms, cut overthwart the hands, Dying their lances with their streaming blood, And yet at night carouse within my tent, Filling their empty veins with airy wine, That, being concocted, turns to crimson blood, And wilt thou shun the field for fear of wounds?
 * Christopher Marlowe, Tamburlaine, Part 2: Act 3, Scene 2


 * If you want to be beautiful, enroll in the Hussars.
 * Russian: Если хочешь быть красивым, поступи в гусары.
 * Kozma Prutkov, Fruits of Reflection (1853-1854), No. 16.


 * ‘With burnish’d brand and musketoon So gallantly you come, I read you for a bold Dragoon,  That lists the tuck of drum.’
 * Sir Walter Scott, "Brignall Banks"
 * The Oxford Book of English Verse, 1250–1918 (1939)