Elvis Costello

Declan Patrick Aloysius MacManus (born 25 August 1954) is an English musician, singer, and songwriter, primarily known by his stage-name Elvis Costello.

Quotes



 * My ultimate vocation in life is to be an irritant, someone who disrupts the daily drag of life just enough to leave the victim thinking there's maybe more to it all than the mere hum-drum quality of existence.
 * New Music Express interview with Nick Kent (1978); quoted in Elvis Costello, Joni Mitchell, and the Torch Song Tradition (2004) by Larry David Smith, p. 166


 * WARNING: This album contains country & western music and may cause offence to narrow minded listeners.
 * Warning label on Almost Blue (1981)


 * I can't actually play any instrument properly. I can't read music. And here's the New York Times calling me the new George Gershwin. It was so ridiculous, really embarrassing. It was embarrassing to watch these people fall into the trap of their own critical conceits.
 * Musician (March 1986)


 * Then I became an altar boy because of the solemn face, but I got thrown out at fourteen for laughing, because the priest used to mumble everything except the church plate takings.
 * The Times (2 March 2002)


 * When the media attention switches away from this story onto the next thing that happens in the world, the circumstances will still be there.
 * On the Hurricane Katrina devastation in New Orleans, as quoted in "New Orleans Musicians Hold Benefit in NYC" (21 September 2005)


 * The people with the most resources are the federal government. If you can invade a country halfway across the world in a matter of days, you can surely come to the aid of your own citizens in a shorter order of time.
 * Real Time With Bill Maher (25 August 2006)


 * I had a lot of problems with my name … my first name Declan is really not very well known outside of Ireland, MacManus is a name they could never spell ... if you think about the names of '76, '77 … I got off kind of lightly — with a name you could live with, you know, in time. … I kind of liked the dare of it. Of course we weren't to know that within a month of my first album actually being issued Elvis Presley would die, and it would actually be a talking point. … Let me put it this way — people don't forget you with that name. It's sort of receded as — and this may sound terribly disrespectful and heretical — but as Elvis Presley has receded as a musical force, people make much less of a case about it. Elvis is a sort of cultural figure but there is no direct line between the music of Elvis Presley and the music of today. There is none whatsoever, he's no influence whatsoever, that I can detect, on music made today. Other than people who consciously retro in styling themselves after his ideas. There is no direct impact in the way that you can hear the influence of The Beatles or Stevie Wonder or numerous other people.
 * On using the name "Elvis" as a stage name in The First 10 Years Podcast Series - Episode Two

dig interview (2004)

 * "Elvis Costello : Interview And Music" by Brian Wise (4 October 2004)




 * Obviously the people that I admired, like the Beatles, were really into rock'n'roll, but it was already a little past rock'n'roll when I started listening and making my own choices about music. I've been lucky to listen to lots of different types of music.


 * Obviously, when I started out, I had a little bit more curiosity than some, and went seeking out the original artists, or in some cases searching up country music. I followed The Byrds a lot, and then when they did a country styled record it made me curious to know who these people were that they liked.


 * My sense of history in music is much greater than a lot of people's. I listen a lot further back in the whole history of music. It's not just pop music of the last 20, 30, 40, 50 years. I'm listening to stuff from hundreds of years ago as well, because you can learn from everything.


 * We stayed out of Memphis early on in the late 70s for obvious reasons. People were very sensitive about Elvis Presley, and my stage name obviously would be provocative to some people in that area at that time. So we didn't visit Memphis until about 1984.


 * The first song that most people picked up on, particularly in America, of mine, was a ballad, not a rock'n'roll song. It was 'Alison', and that's an R&B ballad. I don't think there's any other way to describe it.


 * These are the sort of things that push you on in music — the curiosity, a passion for new ideas. It's important to keep restoring that, and at the same time, hold on to the core things about music that whenever you pick the simplest form of instrument; guitar or piano, you can find a song that's worthwhile.


 * I've had a lot of different experiences in music over the years. And not everything you do can satisfy everybody's idealised version of you.


 * I don't feel any form of music is beyond me in the sense of that I don't understand it or I don't have some love for some part of it. And if there's something in it that I can respond to, then there's something that I might be able to use as a composer. There are records of mine that have had smaller audiences and have provoked really drastic responses from people — particularly from critics — who maybe don't have quite enough time to live with the record or accept that a piece has its own integrity.

Song lyrics

 * Nice girls, not one with a defect, Cellophane shrink-wrapped, so correct. Red dogs under illegal legs, She looks so good that he gets down and begs. She is watching the detectives. "Ooh, it's so cute." She's watching the detectives. When they shoot, shoot, shoot, shoot. They beat him up until the teardrops start, But he can't be wounded 'cause he's got no heart.
 * Watching the Detectives (1977)

My Aim Is True (1977)



 * Alison, I know this world is killing you. Oh, Alison, my aim is true. My aim is true.
 * Alison


 * Oh I used to be disgusted and now I try to be amused. But since their wings have got rusted, you know, the angels wanna wear my red shoes.
 * (The Angels Wanna Wear My) Red Shoes


 * Turn up the TV. No one listening will suspect, even your mother won't detect it, no your father won't know. they think that I've got no respect but everything means less than zero.
 * Less Than Zero

This Year's Model (1978)



 * She said that's that. I don't wanna chitter-chat. Turn it down a little bit or turn it down flat. Pump it up when you don't really need it. Pump it up until you can feel it.
 * Pump It Up


 * They say you better listen to the voice of reason But they don't give you any choice 'cause they think that it's treason. So you had better do as you are told. You better listen to the radio.
 * Radio Radio


 * I wanna bite the hand that feeds me. I wanna bite that hand so badly. I want to make them wish they'd never seen me.
 * Radio Radio

Armed Forces (1979)



 * Accidents will happen We only hit and run He used to be your victim Now you're not the only one. Accidents will happen We only hit and run I don't want to hear it 'Cause I know what I've done.
 * Accidents Will Happen


 * Theres so many fish in the sea That only rise up in the sweat and smoke like mercury
 * Accidents Will Happen


 * And it's the damage that we do And never know It's the words that we don't say That scare me so.
 * Accidents Will Happen


 * Oliver's army is here to stay Oliver's army are on their way And I would rather be anywhere else But here today.
 * Oliver's Army This song makes reference to the British army and to Oliver Cromwell.

Get Happy!! (1980)



 * So beautiful and fortunate You're the one who hates to love But he's the one who loves to hate.
 * Love For Tender


 * Clowntime is over Time to take over While others just talk and talk Somebody's watching where the others don't walk.
 * Clowntime Is Over

Punch the Clock (1983)



 * Don't tell me you don't know what love is When you're old enough to know better.
 * Everyday I Write The Book


 * I'm a man with a mission in two or three editions And I'm giving you a longing look Everyday, everyday, everyday I write the book.
 * Everyday I Write The Book


 * The boy said 'Dad they're going to take me to task But I'll be back by Christmas' It's just a rumour that was spread around town Somebody said that someone got filled in For saying that people get killed in The result of this shipbuilding With all the will in the world Diving for dear life When we could be diving for pearls.
 * Shipbuilding, written by Elvis Costello and Clive Langer

Spike (1989)



 * Is it all in that pretty little head of yours? What goes on in that place in the dark? Well I used to know a girl and I would have sworn that her name was Veronica Well she used to have a carefree mind of her own and a delicate look in her eye These days I'm afraid she's not even sure if her name is Veronica.
 * Veronica, written by Elvis Costello and Paul McCartney


 * While you lie in the dark, afraid to breathe and you beg and you promise And you bargain and you plead Sometimes you confuse me with Santa Claus It's the big white beard I suppose. Im going up to the pole, where you folks die of cold I might be gone for a while if you need me.
 * God's Comic YouTube video


 * Now Im dead, now Im dead, and you're all Going on to meet your reward. Are you scared? Are you scared? Are you scared?  Are you scared?  You might have never heard, but God's comic.
 * God's Comic

All This Useless Beauty (1996)



 * There's always something that's smoldering somewhere I know it don't make a difference to you But oh! It sure made a difference to me You'll see me off in the distance, I hope At the other end At the other end of the telescope.
 * The Other End (of the Telescope), written by Elvis Costello and Aimee Mann


 * Lie down baby now don't say a word There there baby your vision is blurred Your head is so sore from all of that thinking I don't want to hurt you now But I think you're shrinking.
 * The Other End (of the Telescope)


 * What shall we do, what shall we do with all this useless beauty?
 * All This Useless Beauty


 * Nonsense prevails, modesty fails Grace and virtue turn into stupidity While the calendar fades almost all barricades to a pale compromise And our leaders have feasts on the backsides of beasts They still think they're the gods of antiquity If something you missed didn't even exist It was just an ideal — is it such a surprise?
 * All This Useless Beauty


 * Well there's a line that you must toe and it'll soon be time to go but it's darker than you know in those Complicated Shadows
 * Complicated Shadows


 * Why can't a man stand alone? Must he be burdened by all that he's taught to consider his own? His skin and his station, his kin and his crown, his flag and his nation They just weigh him down
 * Why Can't A Man Stand Alone?


 * Now I just don't know who to tell to go to hell Who put the old devil in the distorted angel?
 * Distorted Angel

Misattributed

 * Writing about music is like dancing about architecture — it's a really stupid thing to want to do.
 * This has commonly been paraphrased "Talking about music is like dancing about architecture." More info at "Alan P. Scott : Talking about music..." Also, Costello has denied having coined this, in an interview in Q magazine, tentatively attributing the quote instead to Martin Mull.


 * As I walk through This wicked world Searchin' for light in the darkness of insanity, I ask myself Is all hope lost? Is there only pain and hatred, and misery? And each time I feel like this inside, There's one thing I wanna know: What's so funny 'bout Peace, Love, & Understanding?
 * Though Costello's cover became a hit, "(What's So Funny 'Bout) Peace, Love, and Understanding", was actually written by Nick Lowe.