The trials of Brother Jero

The Trials of Brother Jero is a play by Nigerian writer Wole Soyinka. It was first produced in the dining hall at Mellanby Hall, University College, Ibadan, Nigeria, in April 1960.The play was first published in Nigeria in 1963 and by Oxford University Press in 1964.

Quotes

 * It becomes important to stand out, to be distinctive. I have set my heart after a particular name. They will look at my velvet cape and they will think of my goodness. Inevitably they must begin to call me ... the velvet-hearted Jeroboam. (Straightens himself.) Immaculate, Jero, Articulate Hero of Christ's Crusade..."
 * Brother Jero reveals his ultimate aim to be a figure of high esteem within his community.


 * You've got to have a name that appeals to the imagination—because the imagination is a thing of the spirit—it must catch the imagination of the crowd. Yes, one must move with modern times. Lack of colour gets one nowhere even in the prophet's business.
 * This quotation reveals Jero's view of the relationship between imagination and spirit, essential for the faith of his followers


 * I am glad I got here before any customers—I mean worshippers—well, customers if you like. I always get that feeling every morning that I am a shop-keeper waiting for customers. The regular ones come at definite times. Strange, dissatisfied people. I know they are dissatisfied because I keep the, dissatisfied. Once they are full, they won't come again. Like my good apprentice, Brother Chume. He wants to beat his wife, but I won't let him. If I do, he will become contented, and then that's another of my flock gone forever. As long as he doesn't beat her, he comes here feeling helpless, and so there is no chance of his rebelling against me. Everything, in fact, is planned.
 * Brother Jero reveals his strategy for attracting and retaining his worshippers, whom he sees as customers


 * From the moment I looked out of my window this morning, I have been tormented one way or another by the daughters of discord.
 * This quotation reflects the play's central characterization of women as vexing and malevolent figures


 * You didn't hear me complain. You did your best, but if my toes are to be broken one by one just because I have to monkey on your bicycle, you must admit it's a tough life for a woman.
 * This quotation is one of the first lines of dialogue attributed to a woman in the play


 * Actually I knew it was he the moment he opened his mouth. Only Brother Chume reverts to that animal jabber when he gets his spiritual excitement. And that is much too often for my liking. He is too crude, but that is to my advantage. It means he would never think of setting himself up as my equal.
 * Brother Jero reveals his distaste for pidgin, which he disparagingly describes as "animal jabber."


 * Yes, Father, those who are Messenger today, make them Senior Service tomorrow. ... Those who are petty trader today, make them big contractor tomorrow. Those who dey sweep street today, give them their own big office tomorrow. If we dey walka today, give them their own bicycle tomorrow. Those who have bicycle today, they will ride their own car tomorrow. ... I say those who dey push bicycle, give them big car tomorrow. Give them big car tomorrow. Give them big car tomorrow, give them big car tomorrow.
 * This quotation marks the first step of Chume's transition from serving as Brother Jero's blind, faithful follower to finding his own voice.