Daniel Barenboim

Daniel Barenboim  (pronounced ˈbaːʁənbɔʏm; in Hebrew: דניאל בארנבוים, born 15 November 1942) is an Argentine-born pianist and conductor based in Berlin. From 1992 until January 2023, Barenboim was the general music director of the Berlin State Opera and "Staatskapellmeister" of its orchestra, the Staatskapelle Berlin.

Barenboim previously served as music director of the Chicago Symphony Orchestra, the Orchestre de Paris and La Scala in Milan. Barenboim is known for his work with the West–Eastern Divan Orchestra, a Seville-based orchestra of young Arab and Israeli musicians, and as a resolute critic of the Israeli occupation of Palestinian territories.

Quotes



 * I think it’s obvious that Wagner’s anti-Semitic views and writings are monstrous. There is no way around that. And I must say that if I, in a naïvely sentimental way, try to think which of the great composers of the past I would love to spend twenty-four hours with, if I could, Wagner doesn’t come to mind. I’d love to follow Mozart around for twenty-four hours; I’m sure it would be very entertaining, amusing, edifying, but Wagner… Wagner? I might invite him to dinner for study purposes, but not for enjoyment. Wagner, the person, is absolutely appalling, despicable, and, in a way, very difficult to put together with the music he wrote, which so often has exactly the opposite kind of feelings. It is noble, generous, etc. But now we are entering into the whole discussion of whether it is moral or not and this becomes too involved in a discussion. But suffice it to say for now that Wagner’s anti-Semitism was monstrous. That he used a lot of, at the time, common terminology for what could be described as salon anti-Semitism, and that he had all sorts of rationalizations about it, does not make it any less monstrous. He also used some abominable phrases which can be, at best, interpreted as being said in the heat of the moment — that Jews should be burned, etc. Whether he meant these things figuratively or not can be discussed. The fact remains that he was a monstrous anti-Semite. How we would look at the monstrous anti-Semitism without the Nazis, I don’t know. One thing I do know is that they, the Nazis, used, misused, and abused Wagner’s ideas or thoughts — I think this has to be said — beyond what he might have had in mind. Anti-Semitism was not invented by Adolf Hitler and it was certainly not invented by Richard Wagner. It existed for generations and generations and centuries before. The difference between National Socialism and the earlier forms of anti-Semitism is that the Nazis were the first, to my knowledge, to evolve a systematic plan to exterminate the Jews, the whole people. And I don’t think, although Wagner’s anti-Semitism is monstrous, that he can be made responsible for that, even though a lot of the Nazi thinkers, if you want to call them that, often quoted Wagner as their precursor. It also needs to be said for clarity’s sake that, in the operas themselves, there is not one Jewish character. There is not one anti-Semitic remark. There is nothing in any one of the ten great operas of Wagner even remotely approaching a character like Shylock.
 * "Wagner and Ideology : Daniel Barenboim & Edward Said in Conversation" at Columbia University, published in Rutgers University's Raritan (Spring 1998)


 * The Declaration of Independence was a source of inspiration to believe in ideals that transformed us from Jews to Israelis. ... I am asking today with deep sorrow: Can we, despite all our achievements, ignore the intolerable gap between what the Declaration of Independence promised and what was fulfilled, the gap between the idea and the realities of Israel? Does the condition of occupation and domination over another people fit the Declaration of Independence? Is there any sense in the independence of one at the expense of the fundamental rights of the other? Can the Jewish people whose history is a record of continued suffering and relentless persecution, allow themselves to be indifferent to the rights and suffering of a neighboring people? Can the State of Israel allow itself an unrealistic dream of an ideological end to the conflict instead of pursuing a pragmatic, humanitarian one based on social justice. I believe that despite all the objective and subjective difficulties, the future of Israel and its position in the family of enlightened nations will depend on our ability to realize the promise of the founding fathers as they canonized it in the Declaration of Independence. I have always believed that there is no military solution to the Jewish Arab conflict, neither from a moral nor a strategic one and since a solution is therefore inevitable I ask myself, why wait?
 * Statement at the upon receiving the, May 9, 2004, transcript online (16 May 2004) at ''.


 * Despite the fact that as an art, music cannot compromise its principles, and politics, on the other hand, is the art of compromise, when politics transcends the limits of the present existence and ascents to the higher sphere of the possible, it can be joined there by music. Music is the art of the imaginary par excellence, an art free of all limits imposed by words, an art that touches the depth of human existence, and art of sounds that crosses all borders. As such, music can take the feelings and imagination of Israelis and Palestinians to new unimaginable spheres.
 * Statement at the upon receiving the, May 9, 2004, transcript online (16 May 2004) at ''.


 * I am a Palestinian ..… and an Israeli … So you see it is possible to be both. … Everyone has to understand that the Palestinian cause is a just cause therefore it can be only given justice if it is achieved without violence. Violence can only weaken the righteousness of the Palestinian cause.
 * "Daniel Barenboim brings 'solace and pleasure' to Gaza with Mozart concert", The Guardian (3 May 2011)


 * Every musician here has played these pieces many times, sometimes hundreds of times. Yesterday we looked at this music as if we had seen it for the first time. We never accept that the next note will played the same way it was played before. Thinking anew is our daily activity. I hope all the people of this region can take note of that.
 * "Daniel Barenboim brings 'solace and pleasure' to Gaza with Mozart concert", The Guardian (3 May 2011)


 * To have real knowledge, one must understand the essence of things and not only their manifestations.
 * "Q&A: Daniel Barenboim", The Guardian (2 November 2012)


 * Music has the capacity to create a greater reality.
 * "Daniel Barenboim: 'Spaces of dialogue'" Al Jazeera (4 August 2013)


 * The thing about Wagner is we’re always wrong about him, because he always embraces opposites … There are things in his operas which viewed one way are naturalistic, and viewed another way are symbolic, but the problem is you can’t represent both views on stage at once.
 * "Proms 2013: Daniel Barenboim interview" The Telegraph (8 May 2013)


 * I have lived as a Jew in Berlin for the past 23 years, something that would not have been possible if I did not believe that the Germans had thought long and hard about their past. No one else has managed to do this to the extent the Germans have, and I admire them for it.
 * "Germany must talk straight with Israel", The Guardian (9 November 2014)


 * Israel's lasting future depends on its government's willingness to enter into a genuine peace agreement with the Palestinians. That this also goes for the Palestinians grouped around Hamas hardly needs to be stressed. Both sides have to understand that they must live together for better or worse and that hatred, terror and territorial, ethnic and religious exclusion have never produced peace, but rather have led to killing and more killing.
 * "Germany must talk straight with Israel", The Guardian (9 November 2014)


 *  considered the principle of equality and the pursuit of peace as the bedrock of the society they were building. What happened? ... I still believe that despite all the objective and subjective difficulties, the future of Israel and its position in the family of enlightened nations will depend on our ability to realize the promise of the founding fathers as they canonized it in the Declaration of Independence. Yet, nothing has really changed since 2004. Instead, we now have a law that confirms the Arab population as . It therefore is a very clear form of apartheid. I don’t think the Jewish people survived for 20 centuries, mostly through persecution and enduring endless cruelties, in order to now become the oppressors, inflicting cruelty on others. This new law does exactly that. That is why I am ashamed of being an Israeli today.
 * About the Basic Law proposal: Israel as the Nation-State of the Jewish People, Haaretz (dead link)

Before I end, permit me to say a few words on another subject which fills me with concern: in Israel, it is currently unclear how the next government will be formed. No matter how the new government turns out, however, '''Israelis must finally understand that their own security is inextricably linked to justice for the Palestinian people, which is so urgently needed. There can only be true and lasting peace if the unjust occupation of the Palestinian territories finally ends.'''
 * I live in Germany with great concern. Today, there is a highly dangerous new anti-Semitism in Germany, and reactions to this fact, both in society and politics, are far too weak. In the early 1990s I would not have believed that anti-Semitism and xenophobia, glorification of the Nazi past and an aggressive, racial nationalism could become socially acceptable again in Germany in 2019. What is happening every day in Germany cannot be brushed away as “alarm signals”; it is far too late for those. We must condemn and countermand anti-Semitism and xenophobia roundly and jointly, every day. For there are many aspects of German culture I value greatly: literature, music and philosophy, for example. Nazism, however, does not represent the human values this German culture is founded upon. Nazism is inhuman.
 * "Acceptance Speech for the Konrad Adenauer Prize" (19 October 2019)


 * His exceptional musical talent was already evident then and he has since developed into one of the the preeminent conductors of our time
 * Speaking of Christian Thielemann in Christian Thielemann chosen to succeed Daniel Barenboim as music director of Berlin's Staatsoper (27 September 2023)

SPIEGEL Interview (2012)

 * SPIEGEL Interview with Daniel Barenboim (22 June 2012)


 * I'm sure that there are many Israelis who dream of waking up one day to find the Palestinians gone. And there are many Palestinians who dream of going to bed at night and waking up the next morning to find the Israelis gone.


 * I have the greatest respect for the survivors of the Holocaust. We can't even imagine what these people went through. And yet even they have differing positions … I respect that there are survivors who can't, and certainly don't want to, listen to this music. But I don't accept that the fact that an orchestra playing Wagner in Tel Aviv or Jerusalem would do any harm to someone sitting in an apartment in Haifa.


 * Wagner exploited all forms of expression at a composer's disposal -- harmony, dynamics, orchestration -- to the extreme. His music is highly emotional, and at the same time Wagner has extraordinary control over the effect he achieves. That's why there is also something manipulative about Wagner's music, which is not to say that it's not honest. In fact, I believe that it's totally honest, but it also happens to be manipulative.