The Catcher in the Rye

The Catcher in the Rye (1951) is a novel by J. D. Salinger. It is narrated in the first-person by the protagonist, Holden Caulfield.

Chapter 1



 * If you really want to hear about it, the first thing you'll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth.


 * They don't do any damn more molding at Pencey than they do at any other school. And I didn't know anybody there that was splendid and clear-thinking and all. Maybe two guys. If that many. And they probably came to Pencey that way.


 * I got the ax. They give guys the ax quite frequently at Pencey. It has a very good academic rating, Pencey. It really does.


 * What I was really hanging around for, I was trying to feel some kind of a good-by. I mean I've left schools and places I didn't even know I was leaving them. I hate that. I don't care if it's a sad good-by or a bad good-by, but when I leave a place I like to know I'm leaving it. If you don't, you feel even worse.


 * It was that kind of a crazy afternoon, terrifically cold, and no sun out or anything, and you felt like you were disappearing every time you crossed a road.


 * Quite a few guys came from these wealthy families, but it was full of crooks anyway. The more expensive a school is, the more crooks it has.


 * They're quite touchy about anything like that, especially my father. They're nice and all-I'm not saying that-but they're also touchy as hell.

Chapter 2

 * "Life is a game, boy. Life is a game that one plays according to the rules." "Yes, sir. I know it is. I know it." Game, my ass. Some game. If you get on the side where all the hot-shots are, then it's a game, all right — I'll admit that. But if you get on the other side, where there aren't any hot-shots, then what's a game about it? Nothing. No game.


 * "I was wondering if it would be frozen over when I got home, and if it was, where did the ducks go. I was wondering where the ducks went when the lagoon got all icy and frozen over. I wondered if some guy came in a truck and took them away to a zoo or something. Or if they just flew away."


 * I'm seventeen now, and sometimes I act like I'm about thirteen. It's really ironical, because I'm six foot two and a half and I have gray hair. I really do. The one side of my head — the right side — is full of millions of gray hairs. I've had them ever since I was a kid. And yet I still act sometimes like I was only about twelve. Everybody says that, especially my father. It's partly true, too, but it isn't all true. People always think something's all true.


 * I don't give a damn, except that I get bored sometimes when people tell me to act my age. Sometimes I act a lot older than I am — I really do — but people never notice it. People never notice anything.


 * I'll be all right. I'm just going through a phase right now. Everybody goes through phases and all, don't they?

Chapter 3

 * I'm the most terrific liar you ever saw in your life. It's awful. If I'm on my way to the store to buy a magazine, even, and somebody asks me where I'm going, I'm liable to say I'm going to the opera. It's terrible.


 * What really knocks me out is a book that, when you're all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn't happen much, though. (Page 18).


 * This is a people shooting hat ... I shoot people in this hat.

Chapter 4

 * “I’m not in the mood right now,” I said. I wasn't, either. You have to be in the mood for those things. (Page 42)

Chapter 5



 * My brother Allie had this left-handed fielder's mitt. He was left-handed. The thing that was descriptive about it, though, was that he had poems written all over the fingers and the pocket and everywhere. In green ink. He wrote them on it so that he'd have something to read when he was in the field and nobody was up at bat. He's dead now. He got leukemia and died when we were up in Maine, on July 18, 1946. You'd have liked him.


 * I went over to my window and opened it and packed a snowball with my bare hands. The snow was very good for packing. I didn't throw it at anything, though. I started to throw it. At a car that was parked across the street. But I changed my mind. The car looked so nice and white. Then I started to throw it at a hydrant, but that looked too nice and white, too. Finally I didn't throw it at anything. All I did was close the window and walk around the room with the snowball, packing it harder. A little while later, I still had it with me when I and Brossard and Ackley got on the bus. The bus driver opened the doors and made me throw it out. I told him I wasn't going to chuck it at anybody, but he wouldn't believe me. People never believe you.

Chapter 8

 * I gave her a good look. She didn't look like any dope to me. She looked like she might have a pretty damn good idea what a bastard she was the mother of. But you can't always tell — with somebody's mother, I mean. Mothers are all slightly insane. The thing is, though, I liked old Morrow's mother. She was all right. pg 72

Chapter 10

 * That's the thing about girls. Every time they do something pretty, even if they're not much to look at, or even if they're sort of stupid, you fall half in love with them, and then you never know where the hell you are. Girls. Jesus Christ. They can drive you crazy. They really can.

Chapter 13

 * The thing is, most of the time when you're coming pretty close to doing it with a girl — a girl that isn't a prostitute or anything, I mean — she keeps telling you to stop. The trouble with me is, I stop. Most guys don't. I can't help it. You never know whether they really want you to stop, or whether they're just scared as hell, or whether they're just telling you to stop so that if you do go through with it, the blame'll be on you, not them. Anyway, I keep stopping.


 * I never seem to have anything that if I lost it I'd care too much about.

Chapter 14

 * In the first place, I'm sort of an atheist. I like Jesus and all, but I don't care too much for most of the other stuff in the Bible. Take the Disciples, for instance. They annoy the hell out of me, if you want to know the truth. They were all right after Jesus was dead and all, but while He was alive,okayyy t as much use to Him as a hole in the head. All they did was keep letting Him down. I like almost anybody in the Bible better than the Disciples. If you want to know the truth, the guy I like best in the Bible, next to Jesus, was that lunatic and all, that lived in the tombs and kept cutting himself with stones. I like him ten times as much as the Disciples, that poor bastard.
 * Holden here refers to the man possessed by "Legion" which Jesus casts out of him and into a herd of swine, in the Gospel of Mark, Ch. 5, Gospel of Luke, Ch. 8, and Gospel of Matthew, Ch. 8.


 * I remember I asked old Childs if he thought Judas, the one that betrayed Jesus and all, went to Hell after he committed suicide. Childs said certainly. That's exactly where I disagreed with him. I said I'd bet a thousand bucks that Jesus never sent old Judas to Hell. I still would, too, if I had a thousand bucks. I think any one of the Disciples would've sent him to Hell and all — and fast, too — but I'll bet anything Jesus didn't do it.

Chapter 15



 * Everything I had was bourgeois as hell. Even my fountain pen was bourgeois. He borrowed it off me all the time, but it was bourgeois anyway.


 * At first he only used to be kidding when he called my stuff bourgeois, and I didn't give a damn — it was sort of funny, in fact. Then, after a while, you could tell he wasn't kidding any more. The thing is, it's really hard to be roommates with people if your suitcases are much better than theirs — if yours are really good ones and theirs aren't. You think if they're intelligent and all, the other person, and have a good sense of humor, that they don't give a damn whose suitcases are better, but they do.

Chapter 16



 * The best thing, though, in that museum was that everything always stayed right where it was. Nobody'd move. You could go there a hundred times, and that Eskimo would still be just finished catching those two fish, the birds would still be on their way south, the deers would still be drinking out of that water hole, with their pretty antlers and their pretty, skinny legs, and that squaw with the naked bosom would still be weaving that same blanket. Nobody'd be different. The only thing that would be different would be you.


 * Certain things they should stay the way they are. You ought to be able to stick them in one of those big glass cases and just leave them alone. I know that's impossible, but it's too bad anyway.

Chapter 17



 * A lot of schools were home for vacation already, and there were about a million girls sitting and standing around waiting for their dates to show up. Girls with their legs crossed, girls with their legs not crossed, girls with terrific legs, girls with lousy legs, girls that looked like swell girls, girls that looked like they'd be bitches if you knew them. It was really nice sightseeing, if you know what I mean. In a way, it was sort of depressing, too, because you kept wondering what the hell would happen to all of them. When they got out of school and college, I mean. You figured most of them would probably marry dopey guys. Guys that always talk about how many miles they get to a gallon in their goddam cars. Guys that get sore and childish as hell if you beat them at golf, or even just some stupid game like ping-pong. Guys that are very mean. Guys that never read books. Guys that are very boring.


 * I don't understand boring guys. I really don't.


 * I don't know about bores. Maybe you shouldn't feel too sorry if you see some swell girl getting married to them. '''They don't hurt anybody, most of them, and maybe they're secretly all terrific whistlers or something. Who the hell knows? Not me.


 * Take most people, they're crazy about cars. They worry if they get a little scratch on them, and they're always talking about how many miles they get to a gallon, and if they get a brand-new car already they start thinking about trading it in for one that's even newer. I don't even like old cars. I mean they don't even interest me. I'd rather have a goddam horse. A horse is at least human, for God's sake.


 * If you do something too good, then, after a while, if you don't watch it, you start showing off. And then you're not as good any more.


 * It's full of phonies, and all you do is study so that you can learn enough to be smart enough to buy a goddam Cadillac some day, and you have to keep making believe you give a damn if the football team loses, and all you do is talk about girls and liquor and sex all day, and everybody sticks together in these dirty little goddam cliques. The guys that are on the basketball team stick together, the Catholics stick together, the goddam intellectuals stick together, the guys that play bridge stick together. Even the guys that belong to the goddam Book-of-the-Month club stick together.
 * On school

Chapter 18



 * The trouble with girls is, if they like a boy, no matter how big a bastard he is, they'll say he has an inferiority complex, and if they don't like him, no matter how nice a guy he is, or how big an inferiority complex he has, they'll say he's conceited. Even smart girls do it.


 * The part that got me was, there was a lady sitting next to me that cried all through the goddam picture. The phonier it got, the more she cried. You'd have thought she did it because she was kindhearted as hell, but I was sitting right next to her, and she wasn't. She had this little kid with her that was bored as hell and had to go to the bathroom, but she wouldn't take him. She kept telling him to sit still and behave himself. She was about as kindhearted as a goddam wolf. You take somebody that cries their goddam eyes out over phony stuff in the movies, and nine times out of ten they're mean bastards at heart. I'm not kidding.


 * "Anyway, I'm sort of glad they've got the atomic bomb invented. If there's ever another war, I'm going to sit right the hell on top of it. I'll volunteer for it, I swear to God I will."

Chapter 19

 * These intellectual guys don't like to have an intellectual conversation with you unless they're running the whole thing. They always want you to shut up when they shut up, and go back to your room when they go back to their room. (Page 144)

Chapter 20

 * Boy, when you're dead, they really fix you up. I hope to hell when I do die somebody has sense enough to just dump me in the river or something. Anything except sticking me in a goddam cemetery. People coming and putting a bunch of flowers on your stomach on Sunday, and all that crap. Who wants flowers when you're dead? Nobody. (Page 155)


 * People never give your message to anybody.

Chapter 21

 * It's funny. All you have to do is say something nobody understands and they'll do practically anything you want them to.

m

Chapter 24



 * That digression business got on my nerves. I don't know. The trouble with me is, I like it when somebody digresses. It's more interesting and all. ... Oh, sure! I like somebody to stick to the point and all. But I don't like them to stick too much to the point. I don't know. I guess I don't like it when somebody sticks to the point all the time. The boys that got the best marks in Oral Expression were the ones that stuck to the point all the time — I admit it. But there was this one boy, Richard Kinsella. He didn't stick to the point too much, and they were always yelling "Digression!" at him. It was terrible, because in the first place, he was a very nervous guy — I mean he was a very nervous guy — and his lips were always shaking whenever it was his time to make a speech, and you could hardly hear him if you were sitting way in the back of the room. When his lips sort of quit shaking a little bit, though, I liked his speeches better than anybody else's.... It's nice when somebody tells you about their uncle. Especially when they start out telling you about their father's farm and then all of a sudden get more interested in their uncle. I mean it's dirty to keep yelling "Digression!" at him when he's all nice and excited. I don't know. It's hard to explain.


 * What I mean is, lots of time you don't know what interests you most till you start talking about something that doesn't interest you most. I mean you can't help it sometimes. What I think is, you're supposed to leave somebody alone if he's at least being interesting and he's getting all excited about something. I like it when somebody gets excited about something. It's nice. You just didn't know this teacher, Mr. Vinson. He could drive you crazy sometimes, him and the goddam class. I mean he'd keep telling you to unify and simplify all the time. Some things you just can't do that to. I mean you can't hardly ever simplify and unify something just because somebody wants you to.


 * I don't hate too many guys. What I may do, I may hate them for a little while, like this guy Stradlater I knew at Pencey, and this other boy, Robert Ackley. I hated them once in a while — I admit it — but it doesn't last too long, is what I mean. After a while, if I didn't see them, if they didn't come in the room, or if I didn't see them in the dining room for a couple of meals, I sort of missed them. I mean I sort of missed them.


 * The mark of the immature man is that he wants to die nobly for a cause, while the mark of a mature man is that he wants to live humbly for one.
 * This is presented as a quotation of the psychoanalyst Wilhelm Stekel, and has often been attributed to Salinger, but it may actually be a paraphrase of a statement of the German writer Otto Ludwig (1813-1865) which was itself quoted by Stekel in his writings: "The highest he could raise himself to was to die gloriously for something; now he rises to something greater: to live humbly for something."


 * Among other things, you'll find that you're not the first person who was ever confused and frightened and even sickened by human behavior. You're by no means alone on that score, you'll be excited and stimulated to know. Many, many men have been just as troubled morally and spiritually as you are right now. Happily, some of them kept records of their troubles. You'll learn from them — if you want to. Just as someday, if you have something to offer, someone will learn something from you. It's a beautiful reciprocal arrangement. And it isn't education. It's history. It's poetry.
 * Said by Mr. Antolini

Chapter 25



 * I figured I could get a job at a filling station somewhere, putting gas and oil in people's cars. I didn't care what kind of job it was, though. Just so people didn't know me and I didn't know anybody. I thought what I'd do was, I'd pretend I was one of those deaf-mutes. That way I wouldn't have to have any goddamn stupid useless conversations with anybody. If anybody wanted to tell me something, they'd have to write it on a piece of paper and shove it over to me. They'd get bored as hell doing that after a while, and then I'd be through with having conversations for the rest of my life. Everybody'd think I was just a poor deaf-mute bastard and they'd leave me alone.


 * That's the whole trouble. You can't ever find a place that's nice and peaceful, because there isn't any. You may think there is, but once you get there, when you're not looking, somebody'll sneak up and write "Fuck you" right under your nose. Try it sometime. I think, even, if I ever die, and they stick me in a cemetery, and I have a tombstone and all, it'll say "Holden Caulfield" on it, and then what year I was born and what year I died, and then right under that it'll say "Fuck you." I'm positive, in fact.


 * Then the carrousel started, and I watched her go around and around. There were only about five or six other kids on the ride, and the song the carrousel was playing was "Smoke Gets in Your Eyes." It was playing it very jazzy and funny. All the kids kept trying to grab for the gold ring, and so was old Phoebe, and I was sort of afraid she'd fall off the goddam horse, but I didn't say anything or do anything. The thing with kids is, if they want to grab the gold ring, you have to let them do it, and not say anything. If they fall off they fall off, but it's bad if you say anything to them.


 * Then what she did — it damn near killed me — she reached in my coat pocket and took out my red hunting hat and put it on my head.


 * My hunting hat really gave me quite a lot of protection, in a way, but I got soaked anyway. I didn't care though. I felt so damn happy all of a sudden, the way old Phoebe kept going around and around. I was damn near bawling, I felt so damn happy, if you want to know the truth. I don't know why. It was just that she looked so damn nice, the way she kept going around and around, in her blue coat and all. God, I wish you could've been there.

Chapter 26

 * A lot of people, especially this one psychoanalyst guy they have here, keeps asking me if I'm going to apply myself when I go back to school next September. It's such a stupid question, in my opinion. I mean how do you know what you're going to do till you do it? The answer is, you don't. I think I am, but how do I know? I swear it's a stupid question.


 * D.B. asked me what I thought about all this stuff I just finished telling you about. I didn't know what the hell to say. If you want to know the truth, I don't know what I think about it. I'm sorry I told so many people about it. All I know about it is, I sort of miss everybody I told about. Even old Stradlater and Ackley, for instance. I think I even miss that goddam Maurice. It's funny. Don't ever tell anybody anything. If you do, you start missing everybody.

Quotes about The Catcher in the Rye

 * Though movies (Taxi Driver for John Hinckley Jr., would-be assassin of Ronald Reagan), books (The Catcher in the Rye for Mark David Chapman, John Lennon’s murderer) and songs (Helter Skelter” for Tate-LaBianca murders mastermind Charles Manson) may articulate specific criminals acts, they don’t inspire the person’s desire for violence. Science has proven that in numerous studies. It’s tempting to blame movies, video games and rap music because they often express humanity’s worst impulses, but impulses are not actions for most of us. And for the mentally ill seeking violence, anything can set them off. Alek Minassian, the self-described incel (involuntary celibate) who deliberately drove his van into a crowd in Toronto in 2018, killing 10 people, said he was motivated by his resentment toward women for having sexually rejected him in favor of giving “their love and affection to obnoxious brutes.” Should we then demand that studios producing romantic comedies and publishers of romance novels be shamed into contributing to anti-incel causes? The 2017 Las Vegas shooter killed 59 and injured 851 during a country music festival. Should country music bear some responsibility?
 * Kareem Abdul-Jabbar, “Kareem Abdul-Jabbar: Why the 'Joker' Gun Violence Protests Miss the Mark”, Kareem on Hollywood & Politics, The Hollywood Reporter, (10/2/2019).


 * (Have you related to any other stories of children or adolescents, of young people growing up?) There was The Catcher in the Rye, the Diary of Ann Frank... Yes, actually I have, definitely...
 * Tsitsi Dangarembga in Talking with African Writers by Jane Wilkinson


 * (Which novels have had the most impact on you as a writer? Is there a particular book that made you want to write?) “The Catcher in the Rye.” I found it on my mother’s bookshelf. I knew nothing about it or its author, but my mind was blown after the very first page. I hadn’t known that a book could speak so directly to a reader. After that, I knew what I wanted to do with my life.
 * Alice Hoffman Interview (2014)


 * I made it a point to read banned books, like “The Catcher in the Rye,” which led to counseling sessions with a youth minister, who told me such books would give me sinful feelings. That incident solidified feelings I have about the power of books and one’s helplessness without them.
 * Amy Tan interview (2013)