Noël Coward



Noël Peirce Coward (December 16, 1899 – March 26, 1973) was an English playwright, composer of popular music and actor.

Quotes

 * [On the phone] My dear Jim's dead...No dear, he jumped off Waterloo Bridge - Yes, the one next to Charing Cross - No, no, no that's Blackfriars.
 * Early review, cited in Frank Muir's Book of Comedy Sketches

Don't put your daughter on the stage The profession is overcrowded And the struggle's pretty tough And admitting the fact she's burning to act That isn't quite enough She's a big girl and though her teeth are fairly good She's not the type I ever would be eager to engage I repeat, Mrs. Worthington, sweet Mrs. Worthington Don't put your daughter on the stage.
 * Don't put your daughter on the stage, Mrs. Worthington
 * "Mrs Worthington" (Song, 1933)

We only keep them up for Americans to rent. Tho' the pipes that supply the bathroom burst And the lavat'ry makes you fear the worst It was used by Charles the First (quite informally), And later by George the Fourth on a journey north, The state apartments keep their historical reknown, It's wiser not to sleep there in case they tumble down; But still if they ever catch on fire Which with any luck they might, We'll fight for the stately homes of England.
 * The stately homes of England we proudly represent,
 * "The Stately Homes of England" from Operette (1937)

We've heard of a thousand times Our ancestors were unequivocally right. They frequently went on missions To rather peculiar climes To lead the wretched heathen to the light. Though some of them got beaten up and some of them stampeded And quite a lot were eaten up - a few of them succeeded. On one of these expeditions An uncle we thought a bore Turned out to be more spirited than ever he'd been before. Poor Uncle Harry Wanted to be a missionary So he took a ship and sailed away. This visionary Hotly pursued by dear Aunt Mary Found a South Sea isle on which to stay. The natives greeted them kindly, And invited them to dine On yams and clams and human hams and vintage coconut wine The taste of which was filthy But the after-effects divine.
 * Our families have traditions
 * "Uncle Harry" from Pacific 1860 (1946)


 * Charles: Anything interesting in The Times? Ruth: Don't be silly, Charles.
 * Blithe Spirit (1941)


 * Hollywood is a place where some people lie on the beach and look up at the stars, whereas other people lie on the stars and look down at the beach.
 * Interview with Walter Harris in 1960 reported in The Times (26 May 2009)


 * I love criticism as long as it is unqualified praise.
 * Quote in Margaret McManus, "Noël Coward a 'Blithe Spirit' — in Sunny Jamaica", The Des Moines Register (January 8, 1956), Section: Iowa TV Magazine, p. 5


 * Television is for appearing on, not looking at.
 * Interview with Edward R. Murrow on Person to Person (27 April 1956)


 * The Battle of Britain was twenty-three years ago and the world has forgotten it. Those young men, so many of whom I knew, flew up into the air and died for us and all we believed in... What did they die for? I suppose for themselves and what they believed was England. It was England then – for a few brave months... The peace we are enduring is not worth their deaths. England has become a third-rate power, economically and morally. We are vulgarised by American values. America, which didn't even know war on its own ground, is now dictating our policies and patronising our values. I came away from that gentle, touching, tatty little party with a heavy and sad heart. The England those boys died for has disappeared. Our history, except for stupid, squalid social scandals, is over... We are now beset by the 'clever ones', all the cheap frightened people who can see nothing but defeat and who have no pride, no knowledge of the past, no reverence for our lovely heritage... I despise the young, who see no quality in our great past and who spit, with phoney, left-wing disdain, on all that we, as a race, have contributed to the living world... I say a grateful goodbye to those foolish, gallant young men who made it possible for me to be alive today to write these sentimental words.
 * Diary entry after attending the annual dinner for Battle of Britain veterans (September 1963), quoted in The Noël Coward Diaries, eds. Graham Payn and Sheridan Morley (1982), pp. 543-545


 * He loved me true did Harry-boy and I loved him true, and if the happiness we gave each other was wicked and wrong in the eyes of the Law and the Church and God Almighty, then the Law and the Church and God Almighty can go dig a hole and fall down it.
 * Me and the Girls (1964)

The author of Lear remains unshaken Willie Herbert or Mary Fitton What does it matter? The Sonnets were written.
 * Christopher Marlowe or Francis Bacon
 * A Question of Values.


 * Proceeding on the assumption that the reader of this preface is interested in the development of my musical talent, I will try to explain, as concisely as I can, how, in this respect, my personal wheels go round. To begin with, I have only had two music lessons in my life. These were the first steps of what was to have been a full course at the Guildhall School of Music, and they faltered and stopped when I was told by my instructor that I could not use consecutive fifths. He went on to explain that a gentleman called Ebenezer Prout had announced many years ago that consecutive fifths were wrong and must in no circumstances be employed. At that time Ebenezer Prout was merely a name to me (as a matter of fact he still is, and a very funny one at that) and I was unimpressed by his Victorian dicta. I argued back that Debussy and Ravel had used consecutive fifths like mad. My instructor waved aside this triviality with a pudgy hand, and I left his presence forever with the parting shot that what was good enough for Debussy and Ravel was good enough for me. This outburst of rugged individualism deprived me of much valuable knowledge, and I have never deeply regretted it for a moment.
 * Preface, The Noël Coward Song Book, pp. 12–13.


 * If by any chance a playwright wishes to express a political opinion or a moral opinion or a philosophy, he must be a good enough craftsman to do it with so much spice of entertainment in it that the public get the message without being aware of it.
 * Sheridan Morley, A Talent to Amuse (1985).


 * Your motivation is your pay packet on Friday. Now get on with it.
 * Fred Metcalf, ''The Penguin Dictionary of Modern Humorous Quotations (1987).

Whenever spring breaks through again.
 * I'll see you again,
 * "I'll See You Again," Bitter Sweet, Act 1

Private Lives (1930)
Elyot: The Duke of Westminster's I expect. It always is. Amanda: I wish I were on it. Elyot: I wish you were too. Amanda: There's no need to be nasty. Elyot: Yes, there is every need. I've never in my life felt a greater urge to be nasty.
 * Amanda: Whose yacht is that?

Amanda: Very flat, Norfolk. Elyot: There's no need to be unpleasant. Amanda: That was no reflection on her, unless of course she made it flatter.
 * Elyot: I met her on a house party in Norfolk.


 * Elyot: Certain women should be struck regularly, like gongs.


 * Amanda: Extraordinary how potent cheap music is.

Mad Dogs and Englishmen (1930)
There are certain times Of day When all the citizens retire To take their clothes off and perspire. It's one of those rules That the greatest fools Obey, Because the sun is far too sultry And one must avoid its ultry- Vi'let ray.
 * In tropical climes

Their huts. Because they're obviously, Definitely Nuts.
 * The natives grieve When the white men leave

Go out in the midday sun. The Japanese don't care to, The Chinese wouldn't dare to, The Hindus and Argentines Sleep firmly from twelve to one, But Englishmen Detest a Siesta.
 * Mad Dogs & Englishmen

For Eastern eyes To see, That though the English are effete, They're quite impervious to heat.
 * It's such a surprise

When the English claim The Earth, That they give rise To such hilarity And mirth.
 * It seems such a shame

The heat of noon Is just what the natives shun, They put their Scotch Or Rye down And lie down.
 * In Rangoon

Where the sun beats down To the rage of man and beast, The English garb Of the English sahib Merely gets a bit more creased. In Bangkok At twelve'o'clock They foam at the mouth and run, But mad dogs and Englishmen Go out in the midday sun.
 * In a jungle town

They strike a gong And fire off a noonday gun To reprimand Each inmate Who's in late.
 * In Hong Kong

To move at all Is seldom if ever done.
 * In Bengal,

Design for Living (1932)

 * The actual facts are so simple. I love you. You love me. You love Otto. I love Otto. Otto loves you. Otto loves me. There now! Start to unravel from there.


 * People are wrong when they say that the opera isn't what it used to be. It is what it used to be — that's what's wrong with it!
 * Act 3, Scene I

Mad About the Boy (1932)

 * Mad about the boy I know it's stupid to be mad about the boy I'm so ashamed of it but must admit the sleepless nights I've had About the boy


 * On the silverscreen He melts my foolish heart in every single scene Although I'm quite aware that here and there are traces of the cad About the boy


 * Lord knows I'm not a fool girl I really shouldn't care Lord knows I'm not a school girl In the flurry of her first affair.


 * Will it ever cloy This odd diversity of misery and joy I'm feeling quite insane and young again And all because I'm mad about the boy


 * So if I could employ A little magic that will finally destroy This dream that pains me and enchains me But I can't because I'm mad... I'm mad about the boy

Present Laughter (1939)

 * Gary: You ought never to have joined the Athenaeum Club, Henry: it was disastrous. Henry: I really don’t see why. Gary: It’s made you pompous. Henry: It can’t have. I’ve always been too frightened to go into it.


 * Gary: Beryl Willard is extremely competent. Beryl Willard has been extremely competent, man and boy, for forty years. In addition to her extreme competence, she has contrived, with uncanny skill, to sustain a spotless reputation for being the most paralysing, epoch-making, monumental, world-shattering, God-awful bore that ever drew breath...I will explain one thing further - it is this. No prayer, no bribe, no threat, no power, human or divine, would induce me to go to Africa with Beryl Willard. I wouldn't go as far as Wimbledon with Beryl Willard. Liz: What he's trying to say is that he doesn't care for Beryl Willard.


 * Morris: I'll never speak to you again until the day I die! Gary: Well, we can have a nice little chat then, can't we?

Quotes about Noël Coward

 * Wrongly attributed to Noel Coward is a quotation about the Queen of Tonga. He is alleged to have been sitting under cover from the heavy rain with Princess Marina, Duchess of Kent at the Coronation in London in 1953. Opposite them was the vast Queen Salote of Tonga. Princess Marina is supposed to have asked "Noel, who is that little man sheltering under Queen Salote's umbrella?" Coward is said to have peered through the rain and said "Oh, her lunch, my dear." In a later interview with Walter Harris, Coward revealed it had been said by someone at White's Club and was immediately attributed to Coward. "It was very flattering of course, except that I had intended to visit Tonga the following winter, and after that of course it was quite impossible."
 * Interview with Walter Harris in 1960 reported in The Times (26 May 2009)


 * My big break came the next year with Bitter Sweet, starring . I had a dress with a plunging neckline. Noël Coward said he could see the and I felt devastated. If you're blind, you'll miss me in that one.
 * , speaking with James Bawden, circa 1980s; as quoted in Conversations with Classic Film Stars: Interviews from Hollywood's Golden Era (2016) by Bawden and Ron Miller, p. 208