Thomas Ligotti

Thomas Ligotti (born 9 July 1953) is a contemporary American horror author and reclusive literary cult figure. His writings, while unique in style, have been noted as major continuations of several literary genres – most prominently Lovecraftian horror – and have overall been described as works of "philosophical horror," often written as short stories and novellas with a "darker" undertone which is similar to gothic fiction. In his first non-fiction work, The Conspiracy Against the Human Race (2010), Ligotti elaborates on concepts such as philosophical pessimism and antinatalism, which he suggests influenced his writings.

Quotes

 * 'For as long as I can remember,' I said, continuing to speak to the figure standing in the archway, 'I have had an intense and highly aesthetic perception of what I call the icy bleakness of things. At the same time I have felt a great loneliness in this perception. This conjunction of feelings seems paradoxical, since such a perception, such a view of things, would seem to preclude the emotion of loneliness, or any sense of a killing sadness, as I think of it. All such heartbreaking sentiment, as usually considered, would seem to be on its knees before artworks such as yours, which so powerfully express what I have called the icy bleakness of things, submerging or devastating all sentiment in an atmosphere potent with desolate truths, permeated throughout with a visionary stagnation and lifelessness. Yet I must observe that the effect, as I now consider it, has been just the opposite. If it was your intent to evoke the icy bleakness of things with your dream monologues, then you have totally failed on both an artistic and an extra-artistic level. You have failed your art, you have failed yourself, and you have also failed me. If your artworks had really evoked the bleakness of things, then I would not have felt this need to know who you are, this killing sadness that there was actually someone who experienced the same sensations and mental states that I did and who could share them with me in the form of tape-recorded dream monologues. Who are you that I should feel this need to go to work hours before the sun comes up, that I should feel this was something I had to do and that you were someone that I had to know? This behavior violates every principle by which I have lived for as long as I can remember. Who are you to cause me to violate these long-lived principles?'
 * The Bungalow House, contained in The Nightmare Factory (1996) ISBN 978-0786703029


 * I know in a way I never knew before that there is nowhere for me to go, nothing for me to do, and no one for me to know. The voice in my head keeps reciting these old principles of mine. The voice is his voice, and the voice is also my voice. And there are other voices, voices I have never heard before, voices that seem to be either dead or dying in a great moonlit darkness. More than ever, some sort of new arrangement seems in order, some dramatic and unknown arrangement -- anything to find release from this heartbreaking sadness I suffer every minute of the day (and night), this killing sadness that feels as if it will never leave me no matter where I go or what I do or whom I may ever know.
 * The Bungalow House, contained in The Nightmare Factory (1996) ISBN 978-0786703029


 * What makes a nightmare nightmarish is the sense that something is happening that should not be. While nightmares are the most convenient reference point for this sense of the impossible, the unthinkable, as something that is actually happening, it is not restricted to our sleeping hours.
 * The Shadow at The Bottom of The World (2005), Introduction ISBN 9781593600587


 * To give a relatively common example, we might consider the plot of a traffic accident, an event that is commonly experienced as dreamlike in the beginning, as you find yourself suddenly moving along a track of time quite different from the one you knew before the accident began. You may be traveling along slippery roads and then, without warning, find yourself sliding across several lanes of oncoming traffic. You know in principle that such things can easily happen. They may even have happened to you on a prior occasion. You know that they happen to other people all the time. Nevertheless, this accident was not in your plans, which is why it is called an accident. It seems like a mistake, even if it could be explained by a cause-and-effect confluence of circumstances. It was a mistake because you had an idea of how things were supposed to be that day, as you do every day, and spinning helplessly in your car while others try to avoid a collision with you, perhaps unsuccessfully, was not part of your schedule. One moment you had a firm grip on things; the next moment you are careening toward who knows where. You are not filled with horror, not yet at least, as you spin along the pavement that is slick with rain or snow. At this point, everything is all strangeness. You have been taken to a different place from where you were, and you are no longer in control. Anything could happen now. That is the suspicion that creeps into your thoughts as a nightmare begins. Nothing is safe and nothing is off limits. All of a sudden something was set into motion that changed everything into that which was not meant to be, at least according to your deluded conception of your life and its “meaningful” trajectory. Yet these things happen, as everyone knows. They have always happened and are always happening.
 * The Shadow at The Bottom of The World (2005), Introduction ISBN 9781593600587


 * But we isolate the nightmare by calling it imaginary and denying it a place in our real life; we anchor ourselves in a place far away from it, where such “realities” as God and Country rule the wavelengths; we distract ourselves from it by confining our minds to places where it is not; and we sublimate the nightmare by placing it in stories and paintings and other devisings that we may put away at will. If we neglected to do this, we would be living at all times in a world of nightmare... a world that was not meant to be and yet is so. And thus we conspire with ourselves and against ourselves to deny the most obvious facts of the nightmare—death, disease, damage, and derangement. The horror story, by obeying the terms of the nightmare, is a way that, deviously, some people use to think about the unthinkable, to face what we otherwise would not choose to look upon, and, more importantly, to control and give meaning to that which can neither be controlled nor harbors any meaning. It is a perverted mode of defending ourselves from what would demean and destroy us, from what cannot be helped and should never have been—life itself in all its inane grotesquerie. However, for all our efforts to overwrite what has been written, to remake what had been made, to change what cannot be changed, and accept what is unacceptable, we have succeeded only in making a bad situation worse. No matter how many paper monsters we face down, no matter how many nightmares we shake off, the best we can do is open the pages of Poe and recite—with a resigned and sardonic calm, if we can manage it—those words from “The Conqueror Worm” that tell us a story in which there is “much of Madness, and more of Sin And Horror the soul of the plot.”
 * The Shadow at The Bottom of The World (2005), Introduction ISBN 9781593600587


 * Nothing belongs to us. Everything is something that is rented out. Our very heads are filled with rented ideas passed on from one generation to the next.
 * Teatro Grottesco (2008) ISBN 978-0753513743


 * It has always seemed to me that my existence consisted purely and exclusively of nothing but the most outrageous nonsense.
 * Teatro Grottesco (2008) ISBN 978-0753513743


 * In those moments, which were eternal I assure you, I had no location in the universe, nothing to grasp for that minimum of security which every creature needs merely to exist without suffering from the sensation that everything is spinning ever faster on a cosmic carousel with only endless blackness at the edge of that wheeling ride. I know that your condition differs from mine, and therefore you have no means by which to fully comprehend my ordeals just as I cannot fully comprehend yours. But I do acknowledge that both our conditions are unendurable, despite the doctor's second-hand platitude that nothing in this world is unendurable. I've even come to believe that the world itself, by its very nature, is unendurable. It's only our responses to this fact that deviate: mine being predominately a response of passive terror approaching absolute panic; yours being predominantly a response of gruesome obsessions that you fear you might act upon.
 * Teatro Grottesco (2008) ISBN 978-0753513743

an arm full of tubes, a mind full of drugs, but still thinking. You see the figure enter the quiet room and you lift your arm and focus your mind. You ask the doctor, if it can be arranged, that your last day not be your worst day.
 * You lie in the bed,


 * Death Poems (2013) ISBN 978-0988447899


 * We are each either among the demoralized showing the way to a future of eternal nightmare, or we are losers celebrating our moment in hell.
 * The Spectral Link (2014) ISBN 978-1596066502


 * The only value of this world lay in its power - at certain times - to suggest another world.
 * Songs of a Dead Dreamer and Grimscribe (2015) ISBN 978-0143107767


 * Madness, chaos, bone-deep mayhem, devastation of innumerable souls—while we scream and perish, History licks a finger and turns the page.
 * Songs of a Dead Dreamer and Grimscribe (2015) ISBN 978-0143107767


 * Since I was a child, I’ve used my imagination to escape from life. At the same time, my imagination has plagued me with both reality-based anxieties as well as anxieties based entirely in the imagination, such as the fear of Hell I was taught to have by the Catholic Church. Paired with a talent for literary composition, a talent that it took me over ten years to refine, I became a writer of horror stories. To my mind, writing is the most important form of human expression, not only artistic writing but also philosophical writing, critical writing, etc. Art as such, especially programmatic music such as operas, seems trivial to me by comparison, however much pleasure we may get from it. Writing is the most effective way to express and confront the full range of the realities of life. I can honestly say that the primary stature I attach to writing is not self-serving. I’ve been captivated to some degree by all forms of creativity and expression—the visual arts, film, design of any sort, and especially music. In college I veered from literature to music for a few years, which is the main reason it took me six years to get an undergraduate degree in liberal arts. I’ve loved music for as long as I can remember. Since my instrument is the guitar, I know every form and style in its history and have written the classical, acoustic, and electric forms of this instrument. I think because I have had such a love and understanding of music do I realize, to my grief, its limitations. Writing is less limited in the consolations it offers to those who have lost a great deal in their lives. And it continues to console until practically everything in a person’s life has been lost. Words and what they express have the best chance of returning the baneful stare of life.
 * Interview conducted by Wonderbook Interview


 * There seems to be an inborn drive in all human beings not to live in a steady emotional state, which would suggest that such a state is not tolerable to most people. Why else would someone succumb to the attractions of romantic love more than once? Didn’t they learn their lesson the first time or the tenth time or the twentieth time? And it’s the same old lesson: everything in this life — I repeat, everything — is more trouble than it’s worth. And simply being alive is the basic trouble. This is something that is more recognized in Eastern societies than in the West. There’s a minor tradition in Greek philosophy that instructs us to seek a state of equanimity rather than one of ecstasy, but it never really caught on for obvious reasons. Buddhism advises its practitioners not to seek highs or lows but to follow a middle path to personal salvation from the painful cravings of the average sensual life, which is why it was pretty much reviled by the masses and mutated into forms more suited to human drives and desires. It seems evident that very few people can simply sit still. Children spin in circles until they collapse with dizziness.
 * Interview conducted by Neddal Ayad
 * DISILLUSIONMENT CAN BE GLAMOROUS, an interview with Thomas Ligotti by E.M. Angerhuber (EMA) and Thomas Wagner (TW), January 2001 for The Art of GrimScribe
 * I discovered the works of H. P. Lovecraft. I found that the meaningless and menacing universe described in Lovecraft's stories corresponded very closely to the place I was living at that time, and ever since for that matter. I was grateful that someone else had perceived the world in a way similar to my own view.
 * the universe as something thin and unstable, something that barely has the quivering and illusory quality of a mirage and yet, alas, refuses to dissolve completely into nothingness.
 * I could never be a professional writer for the simple reason that I'm not interested in the same things that people who buy the majority of the books in this world are interested in. Like Lovecraft, I'm not interested in people and their relationships. That alone counts me out as a professional writer. I also have a bad attitude toward the world. I think that life is a curse and so on.
 * Even to carry on until tomorrow is act of ecstatic lunacy, since every tomorrow just brings you closer to that last one, which will probably not shape up to be a very good day.
 * [In My Work Is Not Yet Done] there are only provisional good guys and bad guys. Ultimately everyone in those stories is bad news, as is the entire human race in my view. And, most importantly, those stories only begin with horrors in a workplace setting. Ultimately they are about something else altogether.
 * "all-consuming darkness" kind of suggests that there's something going on in the universe. That's not what I would wish. I don't want a universe in which even nothing could be going on.

The Conspiracy Against the Human Race: A Contrivance of Horror (2010)
New York: Hippocampus Press. 2010. ISBN 978-0984480272.

Foreword
A painted puppet, a poor toy Of jointed parts ready to collapse, A diseased and suffering thing With a head full of false imaginings.
 * Look at your body—
 * Description: from the The Dhammapada

Introduction: Of Pessimism and Paradox

 * As history confirms, people will change their minds about almost anything, from which god they worship to how they style their hair. But when it comes to existential judgments, human beings in general have an unfalteringly good opinion of themselves and their condition in this world and are steadfastly confident they are not a collection of self-conscious nothings.
 * p. 14

The Nightmare of Being

 * To be alive is to in­habit a nightmare without hope of awakening to a natural world, to have our bodies embedded neck-deep in a quagmire of dread, to live as shut-ins in a house of horrors from which nobody gets out alive.
 * p. 21


 * The birthrights we toss about are all lies fabricated to a purpose, as any student of humanity can verify. For those who have given thought to this matter, the only rights we may exercise are these: to seek the survival of our individual bodies, to create more bodies like our own, and to perish from corruption or mortal trauma. This is presuming that one has been brought to term and has made it to the age of being reproductively ready, neither being a natural birthright. Stringently considered, then, our only natural birthright is a right to die. No other right has ever been allocated to anyone except as a fabrication, whether in modern times or days past.
 * p. 22


 * As a fact, we cannot give suffering precedence in either our individual or collective lives. We have to get on with things, and those who give precedence to suffering will be left behind. They fetter us with their sniveling. We have someplace to go and must believe we can get there, wherever that may be. And to conceive that there is a 'brotherhood of suffering between everything alive' would disable us from getting anywhere. We are preoccupied with the good life, and step by step are working toward a better life. What we do, as a conscious species, is set markers for ourselves. Once we reach one marker, we advance to the next — as if we were playing a board game we think will never end, despite the fact that it will, like it or not. And if you are too conscious of not liking it, then you may conceive of yourself as a biological paradox that cannot live with its consciousness and cannot live without it. And in so living and not living, you take your place with the undead and the human puppet.
 * p. 27


 * For the rest of the earth’s organisms, existence is relatively uncomplicated. Their lives are about three things: survival, reproduction, death—and nothing else. But we know too much to content ourselves with surviving, reproducing, dying—and nothing else. We know we are alive and know we will die. We also know we will suffer during our lives before suffering—slowly or quickly—as we draw near to death. This is the knowledge we “enjoy” as the most intelligent organisms to gush from the womb of nature. And being so, we feel shortchanged if there is nothing else for us than to survive, reproduce, and die. We want there to be more to it than that, or to think there is. This is the tragedy: Consciousness has forced us into the paradoxical position of striving to be unself-conscious of what we are— hunks of spoiling flesh on disintegrating bones.
 * p. 28


 * God’s plan to suicide himself could not work, though, as long as He existed as a unified entity outside of space-time and matter. Seeking to nullify His oneness so that He could be delivered into nothingness, he shattered Himself—Big Bang-like—into the time-bound fragments of the universe, that is, all those objects and organisms that have been accumulating here and there for billions of years. In Mainländer’s philosophy, “God knew that he could change from a state of super-reality into non-being only through the development of a real world of multiformity.” Employing this strategy, He excluded Himself from being. “God is dead,” wrote Mainländer, “and His death was the life of the world.” Once the great individuation had been initiated, the momentum of its creator’s self-annihilation would continue until everything became exhausted by its own existence, which for human beings meant that the faster they learned that happiness was not as good as they thought it would be, the happier they would be to die out.
 * p. 36


 * The major part of our species seems able to undergo any trauma without significantly re-examining its household mantras, including “everything happens for a reason,” “the show must go on,” “accept the things you cannot change,” and any other adage that gets people to keep their chins up.
 * p. 45


 * Some critics of the pessimist often think they have his back to the wall when they blithely jeer, “If that is how this fellow feels, he should either kill himself or be decried as a hypocrite.” That the pessimist should kill himself in order to live up to his ideas may be counterattacked as betraying such a crass intellect that it does not deserve a response. Yet it is not much of a chore to produce one. Simply because someone has reached the conclusion that the amount of suffering in this world is enough that anyone would be better off never having been born does not mean that by force of logic or sincerity he must kill himself. It only means he has concluded that the amount of suffering in this world is enough that anyone would be better off never having been born. Others may disagree on this point as it pleases them, but they must accept that if they believe themselves to have a stronger case than the pessimist, then they are mistaken.
 * p. 50


 * Nature proceeds by blunders; that is its way. It is also ours. So if we have blundered by regarding consciousness as a blunder, why make a fuss over it? Our self-removal from this planet would still be a magnificent move, a feat so luminous it would bedim the sun. What do we have to lose? No evil would attend our departure from this world, and the many evils we have known would go extinct along with us. So why put off what would be the most laudable masterstroke of our existence, and the only one?
 * p. 52


 * Optimism has always been an undeclared policy of human culture- one that grew out of our animal instincts to survive and reproduce- rather than an articulated body of thought. It is the default condition of our blood and cannot be effectively questioned by our minds or put in grave doubt by our pains. This would explain why at any given time there are more cannibals than philosophical pessimists.
 * p. 64


 * Perhaps the greatest strike against philosophical pessimism is that its only theme is human suffering. This is the last item on the list of our species’ obsessions and detracts from everything that matters to us, such as the Good, the Beautiful, and a Sparkling Clean Toilet Bowl. For the pessimist, everything considered in isolation from human suffering or any cognition that does not have as its motive the origins, nature, and elimination of human suffering is at base recreational, whether it takes the form of conceptual probing or physical action in the world—for example, delving into game theory or traveling in outer space, respectively. And by "human suffering," the pessimist is not thinking of particular sufferings and their relief, but of suffering itself. Remedies may be discovered for certain diseases and sociopolitical barbarities may be amended. But these are only stopgaps. Human suffering will remain insoluble as long as human beings exist. The one truly effective solution for suffering is that spoken of in Zapffe’s "Last Messiah." It may not be a welcome solution for a stopgaps world, but it would forever put an end to suffering, should we ever care to do so. The pessimist’s credo, or one of them, is that nonexistence never hurt anyone and existence hurts everyone. Although our selves may be illusory creations of consciousness, our pain is nonetheless real.
 * pp. 74-75


 * As a survival-happy species, our successes are calculated in the number of years we have extended our lives, with the reduction of suffering being only incidental to this aim. To stay alive under almost any circumstances is a sickness with us. Nothing could be more unhealthy than to “watch one’s health” as a means of stalling death. The lengths we will go as procrastinators of that last gasp only demonstrate a morbid dread of that event. By contrast, our fear of suffering is deficient.
 * p. 75


 * Not unexpectedly, no one believes that everything is useless, and with good reason. We all live in relative frameworks, and within those frameworks uselessness is far wide from the norm. A potato masher is not useless if one wants to mash potatoes. For some people, a system of being that includes an afterlife of eternal bliss may not seem useless. They might say that such a system is absolutely useful because it gives them the hope they need to make it through this life. But an afterlife of eternal bliss is not and cannot be absolutely useful simply because you need it to be. It is part of a relative framework and nothing beyond that, just as a potato masher is only part of a relative framework and is only useful if you need to mash potatoes. Once you had made it through this life to an afterlife of eternal bliss, you would have no use for that afterlife. Its job would be done, and all you would have is an afterlife of eternal bliss—a paradise for reverent hedonists and pious libertines. What is the use in that? You might as well not exist at all, either in this life or in an afterlife of eternal bliss. Any kind of existence is useless. Nothing is self-justifying. Everything is justified only in a relative potato-masher sense.
 * pp. 76-77


 * We did not make ourselves, nor did we fashion a world that could not work without pain, and great pain at that, with a little pleasure, very little, to string us along--a world where all organisms are inexorably pushed by pain throughout their lives to do that which will improve their chances to survive and create more of themselves. Left unchecked, this process will last as long as a single cell remains palpitating in this cesspool of the solar system, this toilet of the galaxy. So why not lend a hand in nature's suicide? For want of a deity that could be held to account for a world in which there is terrible pain, let nature take the blame for our troubles. We did not create an environment uncongenial to our species, nature did. One would think that nature was trying to kill us off, or get us to suicide ourselves once the blunder of consciousness came upon us. What was nature thinking? We tried to anthropomorphize it, to romanticize it, to let it into our hearts. But nature kept its distance, leaving us to our own devices. So be it. Survival is a two-way street. Once we settle ourselves off-world, we can blow up this planet from outer space. It's the only way to be sure its stench will not follow us. Let it save itself if it can--the condemned are known for the acrobatics they will execute to wriggle out of their sentences. But if it cannot destroy what it has made, and what could possibly unmake it, then may it perish along with every other living thing it has introduced to pain.
 * pp. 79-80

Who goes there?

 * What meaning our lives may seem to have is the work of a relatively well-constituted emotional system. As consciousness gives us the sense of being persons, our psychophysiology is responsible for making us into personalities who believe the existential game to be worth playing. We may have memories that are unlike those of anyone else, but without the proper emotions to liven those memories they might as well reside in a computer file as disconnected bits of data that never unite into a tailor-made individual for whom things seem to mean something. You can conceptualize that your life has meaning, but if you do not feel that meaning then your conceptualization is meaningless and you are nobody. The only matters of weight in our lives are colored by rainbows or auroras of regulated emotion which give one a sense of that “old self.” But a major depression causes your emotions to evaporate, reducing you to a shell of a person standing alone in a drab landscape. Emotions are the substrate for the illusion of being a somebody among somebodies as well as for the substance we see, or think we see, in the world. Not knowing this ground-level truth of human existence is the equivalent of knowing nothing at all.
 * p. 114


 * "Love? What is it? The most natural painkiller what there is.” You may become curious, though, about what happened to that painkiller should depression take hold and expose your love—whatever its object—as just one of the many intoxicants that muddled your consciousness of the human tragedy. You may also want to take a second look at whatever struck you as a person, place, or thing of “beauty,” a quality that lives only in the neurotransmitters of the beholder. (Aesthetics? What is it? A matter for those not depressed enough to care nothing about anything, that is, those who determine almost everything that is supposed to matter to us. Protest as you like, neither art nor an aesthetic view of life are distractions granted to everyone.) In depression, all that once seemed beautiful, or even startling and dreadful, is nothing to you. The image of a cloud-crossed moon is not in itself a purveyor of anything mysterious or mystical; it is only an ensemble of objects represented to us by our optical apparatus and perhaps processed as a memory.
 * p. 116


 * This is the great lesson the depressive learns: Nothing in the world is inherently compelling. Whatever may be really “out there” cannot project itself as an affective experience. It is all a vacuous affair with only a chemical prestige. Nothing is either good or bad, desirable or undesirable, or anything else except that it is made so by laboratories inside us producing the emotions on which we live. And to live on our emotions is to live arbitrarily, inaccurately—imparting meaning to what has none of its own. Yet what other way is there to live? Without the ever-clanking machinery of emotion, everything would come to a standstill. There would be nothing to do, nowhere to go, nothing to be, and no one to know. The alternatives are clear: to live falsely as pawns of affect, or to live factually as depressives, or as individuals who know what is known to the depressive. How advantageous that we are not coerced into choosing one or the other, neither choice being excellent. One look at human existence is proof enough that our species will not be released from the stranglehold of emotionalism that anchors it to hallucinations. That may be no way to live, but to opt for depression would be to opt out of existence as we consciously know it.
 * pp. 116-117

Sick to Death

 * To salve the pains of consciousness, some people anesthetize themselves with sunny thoughts. But not everyone can follow their lead, above all not those who sneer at the sun and everything upon which it beats down. Their only respite is in the balm of bleakness. Disdainful of the solicitations of hope, they look for sanctuary in desolate places - a scattering of ruins in a barren locale or a rubble of words in a book where someone whispers in a dry voice, "I, too, am here.”
 * p. 147


 * “We, as licensed protectors of the species and members in good standing of the master-class of the race, by the power invested in us by those who wish to survive and reproduce, vow to enforce the fiction that life is worth having and worth living come hell or irreparable brain damage.”
 * p. 154


 * Also worthy of mention is a clique among the suicidal for whom the meaning of their act is a darker thing. Frustrated as perpetrators of an all-inclusive extermination, they would kill themselves only because killing it all is closed off to them. They hate having been delivered into a world only to be told, by and by, “This way to the abattoir, Ladies and Gentlemen.” They despise the conspiracy of Lies for Life almost as much as they despise themselves for being a party to it. If they could unmake the world by pushing a button, they would do so without a second thought. There is no satisfaction in a lonesome suicide. The phenomenon of “suicide euphoria” aside, there is only fear, bitterness, or depression beforehand, then the troublesomeness of the method, and nothingness afterward. But to push that button, to depopulate this earth and arrest its rotation as well—what satisfaction, as of a job prettily done. This would be for the good of all, for even those who know nothing about the conspiracy against the human race are among its injured parties.
 * p. 161


 * Whatever else we may be as creatures that go to and fro on the earth and walk up and down upon it, we are meat. A cannibalistic tribe that once flourished had a word to describe what they ate. That word translates as “the food that talks.” Most of the food that we have eaten over the course of human history has not talked. But it does make other noises, terrible sounds as it is converted from living meat to dead meat on the slaughterhouse floor. If we could hear these sounds every time we sat down to a hearty meal, would we still be the wanton gobblers of flesh that most of us are now?
 * p. 165

The Cult of Grinning Martyrs

 * If human pleasure did not have both a lid and a time limit, we would not bestir ourselves to do things that were not pleasurable, such as toiling for our subsistence. And then we would not survive. By the same token, should our mass mind ever become discontented with the restricted pleasures doled out by nature, as well as disgruntled over the lack of restrictions on pain, we would omit the mandates of survival from our lives out of a stratospherically acerbic indignation. And then we would not reproduce. As a species, we do not shout into the sky, “The pleasures of this world are not enough for us.” In fact, they are just enough to drive us on like oxen pulling a cart full of our calves, which in their turn will put on the yoke. As inordinately evolved beings, though, we can postulate that it will not always be this way. “A time will come,” we say to ourselves, “when we will unmake this world in which we are battered between long burden and brief delight, and will live in pleasure for all our days.” The belief in the possibility of long-lasting, high-flown pleasures is a deceptive but adaptive flimflam. It seems that nature did not make us to feel too good for too long, which would be no good for the survival of the species, but only to feel good enough for long enough to keep us from complaining that we do not feel good all the time.
 * pp. 171-172


 * In the workaday world, complainers will not go far. When someone asks how you are doing, you had better be wise enough to reply, “I can’t complain.” If you do complain, even justifiably, people will stop asking how you are doing. Complaining will not help you succeed and influence people. You can complain to your physician or psychiatrist because they are paid to hear you complain. But you cannot complain to your boss or your friends, if you have any. You will soon be dismissed from your job and dropped from the social register. Then you will be left alone with your complaints and no one to listen to them. Perhaps then the message will sink into your head: If you do not feel good enough for long enough, you should act as if you do and even think as if you do. That is the way to get yourself to feel good enough for long enough and stop you from complaining for good, as any self-improvement book can affirm. But should you not improve, someone must assume the blame. And that someone will be you. This is monumentally so if you are a pessimist or a depressive.
 * p. 172


 * Should you conclude that life is objectionable or that nothing mat­ters—do not waste our time with your nonsense. We are on our way to the future, and the philosophically disheartening or the emotionally impaired are not going to hinder our progress. If you cannot say something positive, or at least equivocal, keep it to yourself. Pessimists and depressives need not apply for a position in the enterprise of life. You have two choices: Start thinking the way God and your society want you to think or be forsaken by all. The decision is yours, since you are a free agent who can choose to rejoin our fabricated world or stubbornly insist on . . . what? That we should mollycoddle non-positive thinkers like you or rethink how the whole world transacts its business? That we should start over from scratch? Or that we should go extinct? Try to be realistic. We did the best we could with the tools we had. After all, we are only human, as we like to say. Our world may not be in accord with nature's way, but it did develop organically according to our consciousness, which delivered us to a lofty prominence over the Creation. The whole thing just took on a life of its own, and nothing is going to stop it anytime soon. There can be no starting over and no going back. No major readjustments are up for a vote. And no melancholic head-case is going to bad-mouth our catastro­phe. The universe was created by the Creator, damn it. We live in a country we love and that loves us back. We have families and friends and jobs that make it all worthwhile. We are some­ bodies, not a bunch of nobodies without names or numbers or retirement plans. None of this is going to be overhauled by a thought criminal who contends that the world is not double­plusgood and never will be. Our lives may not be unflawed­­­­­­­­­­­­­­­­—that would deny us a better future to work toward—but if this charade is good enough for us, then it should be good enough for you. So if you cannot get your mind right, try walking away. You will find no place to go and no one who will have you. You will find only the same old trap the world over. Lighten up or leave us alone. You will never get us to give up our hopes. You will never get us to wake up from our dreams. We are not contradictory beings whose continuance only worsens our plight as mutants who embody the contorted logic of a para­dox. Such opinions will not be accredited by institutions of au­thority or by the middling run of humanity. To lay it on the line, whatever thoughts may enter your chemically imbalanced brain are invalid, inauthentic, or whatever dismissive term we care to hang on you, who are only "one of those people." So start pretending that you feel good enough for long enough, stop your complaining, and get back in line. If you are not as strong as Samson—that no-good suicide and slaughterer of Phil­istines—then get loaded to the gills and return to the trap. Keep your medicine cabinet and your liquor cabinet well stocked, just like the rest of us. Come on and join the party. No pessi­mists or depressives invited. Do you think we are morons? We know all about those complaints of yours. The only difference is that we have sense enough and feel good enough for long enough not to speak of them. Keep your powder dry and your brains blocked. Our shibboleth: "Up the Conspiracy and down with Consciousness."
 * pp. 172-174


 * Opinion: There are no praiseworthy incentives to repro­duce. For pro-natalists, children are only a means to an end, and none of those ends is praiseworthy. They are the ends of people who already exist, a condition that automatically makes them prejudiced in favor of existence. Yet even though these people think that being alive is all right, they are not at a loss to think of reasons why in some cases it would be better not to have been. They can only hope that their children will not be one of those cases, for their sake as well as for the sake of their off­spring. To have a praiseworthy incentive for bearing a child, one would first have to prove that child to be an end in itself, which no one can prove about anything, least of all about something that does not yet exist. You could argue, of course, that a child is an end in itself and is a good in itself. And you could go on arguing until the child ages to death or sickens to death or has a fatal vehicular misadventure. But you cannot ar­gue that anyone comes to an end that is a good in itself. You can only accept that someday he or she will come to an end that is an end in itself, which, as people sometimes say, may be for the best.
 * pp. 177-178


 * ...One must take into account the shocking fact that we live on a world that spins. After considering this truth, nothing should come as a surprise.
 * p. 182

Autopsy on a Puppet: An Anatomy of the Supernatural

 * If we vanished tomorrow, no organism on this planet would miss us. Nothing in nature needs us.
 * p. 221


 * Almost nobody declares that an ancestral curse contaminates us in utero and pollutes our existence. Doctors do not weep in the delivery room, or not often. They do not lower their heads and say, "The stopwatch has started." The infant may cry, if things went right. But time will dry its eyes; time will take care of it. Time will take care of everyone until there are none of us to take care of. Then all will be as it was before we put down roots where we do not belong.
 * pp. 227

About Ligotti

 * As an aphorist, Cioran has no rivals other than perhaps Nietzsche, and many of his philosophies are echoed by Ligotti. But Ligotti is far more disturbing than Cioran, who is actually very funny. In exploring these philosophies, nobody I’ve read has expressed the idea of humanity as aberration more powerfully than Cioran and Ligotti.
 * Nic Pizzolatto, as quoted by Michael Calia (2014) "Writer Nic Pizzolatto on Thomas Ligotti and the Weird Secrets of ‘True Detective’", Speakeasy blog on the Wall Street Journal