Ray Charles

Ray Charles Robinson (September 23 1930 – June 10 2004) was an American Soul musician, singer, songwriter, and composer.

Quotes





 * You gotta know how to get to people's heart
 * Pop Chronicles: Show 15 - The Soul Reformation I: A symposium on soul, interview recorded 1.2.1968.


 * I got a woman way over town, That's good to me, Oh yeah!
 * "I Got a Woman", written with Renald Richard (1954)


 * Hey mama, don't you treat me wrong, Come and love your daddy all night long. All right now, hey hey, all right. See the girl with the diamond ring; She knows how to shake that thing. All right now now now, hey hey, hey hey. Tell your mama, tell your pa, I'm gonna send you back to Arkansas. Oh yes, ma'm, you don't do right, don't do right.
 * "What'd I Say", from the album What'd I Say (1957)

Well, tell me what'd I say, yeah Tell me what'd I say right now Tell me what'd I say
 * Yeah yeah, what'd I say, all right
 * "What'd I Say", from the album What'd I Say (1957)


 * Soul is when you take a song and make it a part of you — a part that's so true, so real, people think it must have happened to you. … It's like electricity — we don't really know what it is, do we? But it's a force that can light a room. Soul is like electricity, like a spirit, a drive, a power.
 * As quoted in LIFE magazine (July 1966), also in Ray Charles : Man and Music (1998) by Michael Lydon, p. 264
 * Variant: What is soul? It's like electricity — we don't really know what it is, but it's a force that can light a room.
 * As quoted in Pearls of Wisdom (1987) by Jerome Agel and Walter D. Glanze, p. 47


 * But now if I can wrap myself up in that song, and when that song gets to be a part of me, and affects me emotionally, then the emotions that I go through, chances are I’ll be able to communicate to you. Make the people out there become a part of the life of this song that you’re singing about. That’s soul when you can do that.
 * "A symposium on soul", Pop Chronicles, Show 15: The Soul Reformation, interview recorded 3.8.1968.


 * Rhythm and blues used to be called race music. … This music was going on for years, but nobody paid any attention to it.
 * Pop Chronicles: Show 55 - Crammer: A lively cram course on the history of rock and some other things, interview recorded 3.8.1968.


 * Music has been around a long time, and there's going to be music long after Ray Charles is dead. I just want to make my mark, leave something musically good behind. If it's a big record, that's the frosting on the cake, but music's the main meal.
 * As quoted "Words of the Week" in Jet magazine, Vol. 64, No. 6 (25 April 1983), p. 40


 * The fact of the matter is, you don't give up what's natural. Anything I've fantasized about, I've done.
 * Los Angeles Times (1989)


 * I started to sing like myself — as opposed to imitating Nat Cole, which I had done for a while — when I started singing like Ray Charles, it had this spiritual and churchy, this religious or gospel sound. It had this holiness and preachy tone to it. It was very controversial. I got a lot of criticism for it.
 * San Jose Mercury News (1994)


 * Do it right or don't do it at all. That comes from my mom. If there's something I want to do, I'm one of those people that won't be satisfied until I get it done. If I'm trying to sing something and I can't get it, I'm going to keep at it until I get where I want it.
 * Fort Lauderdale Sun-Sentinel (1998)


 * You better live every day like your last because one day you're going to be right.
 * As quoted in Wisdom for the Soul of Black Folk (2007) by Larry Chang and Roderick Terry, p. 365


 * Every music has its own soul, Quincy
 * Said to Quincy Jones as quoted in The Arranger, an article in Smithsonian Magazine. https://www.smithsonianmag.com/arts-culture/the-arranger-20940901/

Brother Ray : Ray Charles' Own Story (1978)

 * Brother Ray : Ray Charles' Own Story (1978) by Ray Charles and David Ritz, (2003 edition)




 * Before I begin, let me say right here and now that I'm a country boy. And, man, I mean the real backwoods! That's at the start of the start of the thing, and that's at the heart of the thing.
 * Home, p. 1


 * I was born with music inside me. That's the only explanation I know of, since none of my relatives could sing or play an instrument. Music was one of my parts. Like my ribs, my kidneys, my liver, my heart. Like my blood. It was a force already within me when I arrived on the scene. It was a necessity for me — like food or water.
 * Home, p. 8


 * I know that men ain't supposed to cry, but I think that's wrong. Crying's always been a way for me to get things out which are buried deep, deep down. When I sing, I often cry. Crying is feeling, and feeling is being human.
 * First years at School, p. 25


 * When I was going blind, I didn't turn to God. It didn't seem to me then — and it doesn't seem to me now — that those items were His concern. Early on, I figured I better begin to learn how to count on myself, instead of counting on supernatural forces.
 * First years at School, p. 25


 * Then there were motorcycles. I learned to ride one in Tallahassee when I was about 14 or 15. … I got to know the town pretty well, and soon I felt confident about riding round. Tallahassee was full of hills, and I loved racing up and down 'em, sometimes trailing my friend or riding next to him, so I could hear the sound of the exhaust and make sure to follow closely and yet not too closely. I know it sounds strange — a blind teenager buzzin' round on a motorcycle — but I liked that; that was me. I had always been nervy, and I always had a lot of faith in my ability not to break my neck.
 * Summers in Tallahassee, p. 48


 * Affluence separates people. Poverty knits 'em together. You got some sugar and I don't; I borrow some of yours. Next month you might not have any flour; well, I'll give you some of mine. That's how my band made it. We swam through a lot of shit together, we swallowed a lot of pride, but we managed to do what we needed to do.
 * Roughing It, p. 155


 * My music had roots which I'd dug up from my own childhood, musical roots buried in the darkest soil.
 * Fooling, Drowning, Hallelujahing, p. 174


 * Women anchor me. They're there when I need them. They're sensitive to me, and I'm sensitive to them. I'm not saying I've loved that many women. Love is a special word, and I use it only when I mean it. You say the word too much and it becomes cheap. But sex is something else. I'm not sure that there can ever be too much sex. To me, it's another one of our daily requirements — like eating. If I go twenty-four hours without it, I get hungry. Sex needs to be open and fun, free and happy. It's whatever you make it, and I try my hardest to create situations where me and my woman can enjoy ourselves — all of ourselves — without our inhibitions getting in the way. You got to set your mind right and the rest will come to you naturally. No restrictions, no hang-ups, no stupid rules, no formalities, no forbidden fruit — just everyone getting and giving as much as he and she can.
 * For the Love of Women, p. 239


 * Music is nothing separate from me. It is me. I can't retire from music any more than I can retire from my liver. You'd have to remove the music from me surgically — like you were taking out my appendix.
 * Little Bit of Soul p. 307

Misattributed

 * Other arms reach out to me Other eyes smile tenderly Still in peaceful dreams I see The road leads back to you. Georgia, oh Georgia, no peace I find... Just an old sweet song Keeps Georgia on my mind.
 * Though renditions by Ray Charles are among the most popular and famous, the lyrics of "Georgia On My Mind" (1930) were written by Stuart Gorrell and the music by Hoagy Carmichael.

Quotes about Charles

 * There are certain artists who belong to all the people, everywhere, all the time. The list of singers, musicians, and poets must include David the harpist from the Old Testament, Aesop the Storyteller, Omar Khayyam the Tent Maker, Shakespeare the Bard of Avon, Louis Armstrong the genius of New Orleans, Om Kalsoum the soul of Egypt, Frank Sinatra, Mahalia Jackson, Dizzy Gillespie, Ray Charles....Celia Cruz...All great artists draw from the same resource: the human heart, which tells us all that we are more alike than we are unalike.
 * Maya Angelou Letter to My Daughter (2009)


 * A lot of Negro style-the style of a man like Miles Davis or Ray Charles or the style of a man like myself is based on a knowledge of what people are really saying and on our refusal to hear it. You pick up on the beat, which is much more truthful than words.
 * 1969 interview in Conversations with James Baldwin edited by Louis H. Pratt and Fred L. Standley (1989)


 * Ray Charles is the only genius in our business.
 * Frank Sinatra, as quoted in LIFE magazine (July 1966); also in Ray Charles : Man and Music (1998) by Michael Lydon, p. 264
 * It's a little like a Ray Charles concert, isn't it? Georgia!
 * Ian Darke, as quoted in "Englishman Ian Darke is voice of the Americans at World Cup" (10 June 2014), The Miami Herald.