Talk:Julius Evola

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“In a society that no longer understands the figure of the ascetic and of the warrior; in which the hands of the latest aristocrats seem better fit to hold tennis rackets or shakers for cocktail mixes than swords or scepters; in which the archetype of the virile man is represented by the boxer or by a movie star if not by the dull wimp represented by the intellectual, the college professor, the narcissistic puppet of the artist, or the busy and dirty money-making banker and the politician – in such a society it was only a matter of time before women rose up and claimed for themselves a “personality” and a “freedom” according to the anarchist and individualist meaning usually associated with those words.” ― Julius Evola

“The very notion of “natural rights” is a mere fiction, and the antitraditional and subversive use of that is well documented. There is no such thing as a nature that is “good” in itself and in which the inalienable rights of an individual, which are to be equally enjoyed by every human being, are preformed and rooted. Even when the ethnic substance appears to be somewhat ‘well defined,’.... These forms...do not have a spiritual value in and of themselves unless participating in a higher order, such as when they are assumed in the state or an analogous traditional organization, they are first consecrated as being from above.” ― Julius Evola

“Those who harbour illusions about the possibility of a purely political struggle and the power of this or that formula or system, with no new human quality as its exact counterpart, have learned no lessons from the past.” ― Julius Evola

“In America any inventor who discovers some new tool that will improve production will always win more social approval and acknowledgement than the traditional type of the intellectual; moreover, anything that is profit, reality or action in the material sense of the word will always be valued more than anything that may derive from a line of aristocratic dignity.” ― Julius Evola

“We will enter into a new phase in which the Leviathan, so to speak, will become the body formed to make possible the incarnation and the manifestation of a principle and a higher order: with that, the collectivistic and irrational aspect of the principle of totalitarianism and authority will be surpassed and will again implement a type of truly spiritual and traditional hierarchical organization.” ― Julius Evola

“Obviously, the leveling process applies to the sexes as well. The Soviet emancipation of the woman parallels the emancipation that in America the feminist idiocy, deriving from 'democracy' all its logical conclusions, had achieved a long time ago in conjunction with the materialistic and practical degradation of man. Through countless and repeated divorces the disintegration of the family in America is characterized by the same pace that we could expect in a society that knows only 'comrades.' The women, having given up their true nature, believe they can elevate themselves by taking on and practicing all kinds of traditionally masculine activities. These women are chaste in their immorality and banal even in their lowest perversions; quite often they find in alcohol the way to rid themselves of the repressed or deviated energies of their nature. Moreover, young women seem to know very little of the polarity and the elemental magnetism of sex as they indulge in a comradely and sportive promiscuity. These phenomena are typically American, even though their contagious diffusion all over the world makes it difficult for people to trace their origin to America. Actually, if there is a difference between this promiscuity and that envisioned by communism, it is resolved in a pejorative sense by a gynaecocratic factor, since every woman and young girl in America and other Anglo-Saxon countries considers it only natural that some kind of pre-eminence and existential respectability be bestowed upon her as if it were her inalienable right.” ― Julius Evola

“In periods of decadence such as the present one, sensuality develops in the dissociated form of simple pleasure. As a result, sex becomes a kind of drug, and the addiction to it is no less profane than actual drug addiction” ― Julius Evola

“The true type of the Superman is, rather, Olympian: a calm greatness which expresses an irresistible superiority, something which terrifies and at the same time compels veneration, which prevails and disarms without fighting, establishing suddenly the feeling of a transcendent force, completely under control but totally capable of release, the wonderful and frightening sense which antiquity associated which the concept of the numen. Supra-life — that is, spirit, totally realised in its supernatural aspect — which permeates and governs absolutely everything which is ‘life’, is the substance here. But this type, the true Superman, cannot be treated merely as a construction of the thought of today. There is no great tradition of antiquity, whether of the East or of the West, which did not possess it. The tradition of the ‘divine right’ of the legitimate Kings, because they were the virile bearers of a force from above, is its last echo. To conceive the sudden re-emergence of this ancient conception, in a world where every great horizon was dead, where, to serve as immediate ideological substance for its incarnation, there were only the profane and opaque myths of evolutionism and natural selection, and a confused need for force and liberation — to conceive this is also to understand the invisible genesis of the theory of the Nietzschean Superman, its limit, and the path which can lead beyond it.” ― Julius Evola

“The family receives its highest justification when set upon a heroic foundation. To comprehend that individualism is not a strength, but a renunciation; to recognize in the blood a steadfast basis for family; to articulate and to personalize this basis through the force of obedience and of command, of dedication and affirmation, of tradition and of a solidarity which we will go so far as to call warlike, and, finally, to personalize it also through a force of intimate transfiguration – only by all of these means will the family come once more to be a living and powerful thing, the first and essential cell for that highest organism, which is the State itself.” ― Julius Evola Biohistorian15 (talk) 09:50, 14 April 2024 (UTC)

Overly expansive...
“Let us now assume that under truly extraordinary circumstances, the daimon nevertheless breaks through in the individual, so to speak, and is this able to let its destructive transcendence be felt: then one would have a kind of active experience of death. Thereupon the second connection becomes clear: why the figure of the daimon or doppelgänger in the ancient myths could be melded with the deity of death. In the Nordic tradition the warrior sees his Valkyrie precisely at the moment of death or mortal danger.

In religious asceticism, mortification, self-renunciation, and the impulse of devotion to God are the preferred methods of provoking and successfully overcoming the crisis I have just mentioned. Everyone knows the expressions which refer to these states, such as the 'mystical death' or 'dark night of the soul', etc. In contrast to this, within the framework of a heroic tradition, the path to the same goal is the active rapture, the Dionysian unleashing of the active element. At its lower levels, we find phenomenons such as the use of dance as a sacred technique for achieving an ecstasy of the soul that summons and uses profound energies. While the individual’s life is surrendered to Dionysian rhythm, another life sinks into it, as if it where his abyssal roots surfacing. The 'wild host' Furies, Erinyes, and suchlike spiritual natures are symbolic picturings of this energy, thus corresponding to a manifestation of the daimon in its terrifying and active transcendence. At a higher level we find sacred war-games; higher still, war itself. And this brings us back to the ancient Aryan concept of battle and the warrior ascetic.

At the climax of danger and heroic battle, the possibility for such an extraordinary experience was recognized. The Lating ludere, meaning both 'to play' and 'to fight', seems to contain the idea of release. This is one of the many allusions to the inherent ability of battle to release deeply-buried powers from individual limitations and let them freely emerge. Hence the third comparison: the daimon, the Lar, the individualizing I, etc., are not only identical with the Furies, Erinyes, and other unleashed Dionysian natures, which themselves have many traits similar to the goddess of death — they are also synonymous with the storm maidens of battle, the Valkyries and Fravartis. In the texts, for example, the Fravartis are called 'the terrible, the all-powerful', 'those who attack in storm and bestow victory upon those who conjure them', or, more precisely, those who conjure them up in themselves.

From there to the final comparison is only a short step. In the Aryan tradition the same martial beings eventually take on the form of victory-goddesses, a transformation which denotes the happy completion of the inner experience in question. Just as the daimon or doppelgänger signifies a deep, supra-individual power in its latent condition as compared to ordinary consciousness; just as the Furies and Erinyes reflect a particular manifestation of daimonic rages and eruptions (and the goddesses of death, Valkyries, Fravartis, etc., refer to the same conditions, as long as these are facilitated by battle and heroism) — in the same way the goddess of victory is the expression of the triumph of the I over this power. She signifies the victorious ascent to a state unendangered by ecstasies and sub-personal forms of disintegration, a danger that always lurks behind the frenetic moment of Dionysian and even heroic action. The ascent to a spiritual, truly supra-personal condition that makes one free, immortal, and internally indestructible, when the 'Two becomes One', expresses itself in this image of mythical consciousness.” ― Julius Evola, Metaphysics of War

“Now we move on to the dominant idea of this ancient heroic tradition, namely the mystical conception of victory. The fundamental assumption is that of a true correspondence between the physical and metaphysical, between the visible and the invisible, whereby the deeds of the spirit reveal supra-individual traits and express themselves through action and real events. On this basis, a spiritual realization is presumed to be the hidden soul of certain martial endeavors, which are crowned by the actual victory. Then the material, military victory becomes the correlation to a spiritual event, which has called forth victory in the place where outer and inner connect. The victory appears as a tangible sign for a consecration and mystical rebirth that are fulfilled in the same instant. The Furies and the death which the warrior withstood physically on the battlefield also confront him internally, in his spiritual element, in the form of a dangerous and threatening outburst of the primordial energy of his being.

In triumphing over this, victory is his.

This connection clarifies why, in the Traditional world, every victory also takes on a sacred meaning. The celebrated commander on the battlefield thus provided the experience of the presence of a mystical, transformative energy. In the same way we can understand the deep meaning a supra-wordly character that breaks forth in the victory’s glory and 'divinity', as well as the fact that the ancient Roman triumphal ceremony had far more of a sacred quality than a military one. It sheds a totally different light on those recurring symbols of the ancient Aryan tradition of Victories, Valkyries, and similar beings who leads the souls of warriors into 'Heaven', as well as on the myth of a victorious hero such as the Doric Hercules, who receives the crown from Nike, the 'victory goddess', enabling him to participate in Olympian immortality. And now it becomes obvious how paralyzing and frivolous that viewpoint is which prefers to see only 'poetics', rhetorics, and fairy tales in all of this.” ― Julius Evola, Metaphysics of War Biohistorian15 (talk) 09:50, 14 April 2024 (UTC)

Rome and Christianity
An often quoted line from Evola regards his disdained view of Christianity, in part because of his view that Christianity caused the downfall of Rome. In Imperialismo Pagano he wrote:


 * Christianity is at the root of the evil that has corrupted the West. This is the truth, and it does not admit uncertainty.
 * In its frenetic subversion of every hierarchy, in its exaltation of the weak, the disinherited, those without lineage and without tradition; in its call to "love", to "believe", and to yield; in its rancor toward everything that is force, self-sufficiency, knowledge, and aristocracy; in its intolerant and proselytizing fanaticism, Christianity poisoned the greatness of the Roman Empire. Enemy of itself and of the world, this dark and barbarous wave remains the principal cause of the West's decline.

Progressingamerica (talk) 00:14, 17 July 2024 (UTC)