Matthew Arnold

Matthew Arnold (December 24 1822 – April 15 1888) was an English poet, essayist and cultural critic. He also pursued a career as an inspector of schools.

Quotes



 * I keep saying, Shakspeare, Shakspeare, you are as obscure as life is.
 * Letter to Arthur Hugh Clough (ca. 6 December 1847)
 * Note: Alternate spelling used


 * Had Shakespeare and Milton lived in the atmosphere of modern feeling, had they had the multitude of new thoughts and feelings to deal with a modern has, I think it likely the style of each would have been far less curious and exquisite. For in a man style is the saying in the best way what you have to say. The what you have to say depends on your age. In the 17th century it was a smaller harvest than now, and sooner to be reaped; and therefore to its reaper was left time to stow it more finely and curiously. Still more was this the case in the ancient world. The poet's matter being the hitherto experience of the world, and his own, increases with every century.
 * Letter to Arthur Hugh Clough (December 1847/early 1848)

He much, the old man, who, clearest-souled of men, Saw The Wide Prospect, and the Asian Fen, And Tmolus hill, and Smyrna bay, though blind.
 * Who prop, thou ask'st in these bad days, my mind?'
 * "To a Friend" (1849), line 1

My special thanks, whose even-balanced soul, From first youth tested up to extreme old age, Business could not make dull, nor passion wild; Who saw life steadily, and saw it whole.
 * But be his
 * "To a Friend" (1849), line 9-12

We ask and ask — Thou smilest and art still, Out-topping knowledge.
 * Others abide our question. Thou art free.
 * "Shakespeare" (1849, st. 1)

Self-school'd, self-scann'd, self-honour'd, self-secure, Didst tread on earth unguess'd at. — Better so! All pains the immortal spirit must endure, All weakness which impairs, all griefs which bow, Find their sole speech in that victorious brow.
 * And thou, who didst the stars and sunbeams know,
 * "Shakespeare" (1849)

Strong is the soul, and wise, and beautiful; The seeds of god-like power are in us still; Gods are we, bards, saints, heroes, if we will!'''
 * '''The will is free;
 * "Written in Emerson's Essays" (1849)

By contemplation of diviner things.
 * Ennobling this dull pomp, the life of kings,
 * "Mycerinus" (1849)

The fire that in the heart resides''', The spirit bloweth and is still, In mystery our soul abides; — But tasks, in hours of insight willed, Can be through hours of gloom fulfilled.
 * '''We cannot kindle when we will
 * "Morality" (1852), st. 1

To feel, amid the city’s jar, That there abides a peace of thine, Man did not make, and cannot mar.'''
 * '''Calm soul of all things! make it mine
 * "Lines Written in Kensington Gardens" (1852), st. 10

With echoing straits between us thrown, Dotting the shoreless watery wild, We mortal millions live alone.
 * Yes: in the sea of life enisl’d,
 * "To Marguerite, in Returning a Volume of the Letters of Ortis" (1852), stanza 1

We dig and heap, lay stone on stone; We bear the burden and the heat Of the long day and wish’t were done. '''Not till the hours of light return All we have built do we discern.'''
 * With aching hands and bleeding feet
 * "Morality" (1852), lines 7-12

To unlock the heart, and let it speak?''' Are even lovers powerless to reveal To one another what indeed they feel? I knew the mass of men conceal'd Their thoughts, for fear that if reveal'd They would by other men be met With blank indifference, or with blame reproved; '''I knew they lived and moved Trick'd in disguises, alien to the rest Of men, and alien to themselves — and yet The same heart beats in every human breast!'''
 * '''Alas! is even love too weak
 * "The Buried Life" (1852), st. 2

But often, in the din of strife, There rises an unspeakable desire After the knowledge of our buried life; A thirst to spend our fire and restless force In tracking out our true, original course; A longing to inquire Into the mystery of this heart which beats So wild, so deep in us, to know Whence our lives come and where they go.
 * But often, in the world’s most crowded streets,
 * "The Buried Life" (1852), st. 6

Our hidden self, and what we say and do Is eloquent, is well — but ’tis not true!
 * And long we try in vain to speak and act
 * "The Buried Life" (1852), st. 6

Who finds himself, loses his misery.'''
 * '''Resolve to be thyself; and know, that he
 * "Self-Dependence" (1852), lines 31-32

What leisure to grow wise?
 * What shelter to grow ripe is ours?
 * "Stanzas in Memory of the Author of "Obermann"" (1852), st. 18

The poet's feverish blood; One drives him to the world without, And one to solitude.
 * Ah! two desires toss about
 * "Stanzas in Memory of the Author of "Obermann"" (1852), st. 24

Move on a rigorous line'''; Can neither, when we will, enjoy, Nor, when we will, resign.
 * '''We, in some unknown Power's employ,
 * "Stanzas in Memory of the Author of "Obermann"" (1852), st. 34


 * What actions are the most excellent? Those, certainly, which most powerfully appeal to the great primary human affections: to those elementary feelings which subsist permanently in the race, and which are independent of time. These feelings are permanent and the same; that which interests them is permanent and the same also.
 * "Preface to Poems" (1853)

A heart ever new: To all always open; To all always true.'''
 * '''To thee only God granted
 * "Switzerland", IV. "Parting" (1853)

And never a spray of yew. In quiet she reposes: Ah! would that I did too.
 * Strew on her roses, roses,
 * "Requiescat" (1853), st. 1

It flutter’d and fail’d for breath. To-night it doth inherit The vasty Hall of Death.
 * Her cabin’d, ample Spirit,
 * "Requiescat" (1853), st. 4

Again — thou hearest? Eternal passion! Eternal pain!
 * How thick the bursts come crowding through the leaves!
 * "Philomela" (1853), st. 3

And falsehood, while I lived, was far from mine.'''
 * '''Truth sits upon the lips of dying men,
 * "Sohrab and Rustum" (1853), lines 656-657


 * I am past thirty, and three parts iced over.
 * Letter to Arthur Hugh Clough (12 February 1853)


 * Sanity — that is the great virtue of the ancient literature; the want of that is the great defect of the modern, in spite of its variety and power.
 * "Preface to Poems" (1854)


 * How fair a lot to fill Is left to each man still.
 * "A Summer Night," Poems: Second Series, (1855), last stanza

Our soon-chok’d souls to fill, And we forget because we must, And not because we will.
 * But each day brings its petty dust
 * "Absence" (1857), st. 3

‘Thou hast been, shalt be, art, alone.’
 * This truth—to prove, and make thine own:
 * "Isolation" (1857)

Endless extinction of unhappy hates.'''
 * '''Peace, peace is what I seek and public calm,
 * "Merope" (1858), line 100


 * With women the heart argues, not the mind.
 * "Merope" (1858), line 341


 * Nations are not truly great solely because the individuals composing them are numerous, free, and active; but they are great when these numbers, this freedom, and this activity are employed in the service of an ideal higher than that of an ordinary man, taken by himself.
 * "Democracy" (1861)


 * It is a very great thing to be able to think as you like; but, after all, an important question remains: what you think.
 * "Democracy" (1861)

When we are frozen up within, and quite The phantom of ourselves, To hear the world applaud the hollow ghost Which blamed the living man.'''
 * '''It is — last stage of all —
 * " Growing Old" (1867), st. 7

Dumb, inscrutable and grand, So Tiberius might have sat, Had Tiberius been a cat.
 * Cruel, but composed and bland,
 * "Poor Matthias" (1867)


 * Style…is a peculiar recasting and heightening, under a certain condition of spiritual excitement, of what a man has to say, in such a manner as to add dignity and distinction to it.
 * "On the Study of Celtic Literature" (1867), Pt. 6


 * The Celts certainly have it in a wonderful measure.
 * Referring to style, in On the Study of Celtic Literature (1867), Pt. 6


 * The power of the Latin classic is in character, that of the Greek is in beauty. Now character is capable of being taught, learnt, and assimilated: beauty hardly.
 * "Schools and Universities on the Continent" (1868)

Of what we say and feel — below the stream, As light, of what we think we feel, there flows With noiseless current, strong, obscure and deep, The central stream of what we feel indeed.
 * Below the surface stream, shallow and light,
 * "St. Paul and Protestantism" (1870)

The Gods exact for song; To become what we sing.'''
 * '''Such a price
 * "The Strayed Reveller to Ulysses"


 * At the present moment two things about the Christian religion must surely be clear to anybody with eyes in his head. One is, that men cannot do without it; the other, that they cannot do with it as it is.
 * Preface to God and the Bible (1875)


 * The free-thinking of one age is the common sense of the next.
 * God and the Bible (1875)


 * Choose equality.
 * "Mixed Essays, Equality" (1879)


 * Inequality has the natural and necessary effect, under the present circumstances, of materializing our upper class, vulgarizing our middle class, and brutalizing our lower class.
 * "Mixed Essays, Equality" (1879)


 * For poetry the idea is everything; the rest is a world of illusion, of divine illusion. Poetry attaches its emotion to the idea; the idea is the fact. The strongest part of our religion today is its unconscious poetry.
 * Introduction to Ward's English Poets (1880)


 * Eutrapelia. "A happy and gracious flexibility," Pericles calls this quality of the Athenians...lucidity of thought, clearness and propriety of language, freedom from prejudice and freedom from stiffness, openness of mind, amiability of manners.
 * "Irish Essays. A Speech at Eton" (1882)


 * English civilization — the humanizing, the bringing into one harmonious and truly humane life, of the whole body of English society — that is what interests me.
 * "Irish Essays. Ecce, Convertimur ad Gentes" (1882)


 * That which in England we call the middle class is in America virtually the nation.
 * "A Word More About America" (1885)


 * What really dissatisfies in American civilisation is the want of the interesting, a want due chiefly to the want of those two great elements of the interesting, which are elevation and beauty.
 * "Civilization in the United States" (1888)


 * If one were searching for the best means to efface and kill in a whole nation the discipline of self-respect, the feeling for what is elevated, he could do no better than take the American newspapers.
 * Civilization in the United States (1888), p. 177

And in that more lie all his hopes of good.
 * Know, man hath all which Nature hath, but more,
 * To An Independent Preacher


 * The East bowed low before the blast,  In patient deep disdain;    She let the legions thunder past,    And plunged in thought again.
 * Quoted from S.R. Goel, (1994) Heroic Hindu resistance to Muslim invaders, 636 AD to 1206 AD.

The Forsaken Merman (1849)

 * Full text online

Down and away below.''' Now my brothers call from the bay; Now the great winds shoreward blow; Now the salt tides seaward flow; '''Now the wild white horses play, Champ and chafe and toss in the spray.''' Children dear, let us away. This way, this way!
 * '''Come, dear children, let us away;
 * St. 1

Where the winds are all asleep.
 * Sand-strewn caverns, cool and deep,
 * St. 3

Sail and sail, with unshut eye, Round the world for ever and aye? When did music come this way? Children dear, was it yesterday?
 * Where great whales come sailing by,
 * St. 3

But faithless was she: And alone dwell for ever The kings of the sea."
 * Singing, "Here came a mortal,
 * St. 7

Resignation (1849)


His sad lucidity of soul.'''
 * '''Fate gave, what Chance shall not control,
 * l. 197

Outlasts aversion, outlasts love: Outlasts each effort, interest, hope, Remorse, grief, joy.
 * The World in which we live and move
 * l. 215-218

No gifts from Chance, have conquer’d Fate.'''
 * '''Yet they, believe me, who await
 * l. 248-249

Memorial Verses (1852)
Long since, saw Byron’s struggle cease.
 * Goethe in Weimar sleeps, and Greece,
 * St. 1

Goethe has done his pilgrimage. He took the suffering human race, He read each wound, each weakness clear — And struck his finger on the place, And said — Thou ailest here, and here.
 * Physician of the Iron Age,
 * St. 3

Ah, may ye feel his voice as we! He too upon a wintry clime Had fallen — on this iron time Of doubts, disputes, distractions, fears.
 * Wordsworth has gone from us — and ye,
 * St. 4

Goethe’s sage mind and Byron’s force; But where will Europe’s latter hour Again find Wordsworth’s healing power?
 * Time may restore us in his course
 * St. 6

Empedocles on Etna (1852)




The wind-borne mirroring soul, A thousand glimpses wins, And never sees a whole.'''
 * '''Hither and thither spins
 * Act I, sc. ii

Thy pleasure, right or wrong! The pious wail: Forsake A world these sophists throng! Be neither saint nor sophist-led, but be a man.
 * The sophist sneers: Fool, take
 * Act I, sc. ii


 * Thou hast no right to bliss.
 * Act I, sc. ii

What we ought not, we do, And lean upon the thought That chance will bring us through.'''
 * '''We do not what we ought,
 * Act I, sc. ii

Sees all her sons at play Sees man control the wind, The wind sweep man away.
 * Nature, with equal mind,
 * Act I, sc. ii

We, peopling the void air, Make Gods to whom to impute The ills we ought to bear.
 * So, loath to suffer mute.
 * Act I, sc. ii

To have enjoy’d the sun''', To have lived light in the spring, To have loved, to have thought, to have done; To have advanc’d true friends, and beat down baffling foes?
 * '''Is it so small a thing
 * Act I, sc. ii

The strife with the palm; The night in her silence, The stars in their calm.
 * The day in his hotness,
 * Act II

The Scholar Gypsy (1853)

 * Full text online at Wikisource



Returning home on summer-nights, have met Crossing the stripling Thames at Bab-lock-hithe, Trailing in the cool stream thy fingers wet, As the punt’s rope chops round.
 * Thee at the ferry Oxford riders blithe,
 * St. 8

Light half-believers of our casual creeds, Who never deeply felt, nor clearly will’d, Whose insight never has borne fruit in deeds, Whose vague resolves never have been fulfill’d; For whom each year we see Breeds new beginnings, disappointments new; Who hesitate and falter life away, And lose to-morrow the ground won to-day— '''Ah! do not we, wanderer! await it too?'''
 * Thou waitest for the spark from heaven! and we,
 * St. 18

Who most has suffer’d, takes dejectedly His seat upon the intellectual throne.
 * And amongst us one,
 * St. 19

And life ran gaily as the sparkling Thames; Before this strange disease of modern life, With its sick hurry, its divided aims, Its heads o’ertax’d, its palsied hearts, was rife.
 * O born in days when wits were fresh and clear,
 * St. 21

Still clutching the inviolable shade, With a free, onward impulse brushing through, By night, the silver’d branches of the glade.
 * Still nursing the unconquerable hope,
 * St. 22

Stanzas from the Grande Chartreuse (1855)



 * Written c. 1850 while at the Grande Chartreuse; First published in Fraser’s Magazine (April 1855) · Full text online at the Poetry Foundation & Bartleby.com

The House, the Brotherhood austere! — And what am I, that I am here? For rigorous teachers seized my youth, And purged its faith, and trimm'd its fire, Show'd me the high, white star of Truth, There bade me gaze, and there aspire. Even now their whispers pierce the gloom: What dost thou in this living tomb?
 * All are before me! I behold

At whose behest I long ago So much unlearnt, so much resign'd — I come not here to be your foe!''' I seek these anchorites, not in ruth, To curse and to deny your truth; Not as their friend, or child, I speak! But as, on some far northern strand, Thinking of his own Gods, a Greek In pity and mournful awe might stand Before some fallen Runic stone — For both were faiths, and both are gone.
 * '''Forgive me, masters of the mind!

The other powerless to be born, With nowhere yet to rest my head, Like these, on earth I wait forlorn.'''
 * '''Wandering between two worlds, one dead,

Ye solemn seats of holy pain! Take me, cowl'd forms, and fence me round, Till I possess my soul again; Till free my thoughts before me roll, Not chafed by hourly false control!
 * Oh, hide me in your gloom profound,

Last of the race of them who grieve Here leave us to die out with these Last of the people who believe! Silent, while years engrave the brow; Silent — the best are silent now. Achilles ponders in his tent, The kings of modern thought are dumb, Silent they are though not content, And wait to see the future come. They have the grief men had of yore, But they contend and cry no more.
 * But — if you cannot give us ease —

On Translating Homer (1861)

 * Full text online




 * The translator of Homer should above all be penetrated by a sense of four qualities of his author: — that he is eminently rapid; that he is eminently plain and direct both in the evolution of his thought and in the expression of it, that is, both in his syntax and in his words; that he is eminently plain and direct in the substance of his thought, that is, in his matter and ideas; and, finally, that he is eminently noble.


 * Of these two literatures, as of the intellect of Europe in general, the main effort, for now many years, has been a critical effort; the endeavour, in all branches of knowledge — theology, philosophy, history, art, science — to see the object as in itself it really is.


 * The grand style arises in poetry, when a noble nature, poetically gifted, treats with simplicity or with severity a serious subject.

The Functions of Criticism at the Present Time (1864)

 * Full text online


 * For the creation of a masterwork of literature two powers must concur, the power of the man and the power of the moment, and the man is not enough without the moment.


 * Critical power...tends to make an intellectual situation of which the creative power can profitably avail itself. It tends to establish an order of ideas, if not absolutely true, yet true by comparison with that which it displaces; to make the best ideas prevail.


 * There is the world of ideas and there is the world of practice; the French are often for suppressing the one and the English the other; but neither is to be suppressed.


 * Burke is so great because, almost alone in England, he brings thought to bear upon politics, he saturates politics with thought.


 * The notion of the free play of the mind upon all subjects being a pleasure in itself, being an object of desire, being an essential provider of elements without which a nation's spirit, whatever compensations it may have for them, must, in the long run, die of inanition, hardly enters into an Englishman's thoughts.


 * I am bound by my own definition of criticism: a disinterested endeavour to learn and propagate the best that is known and thought in the world.

Essays in Criticism (1865)

 * Full text online at Internet Archive


 * It is not in my nature, some of my critics would rather say, not in my power, to dispute on behalf of any opinion, even my own, very obstinately. To try and approach truth on one side after another, not to strive or cry, nor to persist in pressing forward, on any one side, with violence and self-will, — it is only thus, it seems to me, that mortals may hope to gain any vision of the mysterious Goddess, whom we shall never see except in outline, but only thus even in outline. He who will do nothing but fight impetuously towards her on his own, one, favourite, particular line, is inevitably destined to run his head into the folds of the black robe in which she is wrapped.
 * Preface to the Second Edition (1869)


 * Steeped in sentiment as she lies, spreading her gardens to the moonlight, and whispering from her towers the last enchantments of the Middle Age, who will deny that Oxford, by her ineffable charm, keeps ever calling us nearer to the true goal of all of us, to the ideal, to perfection, — to beauty, in a word, which is only truth seen from another side? — nearer, perhaps, than all the science of Tübingen. Adorable dreamer, whose heart has been so romantic who hast given thyself so prodigally, given thyself to sides and to heroes not mine, only never to the Philistines! home of lost causes, and forsaken beliefs, and unpopular names, and impossible loyalties!
 * Preface to the Second Edition (1869)


 * On the breast of that huge Mississippi of falsehood called History, a foam-bell more or less is no consequence.
 * Literary Influence of Academies, p. 69


 * Poetry is simply the most beautiful, impressive and wisely effective mode of saying things, and hence its importance.
 * Heinrich Heine, p. 144


 *  Philistine must have originally meant, in the mind of those who invented the nickname, a strong, dogged, unenlightened opponent of the children of the light.
 * Heinrich Heine, p. 146


 * The great apostle of the Philistines, Lord Macaulay
 * Joubert, pp. 234–5


 * Homer is rapid in his movement, Homer is plain in his words and style, Homer is simple in his ideas, Homer is noble in his manner. Cowper renders him ill because he is slow in his movement, and elaborate in his style; Pope renders him ill because he is artificial both in his style and in his words; Chapman renders him ill because he is fantastic in his ideas; Mr. Newman renders him ill because he is odd in his words and ignoble in his manner.
 * On Translating Homer, p. 336

Thyrsis (1866)

 * Full text online at Bartleby

See, ’tis no foot of unfamiliar men Tonight from Oxford up your pathway strays! Here came I often, often, in old days; Thyrsis and I; we still had Thyrsis then.
 * Are ye too changed, ye hills?
 * St. 1

She needs not June for beauty’s heightening.
 * And that sweet city with her dreaming spires,
 * St. 2

Of storms that rage outside our happy ground; He could not wait their passing, he is dead!
 * He went; his piping took a troubled sound
 * St. 5


 * The bloom is gone, and with the bloom go I.
 * St. 6

In ever-nearing circle weaves her shade.''' I see her veil draw soft across the day, I feel her slowly chilling breath invade The cheek grown thin, the brown hair sprent with grey; I feel her finger light Laid pausefully upon life’s headlong train; — The foot less prompt to meet the morning dew, '''The heart less bounding at emotion new, And hope, once crush’d, less quick to spring again.'''
 * '''Yes, thou art gone! and round me too the night
 * St. 14

Ah, vain! These English fields, this upland dim, These brambles pale with mist engarlanded, That lone, sky-pointing tree, are not for him; To a boon southern country he is fled, And now in happier air, Wandering with the great Mother’s train divine (And purer or more subtle soul than thee, I trow, the mighty Mother doth not see) Within a folding of the Apennine.
 * Hear it, O Thyrsis, still our tree is there!—
 * St. 18

Roam on! The light we sought is shining still. Dost thou ask proof? Our tree yet crowns the hill, Our Scholar travels yet the loved hillside.
 * Why faintest thou! I wander’d till I died.
 * St, 24

Dover Beach (1867)
The tide is full, the moon lies fair Upon the straits;—on the French coast the light Gleams and is gone; the cliffs of England stand, Glimmering and vast, out in the tranquil bay. Come to the window, sweet is the night-air!
 * The sea is calm tonight.
 * St. 1

Where the sea meets the moon-blanch'd land,Listen! you hear the grating roar Of pebbles which the waves draw back, and fling, At their return, up the high strand, Begin, and cease, and then again begin, With tremulous cadence slow, and bring The eternal note of sadness in.'''
 * '''Only, from the long line of spray
 * St. 1

Was once, too, at the full, and round earth’s shore Lay like the folds of a bright girdle furled. But now I only hear Its melancholy, long, withdrawing roar, Retreating, to the breath Of the night-wind, down the vast edges drear And naked shingles of the world.
 * The sea of faith
 * St. 3

To one another!''' for the world, which seems To lie before us like a land of dreams, So various, so beautiful, so new, Hath really neither joy, nor love, nor light, Nor certitude, nor peace, nor help for pain; '''And we are here as on a darkling plain Swept with confused alarms of struggle and flight, Where ignorant armies clash by night.'''
 * '''Ah, love, let us be true
 * St. 4

The Last Word (1867)
Creep, and let no more be said!
 * Creep into thy narrow bed,
 * St. 1

Geese are swans, and swans are geese.'''
 * '''Let the long contention cease!
 * St. 2

Let the victors, when they come, When the forts of folly fall, Find thy body by the wall.
 * Charge once more, then, and be dumb!
 * St. 4

Rugby Chapel (1867)


The autumn evening. The Field Strewn with its dank yellow drifts Of wither’d leaves, and the elms, Fade into dimness apace, Silent;—hardly a shout From a few boys late at their play!
 * Coldly, sadly descends
 * St. 1

Tarriest thou now? For that force, Surely, has not been left vain!
 * O strong soul, by what shore
 * St. 4

Of mortal men on the earth?— Most men eddy about Here and there—eat and drink, Chatter and love and hate, Gather and squander, are raised Aloft, are hurl’d in the dust, Striving blindly, achieving Nothing; and, then they die— Perish; and no one asks Who or what they have been, More than he asks what waves In the moonlit solitudes mild Of the midmost Ocean, have swell’d, Foam’d for a moment, and gone.
 * What is the course of the life
 * St. 6

Many to save with thyself; And, at the end of thy day, O faithful shepherd! to come, Bringing thy sheep in thy hand.
 * Therefore to thee it was given
 * St. 9

Beacons of Hope ye appear! Languor is not in your heart, Weakness is not in your word, Weariness not on your brow.'''
 * '''Radiant with ardour divine!
 * St. 12

Culture and Anarchy (1869)

 * Full text online




 * Because without order there can be no society, and without society there can be no human perfection.
 * p. 41
 * The whole scope of the essay is to recommend culture as the great help out of our present difficulties; culture being a pursuit of our total perfection by means of getting to know, on all the matters which most concern us, the best which has been thought and said in the world; and through this knowledge, turning a stream of fresh and free thought upon our stock notions and habits, which we now follow staunchly but mechanically, vainly imagining that there is a virtue in following them staunchly which makes up for the mischief of following them mechanically.
 * Preface


 * Our society distributes itself into Barbarians, Philistines, and Populace; and America is just ourselves, with the Barbarians quite left out, and the Populace nearly.
 * Preface


 * One must, I think, be struck more and more the longer one lives, to find how much in our present society a man's life of each day depends for its solidity and value upon whether he reads during that day, and far more still on what he reads during it.
 * Preface, 1st Ed


 * I am a Liberal, yet I am a Liberal tempered by experience, reflexion, and renouncement, and I am, above all, a believer in culture.
 * Introduction


 * Culture is then properly described not as having its origin in curiosity, but as having its origin in the love of perfection; it is a study of perfection.
 * Ch. I, Sweetness and Light


 * Greatness is a spiritual condition worthy to excite love, interest, and admiration; and the outward proof of possessing greatness is that we excite love, interest, and admiration.
 * Ch. I, Sweetness and Light


 * The pursuit of perfection, then, is the pursuit of sweetness and light. He who works for sweetness and light, works to make reason and the will of God prevail. He who works for machinery, he who works for hatred, works only for confusion. Culture looks beyond machinery, culture hates hatred; culture has one great passion, the passion for sweetness and light.
 * Ch. I, Sweetness and Light


 * The men of culture are the true apostles of equality.
 * Ch. I, Sweetness and Light


 * The people who believe most that our greatness and welfare are proved by our being very rich, and who most give their lives and thoughts to becoming rich, are just the very people whom we call the Philistines. Culture says: “Consider these people, then, their way of life, their habits, their manners, the very tones of their voice; look at them attentively; observe the literature they read, the things which give them pleasure, the words which come forth out of their mouths, the thoughts which make the furniture of their minds; would any amount of wealth be worth having with the condition that one was to become just like these people by having it?”
 * Ch. I, Sweetness and Light


 * Everything in our political life tends to hide from us that there is anything wiser than our ordinary selves.
 * Ch. III, Barbarians, Philistines, Populace


 * The governing idea of Hellenism is spontaneity of consciousness; that of Hebraism, strictness of conscience.
 * Ch. IV, Hebraism and Hellenism

Literature and Dogma (1873)

 * Literature and Dogma : An Essay Towards a Better Apprehension of the Bible (1873) Full text online at GoogleBooks

And this aim we cannot seek without coming in sight of another aim, too, which we have often and often pointed out, and tried to recommend: culture, the acquainting ourselves with the best that has been known and said in the world, and thus with the history of the human spirit.
 * This is the aim of the following essay: to show that, when we come to put the right construction on the Bible, we give to the Bible a real experimental basis, and keep on this basis throughout; instead of any basis of unverifiable assumption to start with, followed by a string of other unverifiable assumptions of the like kind, such as the received theology necessitates.
 * Preface


 * Conduct is three-fourths of our life and its largest concern.
 * Ch. 1


 * And as long as the world lasts, all who want to make progress in righteousness will come to Israel for inspiration, as to the people who have had the sense for righteousness most glowing and strongest; and in hearing and reading the words Israel has uttered for us, carers for conduct will find a glow and a force they could find nowhere else.
 * Ch. 1

Essays in Criticism, second series (1888)

 * The best poetry will be found to have a power of forming, sustaining, and delighting us, as nothing else can.
 * The Study of Poetry


 * Coleridge, poet and philosopher wrecked in a mist of opium.
 * Byron


 * A beautiful and ineffectual angel, beating in the void his luminous wings in vain.
 * On Percy Bysshe Shelley, Byron

It is important, therefore, to hold fast to this: that poetry is at bottom a criticism of life; that the greatness of a poet lies in his powerful and beautiful application of ideas to life — to the question, How to live. Morals are often treated in a narrow and false fashion, they are bound up with systems of thought and belief which have had their day, they are fallen into the hands of pedants and professional dealers, they grow tiresome to some of us. We find attraction, at times, even in a poetry of revolt against them; in a poetry which might take for its motto Omar Khayam's words: "Let us make up in the tavern for the time which we have wasted in the mosque." Or we find attractions in a poetry indifferent to them, in a poetry where the contents may be what they will, but where the form is studied and exquisite. We delude ourselves in either case; and the best cure for our delusion is to let our minds rest upon that great and inexhaustible word life, until we learn to enter into its meaning. A poetry of revolt against moral ideas is a poetry of revolt against life; a poetry of indifference towards moral ideas is a poetry of indifference towards life.
 * If what distinguishes the greatest poets is their powerful and profound application of ideas to life, which surely no good critic will deny, then to prefix to the word ideas here the term moral makes hardly any difference, because human life itself is in so preponderating a degree moral.
 * Wordsworth, originally published as "Preface to the Poems of Wordsworth" in Macmillan's Magazine (July 1879)


 * The crown of literature is poetry.
 * Count Leo Tolstoi

Matthew Arnold's Notebooks (1902)

 * However, if I shall live to be eighty I shall probably be the only person left in England who reads anything but newspapers and scientific publications.
 * In a letter to his sister, New Year's Day, 1882. Quoted in the Preface


 * Weep bitterly over the dead, for he is worthy, and then comfort thyself; drive heaviness away: thou shall not do him good, but hurt thyself.
 * Diary entry for the day he died (15 April 1888); from Ecclesiasticus, xxxviii

Attributed

 * People think that I can teach them style. What stuff it all is! Have something to say, and say it as clearly as you can. That is the only secret of style.
 * G.W.E. Russell, Collections and Recollections, ch. XIV, Harper & brothers, 1898, p. 136. Russell states that was said to him by Arnold himself.

Misattributed

 * Things and actions are what they are, and the consequences of them will be what they will be: why, then, should we desire to be deceived?
 * Joseph Butler, Human Nature and Other Sermons, "Sermon VII" as quoted in Arnold's "St. Paul and Protestantism" (1870).

Quotes about Arnold

 * But whatever the deity which satisfied Arnold's personal experience may have been, the religion which he gives us in Literature and Dogma and God and the Bible is neither Deism nor bare Pan-Deism, but a diluted Positivism. As an ethical system it is in theory admirable, but its positive value is in the highest degree questionable. Pascal's judgment upon the God who emerged from the philosophical investigations of Rene Descartes was that He was a God who was unnecessary. And one may with even greater truth say that the man who is able to receive and live by the religion which Arnold offers him is no longer in need of its help and stimulus. To be able to appreciate an ethical idealism a man must himself be already an ethical idealist.
 * William Harbutt Dawson, Matthew Arnold and His Relation to the Thought of Our Time (1904, republished 1977), p. 256 (1977 ed.) ISBN: 0849206480; (1904 ed.) ASIN: B0006ADKGA


 * A democrat by conviction rather than by temperament, urging democracy as 'the only method consistent with human instinct toward expansion,' he was yet an educator, and believed in equality upon a high, not upon a low plane. Like Ruskin, he demanded of men their best, and with less than their best refused to be satisfied.
 * Philadelphia poet Florence Earle Coates on Arnold — who both encouraged and inspired Mrs. Coates' writing, and was a guest on several occasions at the Coates' Germantown, Philadelphia, Pennsylvania home during his stays in Philadelphia; from The Critic (31 March 1894)


 * So full of power, yet blithe and debonair, Rallying his friends with pleasant banter gay, Or half a-dream chaunting with jaunty air Great words of Goethe, catch of Béranger.
 * John Campbell Shairp, "Balliol Scholars 1840–1843: A Remembrance", stanza 26, line 1, in Glen Desseray and Other Poems, edited by Francis T. Palgrave (London: Macmillan and Co., 1888), p. 218