Heretics (book)

Heretics is a collection of 20 essays originally published by G. K. Chesterton in 1905.

Chapter I: "Introductory Remarks on the Importance of Orthodoxy"

 * The word 'heresy' not only means no longer being wrong; it practically means being clear-headed and courageous. The word 'orthodoxy' not only no longer means being right; it practically means being wrong. All this can mean one thing, and one thing only. It means that people care less for whether they are philosophically right.


 * It is foolish, generally speaking, for a philosopher to set fire to another philosopher in Smithfield Market because they do not agree in their theory of the universe. That was done very frequently in the last decadence of the Middle Ages, and it failed altogether in its object. But there is one thing that is infinitely more absurd and unpractical than burning a man for his philosophy. This is the habit of saying that his philosophy does not matter, and this is done universally in the twentieth century, in the decadence of the great revolutionary period. General theories are everywhere contemned; the doctrine of the Rights of Man is dismissed with the doctrine of the Fall of Man. Atheism itself is too theological for us to-day. Revolution itself is too much of a system; liberty itself is too much of a restraint. We will have no generalizations. Mr. Bernard Shaw has put the view in a perfect epigram: "The golden rule is that there is no golden rule." We are more and more to discuss details in art, politics, literature. A man's opinion on tramcars matters; his opinion on Botticelli matters; his opinion on all things does not matter. He may turn over and explore a million objects, but he must not find that strange object, the universe; for if he does he will have a religion, and be lost. Everything matters — except everything.


 * At any innocent tea-table we may easily hear a man say, "Life is not worth living." We regard it as we regard the statement that it is a fine day; nobody thinks that it can possibly have any serious effect on the man or on the world. And yet if that utterance were really believed, the world would stand on its head. Murderers would be given medals for saving men from life; firemen would be denounced for keeping men from death; poisons would be used as medicines; doctors would be called in when people were well; the Royal Humane Society would be rooted out like a horde of assassins. Yet we never speculate as to whether the conversational pessimist will strengthen or disorganize society; for we are convinced that theories do not matter.


 * When the old Liberals removed the gags from all the heresies, their idea was that religious and philosophical discoveries might thus be made. Their view was that cosmic truth was so important that every one ought to bear independent testimony. The modern idea is that cosmic truth is so unimportant that it cannot matter what any one says. The former freed inquiry as men loose a noble hound; the latter frees inquiry as men fling back into the sea a fish unfit for eating. Never has there been so little discussion about the nature of men as now, when, for the first time, any one can discuss it. The old restriction meant that only the orthodox were allowed to discuss religion. Modern liberty means that nobody is allowed to discuss it. Good taste, the last and vilest of human superstitions, has succeeded in silencing us where all the rest have failed.


 * There are some people, nevertheless — and I am one of them — who think that the most practical and important thing about a man is still his view of the universe. … We think that for a general about to fight an enemy, it is important to know the enemy's numbers, but still more important to know the enemy's philosophy. We think the question is not whether the theory of the cosmos affects matters, but whether in the long run, anything else affects them.


 * In the fifteenth century men cross-examined and tormented a man because he preached some immoral attitude; in the nineteenth century we feted and flattered Oscar Wilde because he preached such an attitude, and then broke his heart in penal servitude because he carried it out. It may be a question which of the two methods was the more cruel; there can be no kind of question which was the more ludicrous. The age of the Inquisition has not at least the disgrace of having produced a society which made an idol of the very same man for preaching the very same things which it made him a convict for practising.


 * Blasphemy is an artistic effect, because blasphemy depends upon a philosophical conviction. Blasphemy depends upon belief and is fading with it. If any one doubts this, let him sit down seriously and try to think blasphemous thoughts about Thor.


 * When everything about a people is for the time growing weak and ineffective, it begins to talk about efficiency. So it is that when a man's body is a wreck he begins, for the first time, to talk about health. Vigorous organisms talk not about their processes, but about their aims.


 * The time of big theories was the time of big results. In the era of sentiment and fine words, at the end of the eighteenth century, men were really robust and effective.


 * I do not say that there are no stronger men than these; but will any one say that there are any men stronger than those men of old who were dominated by their philosophy and steeped in their religion? Whether bondage be better than freedom may be discussed. But that their bondage came to more than our freedom it will be difficult for any one to deny.


 * I wish to deal with my most distinguished contemporaries, not personally or in a merely literary manner, but in relation to the real body of doctrine which they teach. I am not concerned with Mr. Rudyard Kipling as a vivid artist or a vigorous personality; I am concerned with him as a Heretic — that is to say, a man whose view of things has the hardihood to differ from mine. I am not concerned with Mr. Bernard Shaw as one of the most brilliant and one of the most honest men alive; I am concerned with him as a Heretic — that is to say, a man whose philosophy is quite solid, quite coherent, and quite wrong. I revert to the doctrinal methods of the thirteenth century, inspired by the general hope of getting something done.

Chapter II: "On the Negative Spirit"

 * Every one of the popular modern phrases and ideals is a dodge in order to shirk the problem of what is good. We are fond of talking about "liberty"; that, as we talk of it, is a dodge to avoid discussing what is good. We are fond of talking about "progress"; that is a dodge to avoid discussing what is good. We are fond of talking about "education"; that is a dodge to avoid discussing what is good. The modern man says, "Let us leave all these arbitrary standards and embrace liberty." This is, logically rendered, "Let us not decide what is good, but let it be considered good not to decide it." He says, "Away with your old moral formulae; I am for progress." This, logically stated, means, "Let us not settle what is good; but let us settle whether we are getting more of it." He says, "Neither in religion nor morality, my friend, lie the hopes of the race, but in education." This, clearly expressed, means, "We cannot decide what is good, but let us give it to our children."


 * As enunciated today, 'progress' is simply a comparative of which we have not settled the superlative.


 * I do not, therefore, say that the word "progress" is unmeaning; I say it is unmeaning without the previous definition of a moral doctrine, and that it can only be applied to groups of persons who hold that doctrine in common. Progress is not an illegitimate word, but it is logically evident that it is illegitimate for us. It is a sacred word, a word which could only rightly be used by rigid believers and in the ages of faith.

Chapter III: "On Mr. Rudyard Kipling and Making the World Small"



 * There is no such thing on earth as an uninteresting subject; the only thing that can exist is an uninterested person.


 * The moment we care for anything deeply, the world—that is, all the other miscellaneous interests—becomes our enemy. Christians showed it when they talked of keeping one's self "unspotted from the world;" but lovers talk of it just as much when they talk of the "world well lost." Astronomically speaking, I understand that England is situated on the world; similarly, I suppose that the Church was a part of the world, and even the lovers inhabitants of that orb. But they all felt a certain truth—the truth that the moment you love anything the world becomes your foe. Thus Mr. Kipling does certainly know the world; he is a man of the world, with all the narrowness that belongs to those imprisoned in that planet. He knows England as an intelligent English gentleman knows Venice. He has been to England a great many times; he has stopped there for long visits. But he does not belong to it, or to any place; and the proof of it is this, that he thinks of England as a place. The moment we are rooted in a place, the place vanishes. We live like a tree with the whole strength of the universe.


 * The man in the saloon steamer has seen all the races of men, and he is thinking of the things that divide men—diet, dress, decorum, rings in the nose as in Africa, or in the ears as in Europe, blue paint among the ancients, or red paint among the modern Britons. The man in the cabbage field has seen nothing at all; but he is thinking of the things that unite men—hunger and babies, and the beauty of women, and the promise or menace of the sky. Mr. Kipling, with all his merits, is the globe-trotter; he has not the patience to become part of anything. So great and genuine a man is not to be accused of a merely cynical cosmopolitanism; still, his cosmopolitanism is his weakness.


 * In the heated idleness of youth we were all rather inclined to quarrel with the implication of that proverb which says that a rolling stone gathers no moss. We were inclined to ask, "Who wants to gather moss, except silly old ladies?" But for all that we begin to perceive that the proverb is right. The rolling stone rolls echoing from rock to rock; but the rolling stone is dead. The moss is silent because the moss is alive.

Chapter IV: "Mr. Bernard Shaw"

 * The truth is, that it is quite an error to suppose that absence of definite convictions gives the mind freedom and agility. A man who believes something is ready and witty, because he has all his weapons about him. He can apply his test in an instant. The man engaged in conflict with a man like Mr. Bernard Shaw may fancy he has ten faces; similarly a man engaged against a brilliant duellist may fancy that the sword of his foe has turned to ten swords in his hand. But this is not really because the man is playing with ten swords, it is because he is aiming very straight with one. Moreover, a man with a definite belief always appears bizarre, because he does not change with the world; he has climbed into a fixed star, and the earth whizzes below him like a zoetrope. Millions of mild black-coated men call themselves sane and sensible merely because they always catch the fashionable insanity, because they are hurried into madness after madness by the maelstrom of the world.


 * It was, in brief, that conservatives ideals were bad, not because they were conservative, but because they were ideals. Every ideal prevented men from judging justly the particular case; every moral generalization oppressed the individual; the golden rule was there was no golden rule. And the objection to this is simply that it pretends to free men, but really restrains them from doing the only thing that men want to do. What is the good of telling a community that it has every liberty except the liberty to make laws? The liberty to make laws is what constitutes a free people. And what is the good of telling a man (or a philosopher) that he has every liberty except the liberty to make generalizations. Making generalizations is what makes him a man. In short, when Mr.Shaw forbids men to have strict moral ideals, he is acting like one who should forbid them to have children. The saying that "the golden rule is that there is no golden rule," can, indeed, be simply answered by being turned round. That there is no golden rule is itself a golden rule, or rather it is much worth than a golden rule; It is an Iron Rule; a fetter on the first movement of a man.


 * After belabouring a great many people for a great many years for being unprogressive, Mr. Shaw has discovered, with characteristic sense, that it is very doubtful whether any existing human being with two legs can be progressive at all. Having come to doubt whether humanity can be combined with progress, most people, easily pleased, would have elected to abandon progress and remain with humanity. Mr. Shaw, not being easily pleased, decides to throw over humanity with all its limitations and go in for progress for its own sake. If man, as we know him, is incapable of the philosophy of progress, Mr. Shaw asks, not for a new kind of philosophy, but for a new kind of man.


 * When Christ at a symbolic moment was establishing His great society, He chose for its corner-stone neither the brilliant Paul nor the mystic John, but a shuffler, a snob a coward--in a word, a man. And upon this rock He has built His Church, and the gates of Hell have not prevailed against it. All the empires and the kingdoms have failed, because of this inherent and continual weakness, that they were founded by strong men and upon strong men. But this one thing, the historic Christian Church, was founded on a weak man, and for that reason it is indestructible. For no chain is stronger than its weakest link.

Chapter V: "Mr. H. G. Wells and the Giants"

 * We ought to see far enough into a hypocrite to see even his sincerity.


 * But the truth is that there is no more conscious inconsistency between the humility of a Christian and the rapacity of a Christian than there is between the humility of a lover and the rapacity of a lover. The truth is that there are no things for which men will make such herculean efforts as the things of which they know they are unworthy. There never was a man in love who did not declare that, if he strained every nerve to breaking, he was going to have his desire. And there never was a man in love who did not declare also that he ought not to have it. The whole secret of the practical success of Christendom lies in the Christian humility, however imperfectly fulfilled. For with the removal of all question of merit or payment, the soul is suddenly released for incredible voyages. If we ask a sane man how much he merits, his mind shrinks instinctively and instantaneously. It is doubtful whether he merits six feet of earth. But if you ask him what he can conquer—he can conquer the stars. Thus comes the thing called Romance, a purely Christian product. A man cannot deserve adventures; he cannot earn dragons and hippogriffs. The mediaeval Europe which asserted humility gained Romance; the civilization which gained Romance has gained the habitable globe.


 * And this gay humility, this holding of ourselves lightly and yet ready for an infinity of unmerited triumphs, this secret is so simple that every one has supposed that it must be something quite sinister and mysterious. Humility is so practical a virtue that men think it must be a vice. Humility is so successful that it is mistaken for pride. It is mistaken for it all the more easily because it generally goes with a certain simple love of splendour which amounts to vanity. Humility will always, by preference, go clad in scarlet and gold; pride is that which refuses to let gold and scarlet impress it or please it too much.


 * But undoubtedly it was to this almost eerie innocence of the intellect that the great men of the great scientific period, which now appears to be closing, owed their enormous power and triumph. If they had brought the heavens down like a house of cards their plea was not even that they had done it on principle; their quite unanswerable plea was that they had done it by accident.


 * But one purely modern man has emerged in the strictly modern decades who does carry into our world the clear personal simplicity of the old world of science. One man of genius we have who is an artist, but who was a man of science, and who seems to be marked above all things with this great scientific humility. I mean Mr. H. G. Wells. And in his case, as in the others above spoken of, there must be a great preliminary difficulty in convincing the ordinary person that such a virtue is predicable of such a man. Mr. Wells began his literary work with violent visions—visions of the last pangs of this planet; can it be that a man who begins with violent visions is humble? He went on to wilder and wilder stories about carving beasts into men and shooting angels like birds. Is the man who shoots angels and carves beasts into men humble? Since then he has done something bolder than either of these blasphemies; he has prophesied the political future of all men; prophesied it with aggressive authority and a ringing decision of detail. Is the prophet of the future of all men humble? It will indeed be difficult, in the present condition of current thought about such things as pride and humility, to answer the query of how a man can be humble who does such big things and such bold things. For the only answer is the answer which I gave at the beginning of this essay. It is the humble man who does the big things. It is the humble man who does the bold things. It is the humble man who has the sensational sights vouchsafed to him, and this for three obvious reasons: first, that he strains his eyes more than any other men to see them; second, that he is more overwhelmed and uplifted with them when they come; third, that he records them more exactly and sincerely and with less adulteration from his more commonplace and more conceited everyday self.


 * He says, "Nothing endures, nothing is precise and certain (except the mind of a pedant).... Being indeed!—there is no being, but a universal becoming of individualities, and Plato turned his back on truth when he turned towards his museum of specific ideals." Mr. Wells says, again, "There is no abiding thing in what we know. We change from weaker to stronger lights, and each more powerful light pierces our hitherto opaque foundations and reveals fresh and different opacities below." Now, when Mr. Wells says things like this, I speak with all respect when I say that he does not observe an evident mental distinction. It cannot be true that there is nothing abiding in what we know. For if that were so we should not know it all and should not call it knowledge. Our mental state may be very different from that of somebody else some thousands of years back; but it cannot be entirely different, or else we should not be conscious of a difference. Mr. Wells must surely realize the first and simplest of the paradoxes that sit by the springs of truth. He must surely see that the fact of two things being different implies that they are similar. The hare and the tortoise may differ in the quality of swiftness, but they must agree in the quality of motion. The swiftest hare cannot be swifter than an isosceles triangle or the idea of pinkness. When we say the hare moves faster, we say that the tortoise moves. And when we say of a thing that it moves, we say, without need of other words, that there are things that do not move. And even in the act of saying that things change, we say that there is something unchangeable.But certainly the best example of Mr. Wells's fallacy can be found in the example which he himself chooses. It is quite true that we see a dim light which, compared with a darker thing, is light, but which, compared with a stronger light, is darkness. But the quality of light remains the same thing, or else we should not call it a stronger light or recognize it as such. If the character of light were not fixed in the mind, we should be quite as likely to call a denser shadow a stronger light, or vice versa If the character of light became even for an instant unfixed, if it became even by a hair's-breadth doubtful, if, for example, there crept into our idea of light some vague idea of blueness, then in that flash we have become doubtful whether the new light has more light or less. In brief, the progress may be as varying as a cloud, but the direction must be as rigid as a French road. North and South are relative in the sense that I am North of Bournemouth and South of Spitzbergen. But if there be any doubt of the position of the North Pole, there is in equal degree a doubt of whether I am South of Spitzbergen at all. The absolute idea of light may be practically unattainable. We may not be able to procure pure light. We may not be able to get to the North Pole. But because the North Pole is unattainable, it does not follow that it is indefinable. And it is only because the North Pole is not indefinable that we can make a satisfactory map of Brighton and Worthing.In other words, Plato turned his face to truth but his back on Mr. H. G. Wells, when he turned to his museum of specified ideals. It is precisely here that Plato shows his sense. It is not true that everything changes; the things that change are all the manifest and material things. There is something that does not change; and that is precisely the abstract quality, the invisible idea. Mr. Wells says truly enough, that a thing which we have seen in one connection as dark we may see in another connection as light. But the thing common to both incidents is the mere idea of light—which we have not seen at all. Mr. Wells might grow taller and taller for unending aeons till his head was higher than the loneliest star. I can imagine his writing a good novel about it. In that case he would see the trees first as tall things and then as short things; he would see the clouds first as high and then as low. But there would remain with him through the ages in that starry loneliness the idea of tallness; he would have in the awful spaces for companion and comfort the definite conception that he was growing taller and not (for instance) growing fatter.


 * The strong old literature is all in praise of the weak. The rude old tales are as tender to minorities as any modern political idealist. The rude old ballads are as sentimentally concerned for the under-dog as the Aborigines Protection Society. When men were tough and raw, when they lived amid hard knocks and hard laws, when they knew what fighting really was, they had only two kinds of songs. The first was a rejoicing that the weak had conquered the strong, the second a lamentation that the strong had, for once in a way, conquered the weak. For this defiance of the statu quo, this constant effort to alter the existing balance, this premature challenge to the powerful, is the whole nature and inmost secret of the psychological adventure which is called man. It is his strength to disdain strength.

Chapter VI: "Christmas and the Aesthetes"

 * But the thing which is irrational any one can understand. That is why religion came so early into the world and spread so far, while science came so late into the world and has not spread at all. History unanimously attests the fact that it is only mysticism which stands the smallest chance of being understanded of the people.


 * A man who has faith must be prepared not only to be a martyr, but to be a fool. It is absurd to say that a man is ready to toil and die for his convictions when he is not even ready to wear a wreath round his head for them. I myself, to take a corpus vile, am very certain that I would not read the works of Comte through for any consideration whatever. But I can easily imagine myself with the greatest enthusiasm lighting a bonfire on Darwin Day.


 * That splendid effort failed, and nothing in the style of it has succeeded. There has been no rationalist festival, no rationalist ecstasy. Men are still in black for the death of God. When Christianity was heavily bombarded in the last century upon no point was it more persistently and brilliantly attacked than upon that of its alleged enmity to human joy. Shelley and Swinburne and all their armies have passed again and again over the ground, but they have not altered it. They have not set up a single new trophy or ensign for the world's merriment to rally to. They have not given a name or a new occasion of gaiety. Mr. Swinburne does not hang up his stocking on the eve of the birthday of Victor Hugo. Mr. William Archer does not sing carols descriptive of the infancy of Ibsen outside people's doors in the snow. In the round of our rational and mournful year one festival remains out of all those ancient gaieties that once covered the whole earth. Christmas remains to remind us of those ages, whether Pagan or Christian, when the many acted poetry instead of the few writing it. In all the winter in our woods there is no tree in glow but the holly.


 * Let no man deceive himself; if by vulgarity we mean coarseness of speech, rowdiness of behaviour, gossip, horseplay, and some heavy drinking, vulgarity there always was wherever there was joy, wherever there was faith in the gods. Wherever you have belief you will have hilarity, wherever you have hilarity you will have some dangers. And as creed and mythology produce this gross and vigorous life, so in its turn this gross and vigorous life will always produce creed and mythology. If we ever get the English back on to the English land they will become again a religious people, if all goes well, a superstitious people. The absence from modern life of both the higher and lower forms of faith is largely due to a divorce from nature and the trees and clouds. If we have no more turnip ghosts it is chiefly from the lack of turnips.

Chapter VII: "Omar and the Sacred Vine"

 * Happiness is a mystery like religion, and should never be rationalised.


 * Ultimately a man cannot rejoice in anything except the nature of things. Ultimately a man can enjoy nothing except religion. Once in the world's history men did believe that the stars were dancing to the tune of their temples, and they danced as men have never danced since. With this old pagan eudaemonism the sage of the Rubaiyat has quite as little to do as he has with any Christian variety. He is no more a Bacchanal than he is a saint. Dionysus and his church was grounded on a serious joie-de-vivre like that of Walt Whitman. Dionysus made wine, not a medicine, but a sacrament. Jesus Christ also made wine, not a medicine, but a sacrament. But Omar makes it, not a sacrament, but a medicine. He feasts because life is not joyful; he revels because he is not glad. "Drink," he says, "for you know not whence you come nor why. Drink, for you know not when you go nor where. Drink, because the stars are cruel and the world as idle as a humming-top. Drink, because there is nothing worth trusting, nothing worth fighting for. Drink, because all things are lapsed in a base equality and an evil peace." So he stands offering us the cup in his hand. And at the high altar of Christianity stands another figure, in whose hand also is the cup of the vine. "Drink" he says "for the whole world is as red as this wine, with the crimson of the love and wrath of God. Drink, for the trumpets are blowing for battle and this is the stirrup-cup. Drink, for this my blood of the new testament that is shed for you. Drink, for I know of whence you come and why. Drink, for I know of when you go and where."

Chapter VIII: "The Mildness of the Yellow Press"

 * Every man, however brave, who begins by worshipping violence, must end in mere timidity. Every man, however wise, who begins by worshipping success, must end in mere mediocrity.


 * As long as matters are really hopeful, hope is a mere flattery or platitude; it is only when everything is hopeless that hope begins to be a strength at all. Like all the Christian virtues, it is as unreasonable as it is indispensable.


 * Every man speaks of public opinion, and means by public opinion, public opinion minus his opinion.

Chapter IX: "The Moods of Mr. George Moore"

 * The truth is that the tradition of Christianity (which is still the only coherent ethic of Europe) rests on two or three paradoxes or mysteries which can easily be impugned in argument and as easily justified in life. One of them, for instance, is the paradox of hope or faith—that the more hopeless is the situation the more hopeful must be the man. Stevenson understood this, and consequently Mr. Moore cannot understand Stevenson. Another is the paradox of charity or chivalry that the weaker a thing is the more it should be respected, that the more indefensible a thing is the more it should appeal to us for a certain kind of defence. Thackeray understood this, and therefore Mr. Moore does not understand Thackeray. Now, one of these very practical and working mysteries in the Christian tradition, and one which the Roman Catholic Church, as I say, has done her best work in singling out, is the conception of the sinfulness of pride. Pride is a weakness in the character; it dries up laughter, it dries up wonder, it dries up chivalry and energy. The Christian tradition understands this; therefore Mr. Moore does not understand the Christian tradition.


 * One of the thousand objections to the sin of pride lies precisely in this, that self-consciousness of necessity destroys self-revelation. A man who thinks a great deal about himself will try to be many-sided, attempt a theatrical excellence at all points, will try to be an encyclopaedia of culture, and his own real personality will be lost in that false universalism. Thinking about himself will lead to trying to be the universe; trying to be the universe will lead to ceasing to be anything. If, on the other hand, a man is sensible enough to think only about the universe; he will think about it in his own individual way. He will keep virgin the secret of God; he will see the grass as no other man can see it, and look at a sun that no man has ever known.

Chapter X: "On Sandals and Simplicity"

 * The only kind of simplicity worth preserving is the simplicity of the heart, the simplicity which accepts and enjoys. There may be a reasonable doubt as to what system preserves this; there can surely be no doubt that a system of simplicity destroys it. There is more simplicity in the man who eats caviar on impulse than in the man who eats grape-nuts on principle. The chief error of these people is to be found in the very phrase to which they are most attached—"plain living and high thinking." These people do not stand in need of, will not be improved by, plain living and high thinking. They stand in need of the contrary. They would be improved by high living and plain thinking. A little high living (I say, having a full sense of responsibility, a little high living) would teach them the force and meaning of the human festivities, of the banquet that has gone on from the beginning of the world. It would teach them the historic fact that the artificial is, if anything, older than the natural. It would teach them that the loving-cup is as old as any hunger. It would teach them that ritualism is older than any religion. And a little plain thinking would teach them how harsh and fanciful are the mass of their own ethics, how very civilized and very complicated must be the brain of the Tolstoyan who really believes it to be evil to love one's country and wicked to strike a blow.


 * A man approaches, wearing sandals and simple raiment, a raw tomato held firmly in his right hand, and says, "The affections of family and country alike are hindrances to the fuller development of human love;" but the plain thinker will only answer him, with a wonder not untinged with admiration, "What a great deal of trouble you must have taken in order to feel like that."


 * The child is, indeed, in these, and many other matters, the best guide. And in nothing is the child so righteously childlike, in nothing does he exhibit more accurately the sounder order of simplicity, than in the fact that he sees everything with a simple pleasure, even the complex things. The false type of naturalness harps always on the distinction between the natural and the artificial. The higher kind of naturalness ignores that distinction. To the child the tree and the lamp-post are as natural and as artificial as each other; or rather, neither of them are natural but both supernatural. For both are splendid and unexplained. The flower with which God crowns the one, and the flame with which Sam the lamplighter crowns the other, are equally of the gold of fairy-tales.

Chapter XI: "Science and the Savages"

 * A man can understand astronomy only by being an astronomer; he can understand entomology only by being an entomologist (or, perhaps, an insect); but he can understand a great deal of anthropology merely by being a man. He is himself the animal which he studies. Hence arises the fact which strikes the eye everywhere in the records of ethnology and folk-lore—the fact that the same frigid and detached spirit which leads to success in the study of astronomy or botany leads to disaster in the study of mythology or human origins. It is necessary to cease to be a man in order to do justice to a microbe; it is not necessary to cease to be a man in order to do justice to men. That same suppression of sympathies, that same waving away of intuitions or guess-work which make a man preternaturally clever in dealing with the stomach of a spider, will make him preternaturally stupid in dealing with the heart of man. He is making himself inhuman in order to understand humanity.

Chapter XII: "Paganism and Mr. Lowes Dickinson"



 * Charity is a fashionable virtue in our time; it is lit up by the gigantic firelight of Dickens. Hope is a fashionable virtue to-day; our attention has been arrested for it by the sudden and silver trumpet of Stevenson. But faith is unfashionable, and it is customary on every side to cast against it the fact that it is a paradox. Everybody mockingly repeats the famous childish definition that faith is "the power of believing that which we know to be untrue." Yet it is not one atom more paradoxical than hope or charity. Charity is the power of defending that which we know to be indefensible. Hope is the power of being cheerful in circumstances which we know to be desperate. It is true that there is a state of hope which belongs to bright prospects and the morning; but that is not the virtue of hope. The virtue of hope exists only in earthquake and, eclipse. It is true that there is a thing crudely called charity, which means charity to the deserving poor; but charity to the deserving is not charity at all, but justice. It is the undeserving who require it, and the ideal either does not exist at all, or exists wholly for them. For practical purposes it is at the hopeless moment that we require the hopeful man, and the virtue either does not exist at all, or begins to exist at that moment. Exactly at the instant when hope ceases to be reasonable it begins to be useful. Now the old pagan world went perfectly straightforward until it discovered that going straightforward is an enormous mistake. It was nobly and beautifully reasonable, and discovered in its death-pang this lasting and valuable truth, a heritage for the ages, that reasonableness will not do. The pagan age was truly an Eden or golden age, in this essential sense, that it is not to be recovered.


 * The weak point in the whole of Carlyle's case for aristocracy lies, indeed, in his most celebrated phrase. Carlyle said that men were mostly fools. Christianity, with a surer and more reverent realism, says that they are all fools. This doctrine is sometimes called the doctrine of original sin. It may also be described as the doctrine of the equality of men. But the essential point of it is merely this, that whatever primary and far-reaching moral dangers affect any man, affect all men. All men can be criminals, if tempted; all men can be heroes, if inspired. And this doctrine does away altogether with Carlyle's pathetic belief (or any one else's pathetic belief) in "the wise few." There are no wise few. Every aristocracy that has ever existed has behaved, in all essential points, exactly like a small mob.

Chapter XIII: "Celts and Celtophiles"

 * Science in the modern world has many uses; its chief use, however, is to provide long words to cover the errors of the rich. The word "kleptomania" is a vulgar example of what I mean. It is on a par with that strange theory, always advanced when a wealthy or prominent person is in the dock, that exposure is more of a punishment for the rich than for the poor. Of course, the very reverse is the truth. Exposure is more of a punishment for the poor than for the rich. The richer a man is the easier it is for him to be a tramp. The richer a man is the easier it is for him to be popular and generally respected in the Cannibal Islands. But the poorer a man is the more likely it is that he will have to use his past life whenever he wants to get a bed for the night. Honour is a luxury for aristocrats, but it is a necessity for hall-porters.


 * An enormous amount of modern ingenuity is expended on finding defences for the indefensible conduct of the powerful. As I have said above, these defences generally exhibit themselves most emphatically in the form of appeals to physical science. And of all the forms in which science, or pseudo-science, has come to the rescue of the rich and stupid, there is none so singular as the singular invention of the theory of races.


 * There is only one thing in the modern world that has been face to face with Paganism; there is only one thing in the modern world which in that sense knows anything about Paganism: and that is Christianity. That fact is really the weak point in the whole of that hedonistic neo-Paganism of which I have spoken. All that genuinely remains of the ancient hymns or the ancient dances of Europe, all that has honestly come to us from the festivals of Phoebus or Pan, is to be found in the festivals of the Christian Church. If any one wants to hold the end of a chain which really goes back to the heathen mysteries, he had better take hold of a festoon of flowers at Easter or a string of sausages at Christmas. Everything else in the modern world is of Christian origin, even everything that seems most anti-Christian. The French Revolution is of Christian origin. The newspaper is of Christian origin. The anarchists are of Christian origin. Physical science is of Christian origin. The attack on Christianity is of Christian origin. There is one thing, and one thing only, in existence at the present day which can in any sense accurately be said to be of pagan origin, and that is Christianity.


 * The pagan, or rational, virtues are such things as justice and temperance, and Christianity has adopted them. The three mystical virtues which Christianity has not adopted, but invented, are faith, hope, and charity.


 * Justice consists in finding out a certain thing due to a certain man and giving it to him. Temperance consists in finding out the proper limit of a particular indulgence and adhering to that. But charity means pardoning what is unpardonable, or it is no virtue at all. Hope means hoping when things are hopeless, or it is no virtue at all. And faith means believing the incredible, or it is no virtue at all.


 * But faith is unfashionable, and it is customary on every side to cast against it the fact that it is a paradox. Everybody mockingly repeats the famous childish definition that faith is "the power of believing that which we know to be untrue." Yet it is not one atom more paradoxical than hope or charity. Charity is the power of defending that which we know to be indefensible. Hope is the power of being cheerful in circumstances which we know to be desperate. It is true that there is a state of hope which belongs to bright prospects and the morning; but that is not the virtue of hope. The virtue of hope exists only in earthquake and, eclipse. It is true that there is a thing crudely called charity, which means charity to the deserving poor; but charity to the deserving is not charity at all, but justice. It is the undeserving who require it, and the ideal either does not exist at all, or exists wholly for them. For practical purposes it is at the hopeless moment that we require the hopeful man, and the virtue either does not exist at all, or begins to exist at that moment. Exactly at the instant when hope ceases to be reasonable it begins to be useful.


 * My general meaning touching the three virtues of which I have spoken will now, I hope, be sufficiently clear. They are all three paradoxical, they are all three practical, and they are all three paradoxical because they are practical. it is the stress of ultimate need, and a terrible knowledge of things as they are, which led men to set up these riddles, and to die for them. Whatever may be the meaning of the contradiction, it is the fact that the only kind of hope that is of any use in a battle is a hope that denies arithmetic. Whatever may be the meaning of the contradiction, it is the fact that the only kind of charity which any weak spirit wants, or which any generous spirit feels, is the charity which forgives the sins that are like scarlet. Whatever may be the meaning of faith, it must always mean a certainty about something we cannot prove. Thus, for instance, we believe by faith in the existence of other people.


 * Civilization discovered Christian humility for the same urgent reason that it discovered faith and charity—that is, because Christian civilization had to discover it or die.


 * Humility is perpetually putting us back in the primal darkness. There all light is lightning, startling and instantaneous. Until we understand that original dark, in which we have neither sight nor expectation, we can give no hearty and childlike praise to the splendid sensationalism of things.


 * The tendency of that argument is to represent the Irish or the Celts as a strange and separate race, as a tribe of eccentrics in the modern world immersed in dim legends and fruitless dreams. Its tendency is to exhibit the Irish as odd, because they see the fairies. Its trend is to make the Irish seem weird and wild because they sing old songs and join in strange dances. But this is quite an error; indeed, it is the opposite of the truth. It is the English who are odd because they do not see the fairies. It is the inhabitants of Kensington who are weird and wild because they do not sing old songs and join in strange dances. In all this the Irish are not in the least strange and separate, are not in the least Celtic, as the word is commonly and popularly used. In all this the Irish are simply an ordinary sensible nation, living the life of any other ordinary and sensible nation which has not been either sodden with smoke or oppressed by money-lenders, or otherwise corrupted with wealth and science. There is nothing Celtic about having legends. It is merely human.

Chapter XIV: "On Certain Modern Writers and the Institution of the Family"



 * The man who lives in a small community lives in a much larger world. He knows much more of the fierce varieties and uncompromising divergences of men. The reason is obvious. In a large community we can choose our companions. In a small community our companions are chosen for us. Thus in all extensive and highly civilized societies groups come into existence founded upon what is called sympathy, and shut out the real world more sharply than the gates of a monastery. There is nothing really narrow about the clan; the thing which is really narrow is the clique. The men of the clan live together because they all wear the same tartan or are all descended from the same sacred cow; but in their souls, by the divine luck of things, there will always be more colours than in any tartan. But the men of the clique live together because they have the same kind of soul, and their narrowness is a narrowness of spiritual coherence and contentment, like that which exists in hell. A big society exists in order to form cliques. A big society is a society for the promotion of narrowness. It is a machinery for the purpose of guarding the solitary and sensitive individual from all experience of the bitter and bracing human compromises. It is, in the most literal sense of the words, a society for the prevention of Christian knowledge.


 * If we were to-morrow morning snowed up in the street in which we live, we should step suddenly into a much larger and much wilder world than we have ever known. And it is the whole effort of the typically modern person to escape from the street in which he lives. First he invents modern hygiene and goes to Margate. Then he invents modern culture and goes to Florence. Then he invents modern imperialism and goes to Timbuctoo. He goes to the fantastic borders of the earth. He pretends to shoot tigers. He almost rides on a camel. And in all this he is still essentially fleeing from the street in which he was born; and of this flight he is always ready with his own explanation. He says he is fleeing from his street because it is dull; he is lying. He is really fleeing from his street because it is a great deal too exciting. It is exciting because it is exacting; it is exacting because it is alive. He can visit Venice because to him the Venetians are only Venetians; the people in his own street are men. He can stare at the Chinese because for him the Chinese are a passive thing to be stared at; if he stares at the old lady in the next garden, she becomes active. He is forced to flee, in short, from the too stimulating society of his equals—of free men, perverse, personal, deliberately different from himself. The street in Brixton is too glowing and overpowering.


 * And all aversions to ordinary humanity have this general character. They are not aversions to its feebleness (as is pretended), but to its energy.


 * The misanthropes pretend that they despise humanity for its weakness. As a matter of fact, they hate it for its strength.


 * Of course, this shrinking from the brutal vivacity and brutal variety of common men is a perfectly reasonable and excusable thing as long as it does not pretend to any point of superiority. It is when it calls itself aristocracy or aestheticism or a superiority to the bourgeoisie that its inherent weakness has in justice to be pointed out.


 * We make our friends; we make our enemies; but God makes our next-door neighbour.


 * This is, indeed, the sublime and special romance of the family. It is romantic because it is a toss-up. It is romantic because it is everything that its enemies call it. It is romantic because it is arbitrary. It is romantic because it is there. So long as you have groups of men chosen rationally, you have some special or sectarian atmosphere. It is when you have groups of men chosen irrationally that you have men. The element of adventure begins to exist; for an adventure is, by its nature, a thing that comes to us. It is a thing that chooses us, not a thing that we choose. Falling in love has been often regarded as the supreme adventure, the supreme romantic accident. In so much as there is in it something outside ourselves, something of a sort of merry fatalism, this is very true. Love does take us and transfigure and torture us. It does break our hearts with an unbearable beauty, like the unbearable beauty of music. But in so far as we have certainly something to do with the matter; in so far as we are in some sense prepared to fall in love and in some sense jump into it; in so far as we do to some extent choose and to some extent even judge—in all this falling in love is not truly romantic, is not truly adventurous at all. In this degree the supreme adventure is not falling in love. The supreme adventure is being born. There we do walk suddenly into a splendid and startling trap. There we do see something of which we have not dreamed before. Our father and mother do lie in wait for us and leap out on us, like brigands from a bush. Our uncle is a surprise. Our aunt is, in the beautiful common expression, a bolt from the blue. When we step into the family, by the act of being born, we do step into a world which is incalculable, into a world which has its own strange laws, into a world which could do without us, into a world that we have not made. In other words, when we step into the family we step into a fairy-tale.


 * It is vain for the supercilious moderns to talk of being in uncongenial surroundings. To be in a romance is to be in uncongenial surroundings. To be born into this earth is to be born into uncongenial surroundings, hence to be born into a romance. Of all these great limitations and frameworks which fashion and create the poetry and variety of life, the family is the most definite and important.

Chapter XV: "On Smart Novelists and the Smart Set"

 * A good novel tells us the truth about its hero; but a bad novel tells us the truth about its author.


 * This habit of insisting on the wit of the wealthier classes is the last and most servile of all the servilities. It is, as I have said, immeasurably more contemptible than the snobbishness of the novelette which describes the nobleman as smiling like an Apollo or riding a mad elephant. These may be exaggerations of beauty and courage, but beauty and courage are the unconscious ideals of aristocrats, even of stupid aristocrats. The nobleman of the novelette may not be sketched with any very close or conscientious attention to the daily habits of noblemen. But he is something more important than a reality; he is a practical ideal. The gentleman of fiction may not copy the gentleman of real life; but the gentleman of real life is copying the gentleman of fiction. He may not be particularly good-looking, but he would rather be good-looking than anything else; he may not have ridden on a mad elephant, but he rides a pony as far as possible with an air as if he had. And, upon the whole, the upper class not only especially desire these qualities of beauty and courage, but in some degree, at any rate, especially possess them. Thus there is nothing really mean or sycophantic about the popular literature which makes all its marquises seven feet high. It is snobbish, but it is not servile. Its exaggeration is based on an exuberant and honest admiration; its honest admiration is based upon something which is in some degree, at any rate, really there. The English lower classes do not fear the English upper classes in the least; nobody could. They simply and freely and sentimentally worship them. The strength of the aristocracy is not in the aristocracy at all; it is in the slums. It is not in the House of Lords; it is not in the Civil Service; it is not in the Government offices; it is not even in the huge and disproportionate monopoly of the English land. It is in a certain spirit. It is in the fact that when a navvy wishes to praise a man, it comes readily to his tongue to say that he has behaved like a gentleman. From a democratic point of view he might as well say that he had behaved like a viscount. The oligarchic character of the modern English commonwealth does not rest, like many oligarchies, on the cruelty of the rich to the poor. It does not even rest on the kindness of the rich to the poor. It rests on the perennial and unfailing kindness of the poor to the rich.


 * The oligarchic character of the modern English commonwealth does not rest, like many oligarchies, on the cruelty of the rich to the poor. It does not even rest on the kindness of the rich to the poor. It rests on the perennial and unfailing kindness of the poor to the rich.


 * The middle and lower orders of London can sincerely, though not perhaps safely, admire the health and grace of the English aristocracy. And this for the very simple reason that the aristocrats are, upon the whole, more healthy and graceful than the poor. But they cannot honestly admire the wit of the aristocrats. And this for the simple reason that the aristocrats are not more witty than the poor, but a very great deal less so. A man does not hear, as in the smart novels, these gems of verbal felicity dropped between diplomatists at dinner. Where he really does hear them is between two omnibus conductors in a block in Holborn.


 * The poor are merely sentimental, and very excusably sentimental, if they praise the gentleman for having a ready hand and ready money. But they are strictly slaves and sycophants if they praise him for having a ready tongue. For that they have far more themselves.


 * The gentleman is a Stoic because he is a sort of savage, because he is filled with a great elemental fear that some stranger will speak to him. That is why a third-class carriage is a community, while a first-class carriage is a place of wild hermits.


 * It was by a great miracle of genius assuredly that Carlyle contrived to admire simultaneously two things so irreconcilably opposed as silence and Oliver Cromwell. Cromwell was the very reverse of a strong, silent man. Cromwell was always talking, when he was not crying.


 * Clive was a man of the same type as Cromwell or Bunyan, or, for the matter of that, Johnson—that is, he was a strong, sensible man with a kind of running spring of hysteria and melancholy in him.


 * It means that the living and invigorating ideal of England must be looked for in the masses; it must be looked for where Dickens found it—Dickens among whose glories it was to be a humorist, to be a sentimentalist, to be an optimist, to be a poor man, to be an Englishman, but the greatest of whose glories was that he saw all mankind in its amazing and tropical luxuriance, and did not even notice the aristocracy; Dickens, the greatest of whose glories was that he could not describe a gentleman.

Chapter XVI: "On Mr. McCabe and a Divine Frivolity"

 * Mr. McCabe thinks that I am not serious but only funny, because Mr. McCabe thinks that funny is the opposite of serious. Funny is the opposite of not funny, and of nothing else. The question of whether a man expresses himself in a grotesque or laughable phraseology, or in a stately and restrained phraseology, is not a question of motive or of moral state, it is a question of instinctive language and self-expression.


 * The truth is, as I have said, that in this sense the two qualities of fun and seriousness have nothing whatever to do with each other, they are no more comparable than black and triangular. Mr. Bernard Shaw is funny and sincere. Mr. George Robey is funny and not sincere. Mr. McCabe is sincere and not funny. The average Cabinet Minister is not sincere and not funny.


 * In short, Mr. McCabe is under the influence of a primary fallacy which I have found very common in men of the clerical type. Numbers of clergymen have from time to time reproached me for making jokes about religion; and they have almost always invoked the authority of that very sensible commandment which says, "Thou shalt not take the name of the Lord thy God in vain." Of course, I pointed out that I was not in any conceivable sense taking the name in vain. To take a thing and make a joke out of it is not to take it in vain. It is, on the contrary, to take it and use it for an uncommonly good object. To use a thing in vain means to use it without use. But a joke may be exceedingly useful; it may contain the whole earthly sense, not to mention the whole heavenly sense, of a situation. And those who find in the Bible the commandment can find in the Bible any number of the jokes.


 * And it is not very difficult to see where we have really to look for it. The people (as I tactfully pointed out to them) who really take the name of the Lord in vain are the clergymen themselves. The thing which is fundamentally and really frivolous is not a careless joke. The thing which is fundamentally and really frivolous is a careless solemnity. If Mr. McCabe really wishes to know what sort of guarantee of reality and solidity is afforded by the mere act of what is called talking seriously, let him spend a happy Sunday in going the round of the pulpits. Or, better still, let him drop in at the House of Commons or the House of Lords. Even Mr. McCabe would admit that these men are solemn—more solemn than I am. And even Mr. McCabe, I think, would admit that these men are frivolous—more frivolous than I am. Why should Mr. McCabe be so eloquent about the danger arising from fantastic and paradoxical writers? Why should he be so ardent in desiring grave and verbose writers? There are not so very many fantastic and paradoxical writers. But there are a gigantic number of grave and verbose writers; and it is by the efforts of the grave and verbose writers that everything that Mr. McCabe detests (and everything that I detest, for that matter) is kept in existence and energy. How can it have come about that a man as intelligent as Mr. McCabe can think that paradox and jesting stop the way? It is solemnity that is stopping the way in every department of modern effort.


 * The very fact that Mr. McCabe thinks of dancing as a thing belonging to some hired women at the Alhambra is an illustration of the same principle by which he is able to think of religion as a thing belonging to some hired men in white neckties. Both these things are things which should not be done for us, but by us. If Mr. McCabe were really religious he would be happy. If he were really happy he would dance.


 * For (if I may pursue the too flattering parallel) Mr. McCabe thinks of the Alhambra and of my articles as two very odd and absurd things, which some special people do (probably for money) in order to amuse him. But if he had ever felt himself the ancient, sublime, elemental, human instinct to dance, he would have discovered that dancing is not a frivolous thing at all, but a very serious thing. He would have discovered that it is the one grave and chaste and decent method of expressing a certain class of emotions. And similarly, if he had ever had, as Mr. Shaw and I have had, the impulse to what he calls paradox, he would have discovered that paradox again is not a frivolous thing, but a very serious thing. He would have found that paradox simply means a certain defiant joy which belongs to belief. I should regard any civilization which was without a universal habit of uproarious dancing as being, from the full human point of view, a defective civilization. And I should regard any mind which had not got the habit in one form or another of uproarious thinking as being, from the full human point of view, a defective mind. It is vain for Mr. McCabe to say that a ballet is a part of him. He should be part of a ballet, or else he is only part of a man. It is in vain for him to say that he is "not quarrelling with the importation of humour into the controversy." He ought himself to be importing humour into every controversy; for unless a man is in part a humorist, he is only in part a man. To sum up the whole matter very simply, if Mr. McCabe asks me why I import frivolity into a discussion of the nature of man, I answer, because frivolity is a part of the nature of man. If he asks me why I introduce what he calls paradoxes into a philosophical problem, I answer, because all philosophical problems tend to become paradoxical. If he objects to my treating of life riotously, I reply that life is a riot. And I say that the Universe as I see it, at any rate, is very much more like the fireworks at the Crystal Palace than it is like his own philosophy. About the whole cosmos there is a tense and secret festivity—like preparations for Guy Fawkes' day. Eternity is the eve of something. I never look up at the stars without feeling that they are the fires of a schoolboy's rocket, fixed in their everlasting fall.

Chapter XVII: "On the Wit of Whistler"

 * Unquestionably it is a very common phrase of modern intellectualism to say that the morality of one age can be entirely different to the morality of another. And like a great many other phrases of modern intellectualism, it means literally nothing at all.


 * He was one of those people who live up to their emotional incomes, who are always taut and tingling with vanity. Hence he had no strength to spare; hence he had no kindness, no geniality; for geniality is almost definable as strength to spare. He had no god-like carelessness; he never forgot himself; his whole life was, to use his own expression, an arrangement. He went in for "the art of living"—a miserable trick.


 * Browning did laugh, because Browning did not care; Browning did not care, because Browning was a great man. And when Browning said in brackets to the simple, sensible people who did not like his books, "God love you!" he was not sneering in the least. He was laughing—that is to say, he meant exactly what he said.


 * There are three distinct classes of great satirists who are also great men—that is to say, three classes of men who can laugh at something without losing their souls. The satirist of the first type is the man who, first of all enjoys himself, and then enjoys his enemies. In this sense he loves his enemy, and by a kind of exaggeration of Christianity he loves his enemy the more the more he becomes an enemy. He has a sort of overwhelming and aggressive happiness in his assertion of anger; his curse is as human as a benediction. Of this type of satire the great example is Rabelais.


 * There is a second type of mind which produces satire with the quality of greatness. That is embodied in the satirist whose passions are released and let go by some intolerable sense of wrong. He is maddened by the sense of men being maddened; his tongue becomes an unruly member, and testifies against all mankind. Such a man was Swift, in whom the saeva indignatio was a bitterness to others, because it was a bitterness to himself.


 * The third type of great satire is that in which he satirist is enabled to rise superior to his victim in the only serious sense which superiority can bear, in that of pitying the sinner and respecting the man even while he satirises both. Such an achievement can be found in a thing like Pope's "Atticus" a poem in which the satirist feels that he is satirising the weaknesses which belong specially to literary genius. Consequently he takes a pleasure in pointing out his enemy's strength before he points out his weakness. That is, perhaps, the highest and most honourable form of satire.


 * Any man with a vital knowledge of the human psychology ought to have the most profound suspicion of anybody who claims to be an artist, and talks a great deal about art. Art is a right and human thing, like walking or saying one's prayers; but the moment it begins to be talked about very solemnly, a man may be fairly certain that the thing has come into a congestion and a kind of difficulty. The artistic temperament is a disease that afflicts amateurs. It is a disease which arises from men not having sufficient power of expression to utter and get rid of the element of art in their being. It is healthful to every sane man to utter the art within him; it is essential to every sane man to get rid of the art within him at all costs. Artists of a large and wholesome vitality get rid of their art easily, as they breathe easily, or perspire easily. But in artists of less force, the thing becomes a pressure, and produces a definite pain, which is called the artistic temperament. Thus, very great artists are able to be ordinary men—men like Shakespeare or Browning. There are many real tragedies of the artistic temperament, tragedies of vanity or violence or fear. But the great tragedy of the artistic temperament is that it cannot produce any art.


 * Whistler could produce art; and in so far he was a great man. But he could not forget art; and in so far he was only a man with the artistic temperament. There can be no stronger manifestation of the man who is a really great artist than the fact that he can dismiss the subject of art; that he can, upon due occasion, wish art at the bottom of the sea.


 * What we really desire of any man conducting any business is that the full force of an ordinary man should be put into that particular study. We do not desire that the full force of that study should be put into an ordinary man.


 * It need hardly be said that this is the real explanation of the thing which has puzzled so many dilettante critics, the problem of the extreme ordinariness of the behaviour of so many great geniuses in history. Their behaviour was so ordinary that it was not recorded; hence it was so ordinary that it seemed mysterious. Hence people say that Bacon wrote Shakespeare. The modern artistic temperament cannot understand how a man who could write such lyrics as Shakespeare wrote, could be as keen as Shakespeare was on business transactions in a little town in Warwickshire. The explanation is simple enough; it is that Shakespeare had a real lyrical impulse, wrote a real lyric, and so got rid of the impulse and went about his business. Being an artist did not prevent him from being an ordinary man, any more than being a sleeper at night or being a diner at dinner prevented him from being an ordinary man.


 * All very great teachers and leaders have had this habit of assuming their point of view to be one which was human and casual, one which would readily appeal to every passing man. If a man is genuinely superior to his fellows the first thing that he believes in is the equality of man. We can see this, for instance, in that strange and innocent rationality with which Christ addressed any motley crowd that happened to stand about Him. "What man of you having a hundred sheep, and losing one, would not leave the ninety and nine in the wilderness, and go after that which was lost?" Or, again, "What man of you if his son ask for bread will he give him a stone, or if he ask for a fish will he give him a serpent?" This plainness, this almost prosaic camaraderie, is the note of all very great minds. To very great minds the things on which men agree are so immeasurably more important than the things on which they differ, that the latter, for all practical purposes, disappear. They have too much in them of an ancient laughter even to endure to discuss the difference between the hats of two men who were both born of a woman, or between the subtly varied cultures of two men who have both to die. The first-rate great man is equal with other men, like Shakespeare. The second-rate great man is on his knees to other men, like Whitman. The third-rate great man is superior to other men, like Whistler.

Chapter XVIII: "The Fallacy of the Young Nation"

 * It is difficult to attain a high ideal; consequently, it is almost impossible to persuade ourselves that we have attained it. But it is easy to attain a low ideal; consequently, it is easier still to persuade ourselves that we have attained it when we have done nothing of the kind. To take a random example. It might be called a high ambition to wish to be an archangel; the man who entertained such an ideal would very possibly exhibit asceticism, or even frenzy, but not, I think, delusion. He would not think he was an archangel, and go about flapping his hands under the impression that they were wings. But suppose that a sane man had a low ideal; suppose he wished to be a gentleman. Any one who knows the world knows that in nine weeks he would have persuaded himself that he was a gentleman; and this being manifestly not the case, the result will be very real and practical dislocations and calamities in social life. It is not the wild ideals which wreck the practical world; it is the tame ideals.

Chapter XIX: "Slum Novelists and the Slums"

 * It is amusing to think how much conservative ingenuity has been wasted in the defence of the House of Lords by men who were desperately endeavouring to prove that the House of Lords consisted of clever men. There is one really good defence of the House of Lords, though admirers of the peerage are strangely coy about using it; and that is, that the House of Lords, in its full and proper strength, consists of stupid men. It really would be a plausible defence of that otherwise indefensible body to point out that the clever men in the Commons, who owed their power to cleverness, ought in the last resort to be checked by the average man in the Lords, who owed their power to accident. Of course, there would be many answers to such a contention, as, for instance, that the House of Lords is largely no longer a House of Lords, but a House of tradesmen and financiers, or that the bulk of the commonplace nobility do not vote, and so leave the chamber to the prigs and the specialists and the mad old gentlemen with hobbies. But on some occasions the House of Lords, even under all these disadvantages, is in some sense representative. When all the peers flocked together to vote against Mr. Gladstone's second Home Rule Bill, for instance, those who said that the peers represented the English people, were perfectly right. All those dear old men who happened to be born peers were at that moment, and upon that question, the precise counterpart of all the dear old men who happened to be born paupers or middle-class gentlemen. That mob of peers did really represent the English people--that is to say, it was honest, ignorant, vaguely excited, almost unanimous, and obviously wrong. Of course, rational democracy is better as an expression of the public will than the haphazard hereditary method. While we are about having any kind of democracy, let it be rational democracy. But if we are to have any kind of oligarchy, let it be irrational oligarchy. Then at least we shall be ruled by men.


 * We have public-house licensing laws, but not sumptuary laws. That is to say, we have laws against the festivity and hospitality of the poor, but no laws against the festivity and hospitality of the rich. We have laws against blasphemy—that is, against a kind of coarse and offensive speaking in which nobody but a rough and obscure man would be likely to indulge. But we have no laws against heresy—that is, against the intellectual poisoning of the whole people, in which only a prosperous and prominent man would be likely to be successful. The evil of aristocracy is not that it necessarily leads to the infliction of bad things or the suffering of sad ones; the evil of aristocracy is that it places everything in the hands of a class of people who can always inflict what they can never suffer.


 * A poor man is a man who has not got much money. This may seem a simple and unnecessary description, but in the face of a great mass of modern fact and fiction, it seems very necessary indeed; most of our realists and sociologists talk about a poor man as if he were an octopus or an alligator. There is no more need to study the psychology of poverty than to study the psychology of bad temper, or the psychology of vanity, or the psychology of animal spirits. A man ought to know something of the emotions of an insulted man, not by being insulted, but simply by being a man. And he ought to know something of the emotions of a poor man, not by being poor, but simply by being a man. Therefore, in any writer who is describing poverty, my first objection to him will be that he has studied his subject. A democrat would have imagined it.


 * But when he endeavours to represent that he is describing the spiritual core of a costermonger, his dim vices and his delicate virtues, then we must object that his claim is preposterous; we must remind him that he is a journalist and nothing else. He has far less psychological authority even than the foolish missionary. For he is in the literal and derivative sense a journalist, while the missionary is an eternalist. The missionary at least pretends to have a version of the man's lot for all time; the journalist only pretends to have a version of it from day to day. The missionary comes to tell the poor man that he is in the same condition with all men. The journalist comes to tell other people how different the poor man is from everybody else.

Chapter XX: "Concluding Remarks on the Importance of Orthodoxy"



 * Whether the human mind can advance or not, is a question too little discussed, for nothing can be more dangerous than to found our social philosophy on any theory which is debatable but has not been debated.


 * The vice of the modern notion of mental progress is that it is always something concerned with the breaking of bonds, the effacing of boundaries, the casting away of dogmas. But if there be such a thing as mental growth, it must mean the growth into more and more definite convictions, into more and more dogmas. The human brain is a machine for coming to conclusions; if it cannot come to conclusions it is rusty.


 * A man cannot be wise enough to be a great artist without being wise enough to wish to be a philosopher. A man cannot have the energy to produce good art without having the energy to wish to pass beyond it. A small artist is content with art; a great artist is content with nothing except everything.


 * The men who have really been the bold artists, the realistic artists, the uncompromising artists, are the men who have turned out, after all, to be writing "with a purpose."


 * Man can hardly be defined, after the fashion of Carlyle, as an animal who makes tools; ants and beavers and many other animals make tools, in the sense that they make an apparatus. Man can be defined as an animal that makes dogmas. As he piles doctrine on doctrine and conclusion on conclusion in the formation of some tremendous scheme of philosophy and religion, he is, in the only legitimate sense of which the expression is capable, becoming more and more human.


 * No man ought to write at all, or even to speak at all, unless he thinks that he is in truth and the other man in error. In similar style, I hold that I am dogmatic and right, while Mr. Shaw is dogmatic and wrong.


 * It is the vague modern who is not at all certain what is right who is most certain that Dante was wrong. The serious opponent of the Latin Church in history, even in the act of showing that it produced great infamies, must know that it produced great saints. It is the hard-headed stockbroker, who knows no history and believes no religion, who is, nevertheless, perfectly convinced that all these priests are knaves.


 * Bigotry may be called the appalling frenzy of the indifferent. This frenzy of the indifferent is in truth a terrible thing; it has made all monstrous and widely pervading persecutions. In this degree it was not the people who cared who ever persecuted; the people who cared were not sufficiently numerous. It was the people who did not care who filled the world with fire and oppression. It was the hands of the indifferent that lit the faggots; it was the hands of the indifferent that turned the rack. There have come some persecutions out of the pain of a passionate certainty; but these produced, not bigotry, but fanaticism — a very different and a somewhat admirable thing. Bigotry in the main has always been the pervading omnipotence of those who do not care crushing out those who care in darkness and blood.


 * Ideas are dangerous, but the man to whom they are least dangerous is the man of ideas. He is acquainted with ideas, and moves among them like a lion-tamer. Ideas are dangerous, but the man to whom they are most dangerous is the man of no ideas. The man of no ideas will find the first idea fly to his head like wine to the head of a teetotaller. It is a common error, I think, among the Radical idealists of my own party and period to suggest that financiers and business men are a danger to the empire because they are so sordid or so materialistic. The truth is that financiers and business men are a danger to the empire because they can be sentimental about any sentiment, and idealistic about any ideal, any ideal that they find lying about, just as a boy who has not known much of women is apt too easily to take a woman for the woman, so these practical men, unaccustomed to causes, are always inclined to think that if a thing is proved to be an ideal it is proved to be the ideal.


 * Human nature simply cannot subsist without a hope and aim of some kind; as the sanity of the Old Testament truly said, where there is no vision the people perisheth. But it is precisely because an ideal is necessary to man that the man without ideals is in permanent danger of fanaticism.


 * Religious and philosophical beliefs are, indeed, as dangerous as fire, and nothing can take from them that beauty of danger. But there is only one way of really guarding ourselves against the excessive danger of them, and that is to be steeped in philosophy and soaked in religion.


 * Briefly, then, we dismiss the two opposite dangers of bigotry and fanaticism, bigotry which is a too great vagueness and fanaticism which is a too great concentration. We say that the cure for the bigot is belief; we say that the cure for the idealist is ideas. To know the best theories of existence and to choose the best from them (that is, to the best of our own strong conviction) appears to us the proper way to be neither bigot nor fanatic, but something more firm than a bigot and more terrible than a fanatic, a man with a definite opinion. But that definite opinion must in this view begin with the basic matters of human thought, and these must not be dismissed as irrelevant, as religion, for instance, is too often in our days dismissed as irrelevant. Even if we think religion insoluble, we cannot think it irrelevant. Even if we ourselves have no view of the ultimate verities, we must feel that wherever such a view exists in a man it must be more important than anything else in him.


 * The modern world is filled with men who hold dogmas so strongly that they do not even know that they are dogmas. It may be said even that the modern world, as a corporate body, holds certain dogmas so strongly that it does not know that they are dogmas.


 * Because we are not in a civilization which believes strongly in oracles or sacred places, we see the full frenzy of those who killed themselves to find the sepulchre of Christ. But being in a civilization which does believe in this dogma of fact for facts' sake, we do not see the full frenzy of those who kill themselves to find the North Pole. I am not speaking of a tenable ultimate utility which is true both of the Crusades and the polar explorations. I mean merely that we do see the superficial and aesthetic singularity, the startling quality, about the idea of men crossing a continent with armies to conquer the place where a man died. But we do not see the aesthetic singularity and startling quality of men dying in agonies to find a place where no man can live — a place only interesting because it is supposed to be the meeting-place of some lines that do not exist.


 * Let us, at least, dig and seek till we have discovered our own opinions. The dogmas we really hold are far more fantastic, and, perhaps, far more beautiful than we think. In the course of these essays I fear that I have spoken from time to time of rationalists and rationalism, and that in a disparaging sense. Being full of that kindliness which should come at the end of everything, even of a book, I apologize to the rationalists even for calling them rationalists. There are no rationalists. We all believe fairy-tales, and live in them. Some, with a sumptuous literary turn, believe in the existence of the lady clothed with the sun. Some, with a more rustic, elvish instinct, like Mr. McCabe, believe merely in the impossible sun itself. Some hold the undemonstrable dogma of the existence of God; some the equally undemonstrable dogma of the existence of the man next door.


 * Truths turn into dogmas the instant that they are disputed. Thus every man who utters a doubt defines a religion. And the scepticism of our time does not really destroy the beliefs, rather it creates them; gives them their limits and their plain and defiant shape. We who are Liberals once held Liberalism lightly as a truism. Now it has been disputed, and we hold it fiercely as a faith. We who believe in patriotism once thought patriotism to be reasonable, and thought little more about it. Now we know it to be unreasonable, and know it to be right. We who are Christians never knew the great philosophic common sense which inheres in that mystery until the anti-Christian writers pointed it out to us. The great march of mental destruction will go on. Everything will be denied. Everything will become a creed. It is a reasonable position to deny the stones in the street; it will be a religious dogma to assert them. It is a rational thesis that we are all in a dream; it will be a mystical sanity to say that we are all awake. Fires will be kindled to testify that two and two make four. Swords will be drawn to prove that leaves are green in summer. We shall be left defending, not only the incredible virtues and sanities of human life, but something more incredible still, this huge impossible universe which stares us in the face. We shall fight for visible prodigies as if they were invisible. We shall look on the impossible grass and the skies with a strange courage. We shall be of those who have seen and yet have believed.