Scheherazade

Scheherazade, sometimes Scheherazade, Persian transliteration Shahrazad or Shahrzād (Persian: شهرزاد Šahrzād), is a legendary Persian queen and the storyteller of One Thousand and One Nights.

Quotes

 * He entered large halls where the carpets were of silk, the lounges and sofas covered with tapestry from Mecca, and the hangings of the most beautiful Indian stuffs of gold and silver. Then he found himself in a splendid room, with a fountain supported by golden lions. The water out of the lions' mouths turned into diamonds and pearls, and the leaping water almost touched a most beautifully-painted dome. The palace was surrounded on three sides by magnificent gardens, little lakes, and woods. Birds sang in the trees, which were netted over to keep them always there.
 * One Thousand and One Nights, as quoted in The Arabian Nights by Andrew Lang, p. 58

Quotes about Scheherazade

 * Scheherazade had perused the books, annals and legends of preceding Kings, and the stories, examples and instances of bygone men and things; indeed it was said that she had collected a thousand books of histories relating to antique races and departed rulers. She had perused the works of the poets and knew them by heart; she had studied philosophy and the sciences, arts and accomplishments; and she was pleasant and polite, wise and witty, well read and well bred.
 * Sir Richard Francis Burton's translation of One Thousand and One Nights''


 * Scheherazade … possessed courage, wit, and penetration, infinitely above her sex. She had read much, and had so admirable a memory, that she never forgot any thing she had read. She had successfully applied herself to philosophy, medicine, history, and the liberal arts; and her poetry excelled the compositions of the best writers of her time. Besides this, she was a perfect beauty, and all her accomplishments were crowned by solid virtue.
 * The Arabian Nights Entertainments  (1811) as translated by Jonathan Scott, Vol. I, p. 20


 * All of us, especially educated Arab women, would say, 'No, do you think I am Scheherazade? A slave sitting and telling you stories so you won't kill me?' This is how we thought about Scheherazade at the beginning. One Thousand and One Nights ... wasn't looked at as ... Arabic literary heritage. People thought it was vulgar; they thought it was very bad literature — it's not literature, it's folk tales and nothing else. But then everything changed.
 * I fell in love with her because I thought she was the first feminist. Second, because she was a philosopher, an artist, a writer, and she was trying through literature to humanize the king and men around her.
 * Hanan al-Shaykh, in "Scheherazade: From Storytelling 'Slave' To 'First Feminist'" at NPR (9 June 2013).