Talk:Newspapers

Off-topic quotes

 * In 19th century sub-Saharan Africa, missions invested in numerous activities, amongst which were education, health care and printing. Protestant missionaries pioneered the development of a written tradition for sub-Saharan African languages. Wherever they went, Protestants quickly formalised indigenous languages and printed Bibles and educational material in these languages. They facilitated access to the printing press, acting as intermediaries for its diffusion. Therefore, most of the first indigenous newspapers were printed and sponsored at mission centres. The first newspaper intended for black readers, the Umshumayeli Wendaba (‘Publishers of the News’), written in Xhosa, was published as an irregular quarterly in 1837 and printed at the Wesleyan Missionary Society in Cape Colony. Isigidimi samaXhosa (‘The Xhosa Messenger’), the first African newspaper edited by Africans, was first released in 1876 and printed at the Lovedale Mission Press in South Africa. In 1884, the English/Xhosa weekly Imvo Zabantsundu (‘The African Opinion’), the first black-owned and controlled newspaper in South Africa, was published. On the contrary, in regions where Protestant missions were less active, the first newspapers appeared only at the beginning of the 20th century, and no indigenous newspapers were created before WWI. The first paper in Ivory Coast to be owned and edited by an African, the Éclaireur de la Cote d’Ivoire, only appeared in 1935.
 * Julia Cagé, Valeria Rueda, “The devil is in the detail: Christian missions’ heterogeneous effects on development in sub-Saharan Africa”, CEPR VoxEU, (04 March 2017).


 * Dueling was very much a public matter. Insults, and the challenges to duel that followed, traveled via newspaper editorials, word of mouth and plain old gossip. They also reached a widespread public with "postings" at street corners and taverns. Few men could resist such a public challenge. Even Abraham Lincoln was called to duel: he had referred to one man as a "smelly, foolish liar" in a newspaper editorial. Lincoln chose swords over pistols, in the hope that his long arms would offer an advantage. He eventually apologized and avoided the duel altogether. Newspapers at the time were factionalized and expressed very distinct viewpoints. Editors were constantly being challenged and were known to carry sidearms at all times—even in the office—in case an irate reader should wish to dispute an editorial.
 * History Detectives, "Politics And Pistols: Dueling In America", PBS.


 * I stopped reading the comics page a long time ago. It seems that whoever is in charge of what to put on that page is given an edict that states: “For God’s sake, try to be as bland as possible and by no means offend any one!” Thus, whenever something like Doonesbury would come along, it would be continually censored and, if lucky, eventually banished to the editorial pages. The message was clear: Keep it simple, keep it cute, and don’t be challenging, outrageous or political. And keep it white! It’s odd that considering all the black ink that goes into making the comics section (and color on Sundays) that you rarely see any black faces on that page. Well, maybe it’s not so odd after all, considering the makeup of most newsrooms in our country. It is even more stunning when you consider that in many of our large cities like New York, Los Angeles, or Chicago where the white population is barely a third of the overall citizenry, the comics pages seem to be one of the last vestiges of the belief that white faces are just…well, you know…so much more happy and friendly and funny! Of course, the real funnies are on the front pages of most papers these days. That’s where you can see a lot of black faces. The media loves to cover black people on the front page. After all, when you live in a society that will lock up 30 percent of all black men at some time in their lives and send more of them to prison than to college, chances are a fair number of those black faces will end up in the newspaper.
 * Michael Moore, foreword to "The Boondocks Treasury: a Right to be Hostile" by Aaron McGruder, (2003).

Quoted from blog: requires better source

 * The newspaper man, if he be a live one, meets all sorts and conditions of persons and learns to analyze men and motives. Thus he learns to create characters and (one word illegible here). He mixes with the saintly and sinful, priest and (one word illegible here), sees virtue and vice in equal portion. In after years as he writes fiction, he is pretty liable to know what he’s talking about. He will make a cop talk a police argot and he won’t have a society leader drinking tea out of a saucer. If more motion picture people had been newspaper men we wouldn’t see so many laughable breaks in the films.
 * Johston McCulley