Fritz Glarner

 (born July 20, 1899 in Zurich, d. September 18, 1972 in Locarno) was a Swiss-American painter.

Quotes

 * A painter should never speak because words are not the means at his command. Words cannot express visually dimension at a glance they can only establish their own relationship in time. However, it is possible for a painter, at certain moments of his development to formulate some of the problems he is facing in the growth of his work. A painting cannot be explained. Words can only stimulate the act of looking. A visual problem is never put a priori as a mathematical problem but is born in the process of painting and evolves in a state of unawareness of the painter.
 * In: George L. K. Morris, Willem De Kooning, Alexander Calder, Fritz Glarner, Robert Motherwell, Stuart Davis. "What Abstract Art Means to Me," in: The Bulletin of the Museum of Modern Art, Vol. 18, No. 3, (Spring, 1951), pp. 2-15

Quotes about Glarner

 * Seeking an English equivalent for peinture relative, Glarner settled on the term 'relational painting' towards the end of 1946, which he applied retrospectively to some of his earlier paintings and all his subsequent works. It was a term that suited the kind of abstract painting he pursued, focused on relating geometric shapes and ground through colour in ways which would make shape and ground alternate to produce what he called 'pumping planes'. While acknowledging the influence of Piet Mondrian (1872-1944), with whom he was closely associated in New York, Glarner replaced the balancing of horizontality and verticality achieved in Mondrian's painting with interlocking rectangles and wedges that expand out towards the edges of the canvas.
 * Dore Ashton, "Fritz Glarner," Art International, vol. 7, no. 1, January 1963, p.51; Republished in: National Gallery of Australia, ‎Michael Lloyd, ‎Michael Desmond (1992). European and American Paintings and Sculpturee 1870-1970 in the Australian National Gallery, p. 246